If anyone else agrees I think I might ask Philo how seriously I should take these powers
also just to check is this a mod only power or do yall have it too? Just click on the 3 dots on the top right of a post or reply and it comes up
The FitnessGram PACER Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The test is used to measure a student's aerobic capacity as part of the FitnessGram assessment. Students run back and forth as many times as they can, each lap signaled by a beep sound.
The FitnessGram PACER Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The test is used to measure a student's aerobic capacity as part of the FitnessGra-
ooh I have an idea, theres a thread that's really big and I'm trying to get to the limit
The FitnessGram PACER Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The test is used to measure a student's aerobic capacity as part of the FitnessGram assessment. Students run back and forth as many times as they can, each lap signaled by a beep sound.
i mean if she wanted a big thread she could just go to all the pages and idk why you didnt just use it for that experiment lolThe FitnessGram PACER Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The test is used to measure a student's aerobic capacity as part of the FitnessGram assessment. Students run back and forth as many times as they can, each lap signaled by a beep sound.
i would move to all the pages but i don't want to fill the page up with reccommendations
According to all known laws of aviation, there is no way that a bee should be able to fly. Its wings are too small to get its fat little body off the ground. The bee, of course, flies anyway. Because bees don’t care what humans think is impossible.” SEQ. 75 - “INTRO TO BARRY” INT. BENSON HOUSE - DAY ANGLE ON: Sneakers on the ground. Camera PANS UP to reveal BARRY BENSON’S BEDROOM ANGLE ON: Barry’s hand flipping through different sweaters in his closet. BARRY Yellow black, yellow black, yellow black, yellow black, yellow black, yellow black...oohh, black and yellow... ANGLE ON: Barry wearing the sweater he picked, looking in the mirror. BARRY (CONT’D) Yeah, let’s shake it up a little. He picks the black and yellow one. He then goes to the sink, takes the top off a CONTAINER OF HONEY, and puts some honey into his hair. He squirts some in his mouth and gargles. Then he takes the lid off the bottle, and rolls some on like deodorant. CUT TO: INT. BENSON HOUSE KITCHEN - CONTINUOUS Barry’s mother, JANET BENSON, yells up at Barry. JANET BENSON Barry, breakfast is ready! CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 1. INT. BARRY’S ROOM - CONTINUOUS BARRY Coming! SFX: Phone RINGING. Barry’s antennae vibrate as they RING like a phone. Barry’s hands are wet. He looks around for a towel. BARRY (CONT’D) Hang on a second! He wipes his hands on his sweater, and pulls his antennae down to his ear and mouth. BARRY (CONT'D) Hello? His best friend, ADAM FLAYMAN, is on the other end. ADAM Barry? BARRY Adam? ADAM Can you believe this is happening? BARRY Can’t believe it. I’ll pick you up. Barry sticks his stinger in a sharpener. SFX: BUZZING AS HIS STINGER IS SHARPENED. He tests the sharpness with his finger. SFX: Bing. BARRY (CONT’D) Looking sharp. ANGLE ON: Barry hovering down the hall, sliding down the staircase bannister. Barry’s mother, JANET BENSON, is in the kitchen. JANET BENSON Barry, why don’t you use the stairs? Your father paid good money for those. "Bee Movie" - JS REVISIONS 8/13/07 2. BARRY Sorry, I’m excited. Barry’s father, MARTIN BENSON, ENTERS. He’s reading a NEWSPAPER with the HEADLINE, “Queen gives birth to thousandtuplets: Resting Comfortably.” MARTIN BENSON Here’s the graduate. We’re very proud of you, Son. And a perfect report card, all B’s. JANET BENSON (mushing Barry’s hair) Very proud. BARRY Ma! I’ve got a thing going here. Barry re-adjusts his hair, starts to leave. JANET BENSON You’ve got some lint on your fuzz. She picks it off. BARRY Ow, that’s me! MARTIN BENSON Wave to us. We’ll be in row 118,000. Barry zips off. BARRY Bye! JANET BENSON Barry, I told you, stop flying in the house! CUT TO: SEQ. 750 - DRIVING TO GRADUATION EXT. BEE SUBURB - MORNING A GARAGE DOOR OPENS. Barry drives out in his CAR. "Bee Movie" - JS REVISIONS 8/13/07 3. ANGLE ON: Barry’s friend, ADAM FLAYMAN, standing by the curb. He’s reading a NEWSPAPER with the HEADLINE: “Frisbee Hits Hive: Internet Down. Bee-stander: “I heard a sound, and next thing I knew...wham-o!.” Barry drives up, stops in front of Adam. Adam jumps in. BARRY Hey, Adam. ADAM Hey, Barry. (pointing at Barry’s hair) Is that fuzz gel? BARRY A little. It’s a special day. Finally graduating. ADAM I never thought I’d make it. BARRY Yeah, three days of grade school, three days of high school. ADAM Those were so awkward. BARRY Three days of college. I’m glad I took off one day in the middle and just hitchhiked around the hive. ADAM You did come back different. They drive by a bee who’s jogging. ARTIE Hi Barry! BARRY (to a bee pedestrian) Hey Artie, growing a mustache? Looks good. Barry and Adam drive from the suburbs into the city. ADAM Hey, did you hear about Frankie? "Bee Movie" - JS REVISIONS 8/13/07 4. BARRY Yeah. ADAM You going to his funeral? BARRY No, I’m not going to his funeral. Everybody knows you sting someone you die, you don’t waste it on a squirrel. He was such a hot head. ADAM Yeah, I guess he could’ve just gotten out of the way. The DRIVE through a loop de loop. BARRY AND ADAM Whoa...Whooo...wheee!! ADAM I love this incorporating the amusement park right into our regular day. BARRY I guess that’s why they say we don’t need vacations. CUT TO: SEQ. 95 - GRADUATION EXT. GRADUATION CEREMONY - CONTINUOUS Barry and Adam come to a stop. They exit the car, and fly over the crowd to their seats. * BARRY * (re: graduation ceremony) * Boy, quite a bit of pomp...under * the circumstances. * They land in their seats. BARRY (CONT’D) Well Adam, today we are men. "Bee Movie" - JS REVISIONS 8/13/07 5. ADAM We are. BARRY Bee-men. ADAM Amen! BARRY Hallelujah. Barry hits Adam’s forehead. Adam goes into the rapture. An announcement comes over the PA. ANNOUNCER (V.O) Students, faculty, distinguished bees...please welcome, Dean Buzzwell. ANGLE ON: DEAN BUZZWELL steps up to the podium. The podium has a sign that reads: “Welcome Graduating Class of:”, with train-station style flipping numbers after it. BUZZWELL Welcome New Hive City graduating class of... The numbers on the podium change to 9:15. BUZZWELL (CONT’D) ...9:15. (he clears his throat) And that concludes our graduation ceremonies. And begins your career at Honex Industries. BARRY Are we going to pick our job today? ADAM I heard it’s just orientation. The rows of chairs change in transformer-like mechanical motion to Universal Studios type tour trams. Buzzwell walks off stage. BARRY (re: trams) Whoa, heads up! Here we go. "Bee Movie" - JS REVISIONS 8/13/07 6. SEQ. 125 - “FACTORY” FEMALE VOICE (V.O) Keep your hands and antennas inside the tram at all times. (in Spanish) Dejen las manos y antennas adentro del tram a todos tiempos. BARRY I wonder what it’s going to be like? ADAM A little scary. Barry shakes Adam. BARRY AND ADAM AAHHHH! The tram passes under SIGNS READING: “Honex: A Division of Honesco: A Part of the Hexagon Group.” TRUDY Welcome to Honex, a division of Honesco, and a part of the Hexagon group. BARRY This is it! The Honex doors OPEN, revealing the factory. BARRY (CONT’D) Wow. TRUDY We know that you, as a bee, have worked your whole life to get to the point where you can work for your whole life. Honey begins when our valiant pollen jocks bring the nectar to the hive where our top secret formula is automatically color-corrected, scent adjusted and bubble contoured into this... Trudy GRABS a TEST TUBE OF HONEY from a technician. "Bee Movie" - JS REVISIONS 8/13/07 7. TRUDY (CONT’D) ...soothing, sweet syrup with its distinctive golden glow, you all know as... EVERYONE ON THE TRAM (in unison) H-o-n-e-y. Trudy flips the flask into the crowd, and laughs as they all scramble for it. ANGLE ON: A GIRL BEE catching the honey. ADAM (sotto) That girl was hot. BARRY (sotto) She’s my cousin. ADAM She is? BARRY Yes, we’re all cousins. ADAM Right. You’re right. TRUDY At Honex, we also constantly strive to improve every aspect of bee existence. These bees are stress testing a new helmet technology. ANGLE ON: A STUNT BEE in a HELMET getting hit with a NEWSPAPER, then a SHOE, then a FLYSWATTER. He gets up, and gives a “thumb’s up”. The graduate bees APPLAUD. ADAM (re: stunt bee) What do you think he makes? BARRY Not enough. TRUDY And here we have our latest advancement, the Krelman. "Bee Movie" - JS REVISIONS 8/13/07 8. BARRY Wow, what does that do? TRUDY Catches that little strand of honey that hangs after you pour it. Saves us millions. ANGLE ON: The Krelman machine. Bees with hand-shaped hats on, rotating around a wheel to catch drips of honey. Adam’s hand shoots up. ADAM Can anyone work on the Krelman? TRUDY Of course. Most bee jobs are small ones. But bees know that every small job, if it’s done well, means a lot. There are over 3000 different bee occupations. But choose carefully, because you’ll stay in the job that you pick for the rest of your life. The bees CHEER. ANGLE ON: Barry’s smile dropping slightly. BARRY The same job for the rest of your life? I didn’t know that. ADAM What’s the difference? TRUDY And you’ll be happy to know that bees as a species haven’t had one day off in 27 million years. BARRY So you’ll just work us to death? TRUDY (laughing) We’ll sure try. Everyone LAUGHS except Barry. "Bee Movie" - JS REVISIONS 8/13/07 9. The tram drops down a log-flume type steep drop. Cameras flash, as all the bees throw up their hands. The frame freezes into a snapshot. Barry looks concerned. The tram continues through 2 doors. FORM DISSOLVE TO: SEQ. 175 - “WALKING THE HIVE” INT. HONEX LOBBY ANGLE ON: The log-flume photo, as Barry looks at it. ADAM Wow. That blew my mind. BARRY (annoyed) “What’s the difference?” Adam, how could you say that? One job forever? That’s an insane choice to have to make. ADAM Well, I’m relieved. Now we only have to make one decision in life. BARRY But Adam, how could they never have told us that? ADAM Barry, why would you question anything? We’re bees. We’re the most perfectly functioning society on Earth. They walk by a newspaper stand with A SANDWICH BOARD READING: “Bee Goes Berserk: Stings Seven Then Self.” ANGLE ON: A BEE filling his car’s gas tank from a honey pump. He fills his car some, then takes a swig for himself. NEWSPAPER BEE (to the bee guzzling gas) Hey! Barry and Adam begin to cross the street. "Bee Movie" - JS REVISIONS 8/13/07 10. BARRY Yeah but Adam, did you ever think that maybe things work a little too well around here? They stop in the middle of the street. The traffic moves perfectly around them. ADAM Like what? Give me one example. BARRY (thinks) ...I don’t know. But you know what I’m talking about. They walk off. SEQ. 400 - “MEET THE JOCKS” SFX: The SOUND of Pollen Jocks. PAN DOWN from the Honex statue. J-GATE ANNOUNCER Please clear the gate. Royal Nectar Force on approach. Royal Nectar Force on approach. BARRY Wait a second. Check it out. Hey, hey, those are Pollen jocks. ADAM Wow. FOUR PATROL BEES FLY in through the hive’s giant Gothic entrance. The Patrol Bees are wearing fighter pilot helmets with black visors. ADAM (CONT’D) I’ve never seen them this close. BARRY They know what it’s like to go outside the hive. ADAM Yeah, but some of them don’t come back. "Bee Movie" - JS REVISIONS 8/13/07 11. The nectar from the pollen jocks is removed from their backpacks, and loaded into trucks on their way to Honex. A SMALL CROWD forms around the Patrol Bees. Each one has a PIT CREW that takes their nectar. Lou Loduca hurries a pit crew along: LOU LODUCA You guys did great! You’re monsters. You’re sky freaks! I love it! I love it! SCHOOL GIRLS are jumping up and down and squealing nearby. BARRY I wonder where those guys have just been? ADAM I don’t know. BARRY Their day’s not planned. Outside the hive, flying who-knows-where, doing who-knows-what. ADAM You can’t just decide one day to be a Pollen Jock. You have to be bred for that. BARRY Right. Pollen Jocks cross in close proximity to Barry and Adam. Some pollen falls off, onto Barry and Adam. BARRY (CONT’D) Look at that. That’s more pollen than you and I will ever see in a lifetime. ADAM (playing with the pollen) It’s just a status symbol. I think bees make too big a deal out of it. BARRY Perhaps, unless you’re wearing it, and the ladies see you wearing it. ANGLE ON: Two girl bees. "Bee Movie" - JS REVISIONS 8/13/07 12. ADAM Those ladies? Aren’t they our cousins too? BARRY Distant, distant. ANGLE ON: TWO POLLEN JOCKS. JACKSON Look at these two. SPLITZ Couple of Hive Harrys. JACKSON Let’s have some fun with them. The pollen jocks approach. Barry and Adam continue to talk to the girls. GIRL 1 It must be so dangerous being a pollen jock. BARRY Oh yeah, one time a bear had me pinned up against a mushroom. He had one paw on my throat, and with the other he was slapping me back and forth across the face. GIRL 1 Oh my. BARRY I never thought I’d knock him out. GIRL 2 (to Adam) And what were you doing during all of this? ADAM Obviously I was trying to alert the authorities. The girl swipes some pollen off of Adam with a finger. BARRY (re: pollen) I can autograph that if you want. "Bee Movie" - JS REVISIONS 8/13/07 13. JACKSON Little gusty out there today, wasn’t it, comrades? BARRY Yeah. Gusty. BUZZ You know, we’re going to hit a sunflower patch about six miles from here tomorrow. BARRY Six miles, huh? ADAM (whispering) Barry. BUZZ It’s a puddle-jump for us. But maybe you’re not up for it. BARRY Maybe I am. ADAM (whispering louder) You are not! BUZZ We’re going, oh-nine hundred at JGate. ADAM (re: j-gate) Whoa. BUZZ (leaning in, on top of Barry) What do you think, Buzzy Boy? Are you bee enough? BARRY I might be. It all depends on what oh-nine hundred means. CUT TO: SEQ. 450 - “THE BALCONY” "Bee Movie" - JS REVISIONS 8/13/07 14. INT. BENSON HOUSE BALCONY - LATER Barry is standing on the balcony alone, looking out over the city. Martin Benson ENTERS, sneaks up behind Barry and gooses him in his ribs. MARTIN BENSON Honex! BARRY Oh, Dad. You surprised me. MARTIN BENSON (laughing) Have you decided what you’re interested in, Son? BARRY Well, there’s a lot of choices. MARTIN BENSON But you only get one. Martin LAUGHS. BARRY Dad, do you ever get bored doing the same job every day? MARTIN BENSON Son, let me tell you something about stirring. (making the stirring motion) You grab that stick and you just move it around, and you stir it around. You get yourself into a rhythm, it’s a beautiful thing. BARRY You know dad, the more I think about it, maybe the honey field just isn’t right for me. MARTIN BENSON And you were thinking of what, making balloon animals? That’s a bad job for a guy with a stinger. "Bee Movie" - JS REVISIONS 8/13/07 15. BARRY Well no... MARTIN BENSON Janet, your son’s not sure he wants to go into honey. JANET BENSON Oh Barry, you are so funny sometimes. BARRY I’m not trying to be funny. MARTIN BENSON You’re not funny, you’re going into honey. Our son, the stirrer. JANET BENSON You’re going to be a stirrer?! BARRY No one’s listening to me. MARTIN BENSON Wait until you see the sticks I have for you. BARRY I can say anything I want right now. I’m going to get an ant tattoo. JANET BENSON Let’s open some fresh honey and celebrate. BARRY Maybe I’ll pierce my thorax! MARTIN BENSON (toasting) To honey! BARRY Shave my antennae! JANET BENSON To honey! "Bee Movie" - JS REVISIONS 8/13/07 16. BARRY Shack up with a grasshopper, get a gold tooth, and start calling everybody “Dawg.” CUT TO: SEQ. 760 - “JOB PLACEMENT” EXT. HONEX LOBBY - CONTINUOUS ANGLE ON: A BEE BUS STOP. One group of bees stands on the pavement, as another group hovers above them. A doubledecker bus pulls up. The hovering bees get on the top level, and the standing bees get on the bottom. Barry and Adam pull up outside of Honex. ADAM I can’t believe we’re starting work today. BARRY Today’s the day. Adam jumps out of the car. ADAM (O.C) Come on. All the good jobs will be gone. BARRY Yeah, right... ANGLE ON: A BOARD READING: “JOB PLACEMENT BOARD”. Buzzwell, the Bee Processor, is at the counter. Another BEE APPLICANT, SANDY SHRIMPKIN is EXITING. SANDY SHRIMPKIN Is it still available? BUZZWELL Hang on. (he looks at changing numbers on the board) Two left. And...one of them’s yours. Congratulations Son, step to the side please. "Bee Movie" - JS REVISIONS 8/13/07 17. SANDY SHRIMPKIN Yeah! ADAM (to Sandy, leaving) What did you get? SANDY SHRIMPKIN Picking the crud out. That is stellar! ADAM Wow. BUZZWELL (to Adam and Barry) Couple of newbies? ADAM Yes Sir. Our first day. We are ready. BUZZWELL Well, step up and make your choice. ANGLE ON: A CHART listing the different sectors of Honex. Heating, Cooling, Viscosity, Krelman, Pollen Counting, Stunt Bee, Pouring, Stirrer, Humming, Regurgitating, Front Desk, Hair Removal, Inspector No. 7, Chef, Lint Coordinator, Stripe Supervisor, Antennae-ball polisher, Mite Wrangler, Swatting Counselor, Wax Monkey, Wing Brusher, Hive Keeper, Restroom Attendant. ADAM (to Barry) You want to go first? BARRY No, you go. ADAM Oh my. What’s available? BUZZWELL Restroom attendant is always open, and not for the reason you think. ADAM Any chance of getting on to the Krelman, Sir? BUZZWELL Sure, you’re on. "Bee Movie" - JS REVISIONS 8/13/07 18. He plops the KRELMAN HAT onto Adam’s head. ANGLE ON: The job board. THE COLUMNS READ: “OCCUPATION” “POSITIONS AVAILABLE”, and “STATUS”. The middle column has numbers, and the right column has job openings flipping between “open”, “pending”, and “closed”. BUZZWELL (CONT’D) Oh, I’m sorry. The Krelman just closed out. ADAM Oh! He takes the hat off Adam. BUZZWELL Wax Monkey’s always open. The Krelman goes from “Closed” to “Open”. BUZZWELL (CONT’D) And the Krelman just opened up again. ADAM What happened? BUZZWELL Well, whenever a bee dies, that’s an opening. (pointing at the board) See that? He’s dead, dead, another dead one, deady, deadified, two more dead. Dead from the neck up, dead from the neck down. But, that’s life. ANGLE ON: Barry’s disturbed expression. ADAM (feeling pressure to decide) Oh, this is so hard. Heating, cooling, stunt bee, pourer, stirrer, humming, inspector no. 7, lint coordinator, stripe supervisor, antenna-ball polisher, mite wrangler-- Barry, Barry, what do you think I should-- Barry? Barry? "Bee Movie" - JS REVISIONS 8/13/07 19. Barry is gone. CUT TO: SEQ. 775 - “LOU LODUCA SPEECH” EXT. J-GATE - SAME TIME Splitz, Jackson, Buzz, Lou and two other BEES are going through final pre-flight checks. Barry ENTERS. LOU LODUCA Alright, we’ve got the sunflower patch in quadrant nine. Geranium window box on Sutton Place... Barry’s antennae rings, like a phone. ADAM (V.O) What happened to you? Where are you? Barry whispers throughout. BARRY I’m going out. ADAM (V.O) Out? Out where? BARRY Out there. ADAM (V.O) (putting it together) Oh no. BARRY I have to, before I go to work for the rest of my life. ADAM (V.O) You’re going to die! You’re crazy! Hello? BARRY Oh, another call coming in. "Bee Movie" - JS REVISIONS 8/13/07 20. ADAM (V.O) You’re cra-- Barry HANGS UP. ANGLE ON: Lou Loduca. LOU LODUCA If anyone’s feeling brave, there’s a Korean Deli on 83rd that gets their roses today. BARRY (timidly) Hey guys. BUZZ Well, look at that. SPLITZ Isn’t that the kid we saw yesterday? LOU LODUCA (to Barry) Hold it son, flight deck’s restricted. JACKSON It’s okay Lou, we’re going to take him up. Splitz and Jackson CHUCKLE. LOU LODUCA Really? Feeling lucky, are ya? A YOUNGER SMALLER BEE THAN BARRY, CHET, runs up with a release waiver for Barry to sign. CHET Sign here. Here. Just initial that. Thank you. LOU LODUCA Okay, you got a rain advisory today and as you all know, bees cannot fly in rain. So be careful. As always, (reading off clipboard) watch your brooms, hockey sticks, dogs, birds, bears, and bats. "Bee Movie" - JS REVISIONS 8/13/07 21. Also, I got a couple reports of root beer being poured on us. Murphy’s in a home because of it, just babbling like a cicada. BARRY That’s awful. LOU LODUCA And a reminder for all you rookies, bee law number one, absolutely no talking to humans. Alright, launch positions! The Jocks get into formation, chanting as they move. LOU LODUCA (CONT’D) Black and Yellow! JOCKS Hello! SPLITZ (to Barry) Are you ready for this, hot shot? BARRY Yeah. Yeah, bring it on. Barry NODS, terrified. BUZZ Wind! - CHECK! JOCK #1 Antennae! - CHECK! JOCK #2 Nectar pack! - CHECK! JACKSON Wings! - CHECK! SPLITZ Stinger! - CHECK! BARRY Scared out of my shorts - CHECK. LOU LODUCA Okay ladies, let’s move it out. Everyone FLIPS their goggles down. Pit crew bees CRANK their wings, and remove the starting blocks. We hear loud HUMMING. "Bee Movie" - JS REVISIONS 8/13/07 22. LOU LODUCA (CONT'D) LOU LODUCA (CONT’D) Pound those petunia's, you striped stem-suckers! All of you, drain those flowers! A FLIGHT DECK GUY in deep crouch hand-signals them out the archway as the backwash from the bee wings FLUTTERS his jump suit. Barry follows everyone. SEQ. 800 - “FLYING WITH THE JOCKS” The bees climb above tree tops in formation. Barry is euphoric. BARRY Whoa! I’m out! I can’t believe I’m out! So blue. Ha ha ha! (a beat) I feel so fast...and free. (re: kites in the sky) Box kite! Wow! They fly by several bicyclists, and approach a patch of flowers. BARRY (CONT'D) Flowers! SPLITZ This is blue leader. We have roses visual. Bring it around thirty degrees and hold. BARRY (sotto) Roses. JACKSON Thirty degrees, roger, bringing it around. Many pollen jocks break off from the main group. They use their equipment to collect nectar from flowers. Barry flies down to watch the jocks collect the nectar. JOCK Stand to the side kid, it’s got a bit of a kick. The jock fires the gun, and recoils. Barry watches the gun fill up with nectar. "Bee Movie" - JS REVISIONS 8/13/07 23. BARRY Oh, that is one Nectar Collector. JOCK You ever see pollination up close? BARRY No, Sir. He takes off, and the excess pollen dust falls causing the flowers to come back to life. JOCK (as he pollinates) I pick some pollen up over here, sprinkle it over here, maybe a dash over there, pinch on that one...see that? It’s a little bit of magic, ain’t it? The FLOWERS PERK UP as he pollinates. BARRY Wow. That’s amazing. Why do we do that? JOCK ...that’s pollen power, Kid. More pollen, more flowers, more nectar, more honey for us. BARRY Cool. The Jock WINKS at Barry. Barry rejoins the other jocks in the sky. They swoop in over a pond, kissing the surface. We see their image reflected in the water; they’re really moving. They fly over a fountain. BUZZ I’m picking up a lot of bright yellow, could be daisies. Don’t we need those? SPLITZ Copy that visual. We see what appear to be yellow flowers on a green field. "Bee Movie" - JS REVISIONS 8/13/07 24. They go into a deep bank and dive. BUZZ Hold on, one of these flowers seems to be on the move. SPLITZ Say again...Are you reporting a moving flower? BUZZ Affirmative. SEQ. 900 - “TENNIS GAME” The pollen jocks land. It is a tennis court with dozens of tennis balls. A COUPLE, VANESSA and KEN, plays tennis. The bees land right in the midst of a group of balls. KEN (O.C) That was on the line! The other bees start walking around amongst the immense, yellow globes. SPLITZ This is the coolest. What is it? They stop at a BALL on a white line and look up at it. JACKSON I don’t know, but I’m loving this color. SPLITZ (smelling tennis ball) Smells good. Not like a flower. But I like it. JACKSON Yeah, fuzzy. BUZZ Chemical-y. JACKSON Careful, guys, it’s a little grabby. Barry LANDS on a ball and COLLAPSES. "Bee Movie" - JS REVISIONS 8/13/07 25. BARRY Oh my sweet lord of bees. JACKSON Hey, candy brain, get off there! Barry attempts to pulls his legs off, but they stick. BARRY Problem! A tennis shoe and a hand ENTER FRAME. The hand picks up the ball with Barry underneath it. BARRY (CONT'D) Guys! BUZZ This could be bad. JACKSON Affirmative. Vanessa walks back to the service line, BOUNCES the ball. Each time it BOUNCES, the other bees cringe and GASP. ANGLE ON: Barry, terrified. Pure dumb luck, he’s not getting squished. BARRY (with each bounce) Very close...Gonna Hurt...Mamma’s little boy. SPLITZ You are way out of position, rookie. ANGLE ON: Vanessa serving. We see Barry and the ball up against the racket as she brings it back. She tosses the ball into the air; Barry’s eyes widen. The ball is STRUCK, and the rally is on. KEN Coming in at you like a missile! Ken HITS the ball back. Barry feels the g-forces. ANGLE ON: The Pollen Jocks watching Barry pass by them in SLOW MOTION. "Bee Movie" - JS REVISIONS 8/13/07 26. BARRY (in slow motion) Help me! JACKSON You know, I don't think these are flowers. SPLITZ Should we tell him? JACKSON I think he knows. BARRY (O.S) What is this?! Vanessa HITS a high arcing lob. Ken waits, poised for the return. We see Barry having trouble maneuvering the ball from fatigue. KEN (overly confident) Match point! ANGLE ON: Ken running up. He has a killer look in his eyes. He’s going to hit the ultimate overhead smash. KEN (CONT'D) You can just start packing up Honey, because I believe you’re about to eat it! ANGLE ON: Pollen Jocks. JACKSON Ahem! Ken is distracted by the jock. KEN What? No! He misses badly. The ball rockets into oblivion. Barry is still hanging on. ANGLE ON: Ken, berating himself. KEN (CONT’D) Oh, you cannot be serious. We hear the ball WHISTLING, and Barry SCREAMING. "Bee Movie" - JS REVISIONS 8/13/07 27. BARRY Yowser!!! SEQ. 1000 - “SUV” The ball flies through the air, and lands in the middle of the street. It bounces into the street again, and sticks in the grille of an SUV. INT. CAR ENGINE - CONTINUOUS BARRY’S POV: the grille of the SUV sucks him up. He tumbles through a black tunnel, whirling vanes, and pistons. BARRY AHHHHHHHHHHH!! OHHHH!! EECHHH!! AHHHHHH!! Barry gets chilled by the A/C system, and sees a frozen grasshopper. BARRY (CONT’D) (re: grasshopper) Eww, gross. CUT TO: INT. CAR - CONTINUOUS The car is packed with a typical suburban family: MOTHER, FATHER, eight-year old BOY, LITTLE GIRL in a car seat and a GRANDMOTHER. A big slobbery DOG is behind a grate. Barry pops into the passenger compartment, hitting the Mother’s magazine. MOTHER There’s a bee in the car! They all notice the bee and start SCREAMING. BARRY Aaahhhh! Barry tumbles around the car. We see the faces from his POV. MOTHER Do something! "Bee Movie" - JS REVISIONS 8/13/07 28. FATHER I’m driving! Barry flies by the little girl in her CAR SEAT. She waves hello. LITTLE GIRL Hi, bee. SON He’s back here! He’s going to sting me! The car SWERVES around the road. Barry flies into the back, where the slobbery dog SNAPS at him. Barry deftly avoids the jaws and gross, flying SPITTLE. MOTHER Nobody move. If you don’t move, he won’t sting you. Freeze! Everyone in the car freezes. Barry freezes. They stare at each other, eyes going back and forth, waiting to see who will make the first move. Barry blinks. GRANNY He blinked! Granny pulls out a can of HAIR SPRAY. SON Spray him, Granny! Granny sprays the hair spray everywhere. FATHER What are you doing? GRANNY It’s hair spray! Extra hold! MOTHER Kill it! Barry gets sprayed back by the hair spray, then sucked out of the sunroof. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 29. EXT. CITY STREET - CONTINUOUS BARRY Wow. The tension level out here is unbelievable. I’ve got to get home. As Barry flies down the street, it starts to RAIN. He nimbly avoids the rain at first. BARRY (CONT’D) Whoa. Whoa! Can’t fly in rain! Can’t fly in rain! Can’t fly in-- A couple of drops hit him, his wings go limp and he starts falling. BARRY (CONT'D) Mayday! Mayday! Bee going down! Barry sees a window ledge and aims for it and just makes it. Shivering and exhausted, he crawls into an open window as it CLOSES. SEQ. 1100 - “VANESSA SAVES BARRY” INT. VANESSA’S APARTMENT - CONTINUOUS Inside the window, Barry SHAKES off the rain like a dog. Vanessa, Ken, Andy, and Anna ENTER the apartment. VANESSA Ken, can you close the window please? KEN Huh? Oh. (to Andy) Hey, check out my new resume. I made it into a fold-out brochure. You see? It folds out. Ken holds up his brochure, with photos of himself, and a resume in the middle. ANGLE ON: Barry hiding behind the curtains, as Ken CLOSES THE WINDOW. "Bee Movie" - JS REVISIONS 8/13/07 30. BARRY Oh no, more humans. I don’t need this. Barry HOVERS up into the air and THROWS himself into the glass. BARRY (CONT’D) (dazed) Ow! What was that? He does it again, and then multiple more times. BARRY (CONT'D) Maybe this time...this time, this time, this time, this time, this time, this time, this time. Barry JUMPS onto the drapes. BARRY (CONT'D) (out of breath) Drapes! (then, re: glass) That is diabolical. KEN It’s fantastic. It’s got all my special skills, even my top ten favorite movies. ANDY What’s your number one? Star Wars? KEN Ah, I don’t go for that, (makes Star Wars noises), kind of stuff. ANGLE ON: Barry. BARRY No wonder we’re not supposed to talk to them. They’re out of their minds. KEN When I walk out of a job interview they’re flabbergasted. They can’t believe the things I say. Barry looks around and sees the LIGHT BULB FIXTURE in the middle of the ceiling. "Bee Movie" - JS REVISIONS 8/13/07 31. BARRY (re: light bulb) Oh, there’s the sun. Maybe that’s a way out. Barry takes off and heads straight for the light bulb. His POV: The seventy-five watt label grows as he gets closer. BARRY (CONT’D) I don’t remember the sun having a big seventy five on it. Barry HITS the bulb and is KNOCKED SILLY. He falls into a BOWL OF GUACAMOLE. Andy dips his chip in the guacamole, taking Barry with it. ANGLE ON: Ken and Andy. KEN I’ll tell you what. You know what? I predicted global warming. I could feel it getting hotter. At first I thought it was just me. Barry’s POV: Giant human mouth opening. KEN (CONT’D) Wait! Stop! Beeeeeee! ANNA Kill it! Kill it! They all JUMP up from their chairs. Andy looks around for something to use. Ken comes in for the kill with a big TIMBERLAND BOOT on each hand. KEN Stand back. These are winter boots. Vanessa ENTERS, and stops Ken from squashing Barry. VANESSA (grabs Ken’s arm) Wait. Don’t kill him. CLOSE UP: on Barry’s puzzled face. KEN You know I’m allergic to them. This thing could kill me. "Bee Movie" - JS REVISIONS 8/13/07 32. VANESSA Why does his life have any less value than yours? She takes a GLASS TUMBLER and places it over Barry. KEN Why does his life have any less value than mine? Is that your statement? VANESSA I’m just saying, all life has value. You don’t know what he’s capable of feeling. Barry looks up through the glass and watches this conversation, astounded. Vanessa RIPS Ken’s resume in half and SLIDES it under the glass. KEN (wistful) My brochure. There’s a moment of eye contact as she carries Barry to the window. She opens it and sets him free. VANESSA There you go, little guy. KEN (O.C) I’m not scared of them. But, you know, it’s an allergic thing. ANDY (O.C) * Hey, why don’t you put that on your * resume-brochure? * KEN (O.C) It’s not funny, my whole face could puff up. ANDY (O.C) Make it one of your “Special Skills.” KEN (O.C) You know, knocking someone out is also a special skill. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 33. EXT. WINDOWSILL - CONTINUOUS Barry stares over the window frame. He can’t believe what’s just happened. It is still RAINING. DISSOLVE TO: SEQ. 1200 - “BARRY SPEAKS” EXT. WINDOWSILL - LATER Barry is still staring through the window. Inside, everyone’s saying their good-byes. KEN Vanessa, next week? Yogurt night? VANESSA Uh, yeah sure Ken. You know, whatever. KEN You can put carob chips on there. VANESSA Good night. KEN (as he exits) Supposed to be less calories, or something. VANESSA Bye. She shuts the door. Vanessa starts cleaning up. BARRY I’ve got to say something. She saved my life. I’ve got to say something. Alright, here it goes. Barry flies in. "Bee Movie" - JS REVISIONS 8/13/07 34. INT. VANESSA’S APARTMENT - CONTINUOUS Barry hides himself on different PRODUCTS placed along the kitchen shelves. He hides on a Bumblebee Tuna can, and a “Greetings From Coney Island” MUSCLE-MAN POSTCARD on the fridge. BARRY (on fridge) What would I say? (landing on a bottle) I could really get in trouble. He stands looking at Vanessa. BARRY (CONT'D) It’s a bee law. You’re not supposed to talk to a human. I can’t believe I’m doing this. I’ve got to. Oh, I can’t do it! Come on! No, yes, no, do it! I can’t. How should I start it? You like jazz? No, that’s no good. Here she comes. Speak, you fool. As Vanessa walks by, Barry takes a DEEP BREATH. BARRY (CONT’D) (cheerful) Umm...hi. Vanessa DROPS A STACK OF DISHES, and HOPS BACK. BARRY (CONT’D) I’m sorry. VANESSA You’re talking. BARRY Yes, I know, I know. VANESSA You’re talking. BARRY I know, I’m sorry. I’m so sorry. VANESSA It’s okay. It’s fine. It’s just, I know I’m dreaming, but I don’t recall going to bed. "Bee Movie" - JS REVISIONS 8/13/07 35. BARRY Well, you know I’m sure this is very disconcerting. VANESSA Well yeah. I mean this is a bit of a surprise to me. I mean...you’re a bee. BARRY Yeah, I am a bee, and you know I’m not supposed to be doing this, but they were all trying to kill me and if it wasn’t for you...I mean, I had to thank you. It’s just the way I was raised. Vanessa intentionally JABS her hand with a FORK. VANESSA Ow! BARRY That was a little weird. VANESSA (to herself) I’m talking to a bee. BARRY Yeah. VANESSA I’m talking to a bee. BARRY Anyway... VANESSA And a bee is talking to me... BARRY I just want you to know that I’m grateful, and I’m going to leave now. VANESSA Wait, wait, wait, wait, how did you learn to do that? BARRY What? "Bee Movie" - JS REVISIONS 8/13/07 36. VANESSA The talking thing. BARRY Same way you did, I guess. Mama, Dada, honey, you pick it up. VANESSA That’s very funny. BARRY Yeah. Bees are funny. If we didn’t laugh, we’d cry. With what we have to deal with. Vanessa LAUGHS. BARRY (CONT’D) Anyway. VANESSA Can I, uh, get you something? BARRY Like what? VANESSA I don’t know. I mean, I don’t know. Coffee? BARRY Well, uh, I don’t want to put you out. VANESSA It’s no trouble. BARRY Unless you’re making anyway. VANESSA Oh, it takes two minutes. BARRY Really? VANESSA It’s just coffee. BARRY I hate to impose. "Bee Movie" - JS REVISIONS 8/13/07 37. VANESSA Don’t be ridiculous. BARRY Actually, I would love a cup. VANESSA Hey, you want a little rum cake? BARRY I really shouldn’t. VANESSA Have a little rum cake. BARRY No, no, no, I can’t. VANESSA Oh, come on. BARRY You know, I’m trying to lose a couple micrograms here. VANESSA Where? BARRY Well... These stripes don’t help. VANESSA You look great. BARRY I don’t know if you know anything about fashion. Vanessa starts POURING the coffee through an imaginary cup and directly onto the floor. BARRY (CONT'D) Are you alright? VANESSA No. DISSOLVE TO: SEQ. 1300 - “ROOFTOP COFFEE” "Bee Movie" - JS REVISIONS 8/13/07 38. EXT. VANESSA’S ROOF - LATER Barry and Vanessa are drinking coffee on her roof terrace. He is perched on her keychain. BARRY ...He can’t get a taxi. He’s making the tie in the cab, as they’re flying up Madison. So he finally gets there. VANESSA Uh huh? BARRY He runs up the steps into the church, the wedding is on... VANESSA Yeah? BARRY ...and he says, watermelon? I thought you said Guatemalan. VANESSA Uh huh? BARRY Why would I marry a watermelon? Barry laughs. Vanessa doesn’t. VANESSA Oh! Is that, uh, a bee joke? BARRY Yeah, that’s the kind of stuff that we do. VANESSA Yeah, different. A BEAT. VANESSA (CONT’D) So anyway...what are you going to do, Barry? "Bee Movie" - JS REVISIONS 8/13/07 39. BARRY About work? I don’t know. I want to do my part for the hive, but I can’t do it the way they want. VANESSA I know how you feel. BARRY You do? VANESSA Sure, my parents wanted me to be a lawyer or doctor, but I wanted to be a florist. BARRY Really? VANESSA My only interest is flowers. BARRY Our new queen was just elected with that same campaign slogan. VANESSA Oh. BARRY Anyway, see there’s my hive, right there. You can see it. VANESSA Oh, you’re in Sheep Meadow. BARRY (excited) Yes! You know the turtle pond? VANESSA Yes? BARRY I’m right off of that. VANESSA Oh, no way. I know that area. Do you know I lost a toe-ring there once? BARRY Really? "Bee Movie" - JS REVISIONS 8/13/07 40. VANESSA Yes. BARRY Why do girls put rings on their toes? VANESSA Why not? BARRY I don’t know. It’s like putting a hat on your knee. VANESSA Really? Okay. A JANITOR in the background changes a LIGHTBULB. To him, it appears that Vanessa is talking to an imaginary friend. JANITOR You all right, ma’am? VANESSA Oh, yeah, fine. Just having two cups of coffee. BARRY Anyway, this has been great. (wiping his mouth) Thanks for the coffee. Barry gazes at Vanessa. VANESSA Oh yeah, it’s no trouble. BARRY Sorry I couldn’t finish it. Vanessa giggles. BARRY (CONT'D) (re: coffee) If I did, I’d be up the rest of my life. Ummm. Can I take a piece of this with me? VANESSA Sure. Here, have a crumb. She takes a CRUMB from the plate and hands it to Barry. "Bee Movie" - JS REVISIONS 8/13/07 41. BARRY (a little dreamy) Oh, thanks. VANESSA Yeah. There is an awkward pause. BARRY Alright, well then, I guess I’ll see you around, or not, or... VANESSA Okay Barry. BARRY And thank you so much again, for before. VANESSA Oh that? BARRY Yeah. VANESSA Oh, that was nothing. BARRY Well, not nothing, but, anyway... Vanessa extends her hand, and shakes Barry’s gingerly. The Janitor watches. The lightbulb shorts out. The Janitor FALLS. CUT TO: SEQ. 1400 - “HONEX” INT. HONEX BUILDING - NEXT DAY ANGLE ON: A TEST BEE WEARING A PARACHUTE is in a wind tunnel, hovering through increasingly heavy wind. SIGNS UNDER A FLASHING LIGHT READ: “Test In Progress” & “Hurricane Survival Test”. 2 BEES IN A LAB COATS are observing behind glass. "Bee Movie" - JS REVISIONS 8/13/07 42. LAB COAT BEE 1 This can’t possibly work. LAB COAT BEE 2 Well, he’s all set to go, we may as well try it. (into the mic) Okay Dave, pull the chute. The test bee opens his parachute. He’s instantly blown against the rear wall. Adam and Barry ENTER. ADAM Sounds amazing. BARRY Oh, it was amazing. It was the scariest, happiest moment of my life. ADAM Humans! Humans! I can’t believe you were with humans! Giant scary humans! What were they like? BARRY Huge and crazy. They talk crazy, they eat crazy giant things. They drive around real crazy. ADAM And do they try and kill you like on TV? BARRY Some of them. But some of them don’t. ADAM How’d you get back? BARRY Poodle. ADAM Look, you did it. And I’m glad. You saw whatever you wanted to see out there, you had your “experience”, and now you’re back, you can pick out your job, and everything can be normal. "Bee Movie" - JS REVISIONS 8/13/07 43. ANGLE ON: LAB BEES examining a CANDY CORN through a microscope. BARRY Well... ADAM Well? BARRY Well, I met someone. ADAM You met someone? Was she Bee-ish? BARRY Mmm. ADAM Not a WASP? Your parents will kill you. BARRY No, no, no, not a wasp. ADAM Spider? BARRY You know, I’m not attracted to the spiders. I know to everyone else it’s like the hottest thing with the eight legs and all. I can’t get by that face. Barry makes a spider face. ADAM So, who is she? BARRY She’s a human. ADAM Oh no, no, no, no. That didn’t happen. You didn’t do that. That is a bee law. You wouldn’t break a bee law. BARRY Her name’s Vanessa. "Bee Movie" - JS REVISIONS 8/13/07 44. ADAM Oh, oh boy! BARRY She’s so-o nice. And she’s a florist! ADAM Oh, no. No, no, no! You’re dating a human florist? BARRY We’re not dating. ADAM You’re flying outside the hive. You’re talking to human beings that attack our homes with power washers and M-80’s. That’s 1/8 of a stick of dynamite. BARRY She saved my life. And she understands me. ADAM This is over. Barry pulls out the crumb. BARRY Eat this. Barry stuffs the crumb into Adam’s face. ADAM This is not over. What was that? BARRY They call it a crumb. ADAM That was SO STINGING STRIPEY! BARRY And that’s not even what they eat. That just falls off what they eat. Do you know what a Cinnabon is? ADAM No. "Bee Movie" - JS REVISIONS 8/13/07 45. BARRY It’s bread... ADAM Come in here! BARRY and cinnamon, ADAM Be quiet! BARRY and frosting...they heat it up-- ADAM Sit down! INT. ADAM’S OFFICE - CONTINUOUS BARRY Really hot! ADAM Listen to me! We are not them. We’re us. There’s us and there’s them. BARRY Yes, but who can deny the heart that is yearning... Barry rolls his chair down the corridor. ADAM There’s no yearning. Stop yearning. Listen to me. You have got to start thinking bee, my friend. ANOTHER BEE JOINS IN. ANOTHER BEE Thinking bee. WIDER SHOT AS A 3RD BEE ENTERS, popping up over the cubicle wall. 3RD BEE Thinking bee. EVEN WIDER SHOT AS ALL THE BEES JOIN IN. "Bee Movie" - JS REVISIONS 8/13/07 46. OTHER BEES Thinking bee. Thinking bee. Thinking bee. CUT TO: SEQ. 1500 - “POOLSIDE NAGGING” EXT. BACKYARD PARENT’S HOUSE - DAY Barry sits on a RAFT in a hexagon honey pool, legs dangling into the water. Janet Benson and Martin Benson stand over him wearing big, sixties sunglasses and cabana-type outfits. The sun shines brightly behind their heads. JANET BENSON (O.C) There he is. He’s in the pool. MARTIN BENSON You know what your problem is, Barry? BARRY I’ve got to start thinking bee? MARTIN BENSON Barry, how much longer is this going to go on? It’s been three days. I don’t understand why you’re not working. BARRY Well, I’ve got a lot of big life decisions I’m thinking about. MARTIN BENSON What life? You have no life! You have no job! You’re barely a bee! Barry throws his hands in the air. BARRY Augh. JANET BENSON Would it kill you to just make a little honey? Barry ROLLS off the raft and SINKS to the bottom of the pool. We hear his parents’ MUFFLED VOICES from above the surface. "Bee Movie" - JS REVISIONS 8/13/07 47. JANET BENSON (CONT'D) (muffled) Barry, come out from under there. Your father’s talking to you. Martin, would you talk to him? MARTIN BENSON Barry, I’m talking to you. DISSOLVE TO: EXT. PICNIC AREA - DAY MUSIC: “Sugar Sugar” by the Archies. Barry and Vanessa are having a picnic. A MOSQUITO lands on Vanessa’s leg. She SWATS it violently. Barry’s head whips around, aghast. They stare at each other awkwardly in a frozen moment, then BURST INTO HYSTERICAL LAUGHTER. Vanessa GETS UP. VANESSA You coming? BARRY Got everything? VANESSA All set. Vanessa gets into a one-man Ultra Light plane with a black and yellow paint scheme. She puts on her helmet. BARRY You go ahead, I’ll catch up. VANESSA (come hither wink) Don’t be too long. The Ultra Light takes off. Barry catches up. They fly sideby-side. VANESSA (CONT’D) Watch this! Vanessa does a loop, and FLIES right into the side of a mountain, BURSTING into a huge ball of flames. "Bee Movie" - JS REVISIONS 8/13/07 48. BARRY (yelling, anguished) Vanessa! EXT. BARRY’S PARENT’S HOUSE - CONTINUOUS ANGLE ON: Barry’s face bursting through the surface of the pool, GASPING for air, eyes opening in horror. MARTIN BENSON We’re still here, Barry. JANET BENSON I told you not to yell at him. He doesn’t respond when you yell at him. MARTIN BENSON Then why are you yelling at me? JANET BENSON Because you don’t listen. MARTIN BENSON I’m not listening to this. Barry is toweling off, putting on his sweater. BARRY Sorry Mom, I’ve got to go. JANET BENSON Where are you going? BARRY Nowhere. I’m meeting a friend. Barry JUMPS off the balcony and EXITS. JANET BENSON (calling after him) A girl? Is this why you can’t decide? BARRY Bye! JANET BENSON I just hope she’s Bee-ish. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 49. SEQ. 1700 - “STREETWALK/SUPERMARKET” EXT. VANESSA’S FLORIST SHOP - DAY Vanessa FLIPS the sign to say “Sorry We Missed You”, and locks the door. ANGLE ON: A POSTER on Vanessa’s door for the Tournament of Roses Parade in Pasadena. BARRY So they have a huge parade of just flowers every year in Pasadena? VANESSA Oh, to be in the Tournament of Roses, that’s every florist’s dream. Up on a float, surrounded by flowers, crowds cheering. BARRY Wow, a tournament. Do the roses actually compete in athletic events? VANESSA No. Alright, I’ve got one. How come you don’t fly everywhere? BARRY It’s exhausting. Why don’t you run everywhere? VANESSA Hmmm. BARRY Isn’t that faster? VANESSA Yeah, okay. I see, I see. Alright, your turn. Barry and Vanessa walk/fly down a New York side street, no other pedestrians near them. BARRY Ah! Tivo. You can just freeze live TV? That’s insane. "Bee Movie" - JS REVISIONS 8/13/07 50. VANESSA What, you don’t have anything like that? BARRY We have Hivo, but it’s a disease. It’s a horrible, horrible disease. VANESSA Oh my. They turn the corner onto a busier avenue and people start to swat at Barry. MAN Dumb bees! VANESSA You must just want to sting all those jerks. BARRY We really try not to sting. It’s usually fatal for us. VANESSA So you really have to watch your temper? They ENTER a SUPERMARKET. CUT TO: INT. SUPERMARKET BARRY Oh yeah, very carefully. You kick a wall, take a walk, write an angry letter and throw it out. You work through it like any emotion-- anger, jealousy, (under his breath) lust. Barry hops on top of some cardboard boxes in the middle of an aisle. A stock boy, HECTOR, whacks him with a rolled up magazine. VANESSA (to Barry) Oh my goodness. Are you okay? "Bee Movie" - JS REVISIONS 8/13/07 51. BARRY Yeah. Whew! Vanessa WHACKS Hector over the head with the magazine. VANESSA (to Hector) What is wrong with you?! HECTOR It’s a bug. VANESSA Well he’s not bothering anybody. Get out of here, you creep. Vanessa pushes him, and Hector EXITS, muttering. BARRY (shaking it off) What was that, a Pick and Save circular? VANESSA Yeah, it was. How did you know? BARRY It felt like about ten pages. Seventy-five’s pretty much our limit. VANESSA Boy, you’ve really got that down to a science. BARRY Oh, we have to. I lost a cousin to Italian Vogue. VANESSA I’ll bet. Barry stops, sees the wall of honey jars. BARRY What, in the name of Mighty Hercules, is this? How did this get here? Cute Bee? Golden Blossom? Ray Liotta Private Select? VANESSA Is he that actor? "Bee Movie" - JS REVISIONS 8/13/07 52. BARRY I never heard of him. Why is this here? VANESSA For people. We eat it. BARRY Why? (gesturing around the market) You don’t have enough food of your own? VANESSA Well yes, we-- BARRY How do you even get it? VANESSA Well, bees make it... BARRY I know who makes it! And it’s hard to make it! There’s Heating and Cooling, and Stirring...you need a whole Krelman thing. VANESSA It’s organic. BARRY It’s our-ganic! VANESSA It’s just honey, Barry. BARRY Just...what?! Bees don’t know about this. This is stealing. A lot of stealing! You’ve taken our homes, our schools, our hospitals. This is all we have. And it’s on sale? I’m going to get to the bottom of this. I’m going to get to the bottom of all of this! He RIPS the label off the Ray Liotta Private Select. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 53. SEQ. 1800 - “WINDSHIELD” EXT. BACK OF SUPERMARKET LOADING DOCK - LATER THAT DAY Barry disguises himself by blacking out his yellow lines with a MAGIC MARKER and putting on some war paint. He sees Hector, the stock boy, with a knife CUTTING open cardboard boxes filled with honey jars. MAN You almost done? HECTOR Almost. Barry steps in some honey, making a SNAPPING noise. Hector stops and turns. HECTOR (CONT’D) He is here. I sense it. Hector grabs his BOX CUTTER. Barry REACTS, hides himself behind the box again. HECTOR (CONT’D) (talking too loud, to no one in particular) Well, I guess I’ll go home now, and just leave this nice honey out, with no one around. A BEAT. Hector pretends to exit. He takes a couple of steps in place. ANGLE ON: The honey jar. Barry steps out into a moody spotlight. BARRY You’re busted, box boy! HECTOR Ah ha! I knew I heard something. So, you can talk. Barry flies up, stinger out, pushing Hector up against the wall. As Hector backs up, he drops his knife. BARRY Oh, I can talk. And now you’re going to start talking. "Bee Movie" - JS REVISIONS 8/13/07 54. Where are you getting all the sweet stuff? Who’s your supplier?! HECTOR I don’t know what you’re talking about. I thought we were all friends. The last thing we want to do is upset any of you...bees! Hector grabs a PUSHPIN. Barry fences with his stinger. HECTOR (CONT’D) You’re too late. It’s ours now! BARRY You, sir, have crossed the wrong sword. HECTOR You, sir, are about to be lunch for my iguana, Ignacio! Barry and Hector get into a cross-swords, nose-to-nose confrontation. BARRY Where is the honey coming from? Barry knocks the pushpin out of his hand. Barry puts his stinger up to Hector’s nose. BARRY (CONT'D) Tell me where?! HECTOR (pointing to a truck) Honey Farms. It comes from Honey Farms. ANGLE ON: A Honey Farms truck leaving the parking lot. Barry turns, takes off after the truck through an alley. He follows the truck out onto a busy street, dodging a bus, and several cabs. CABBIE Crazy person! He flies through a metal pipe on the top of a truck. BARRY OOOHHH! "Bee Movie" - JS REVISIONS 8/13/07 55. BARRY (CONT'D) Barry grabs onto a bicycle messenger’s backpack. The honey farms truck starts to pull away. Barry uses the bungee cord to slingshot himself towards the truck. He lands on the windshield, where the wind plasters him to the glass. He looks up to find himself surrounded by what appear to be DEAD BUGS. He climbs across, working his way around the bodies. BARRY (CONT’D) Oh my. What horrible thing has happened here? Look at these faces. They never knew what hit them. And now they’re on the road to nowhere. A MOSQUITO opens his eyes. MOOSEBLOOD Pssst! Just keep still. BARRY What? You’re not dead? MOOSEBLOOD Do I look dead? Hey man, they will wipe anything that moves. Now, where are you headed? BARRY To Honey Farms. I am onto something huge here. MOOSEBLOOD I’m going to Alaska. Moose blood. Crazy stuff. Blows your head off. LADYBUG I’m going to Tacoma. BARRY (to fly) What about you? MOOSEBLOOD He really is dead. BARRY Alright. The WIPER comes towards them. "Bee Movie" - JS REVISIONS 8/13/07 56. MOOSEBLOOD Uh oh. BARRY What is that? MOOSEBLOOD Oh no! It’s a wiper, triple blade! BARRY Triple blade? MOOSEBLOOD Jump on. It’s your only chance, bee. They hang on as the wiper goes back and forth. MOOSEBLOOD (CONT'D) (yelling to the truck driver through the glass) Why does everything have to be so dog-gone clean?! How much do you people need to see? Open your eyes! Stick your head out the window! CUT TO: INT. TRUCK CAB SFX: Radio. RADIO VOICE For NPR News in Washington, I’m Carl Kasell. EXT. TRUCK WINDSHIELD MOOSEBLOOD But don’t kill no more bugs! The Mosquito is FLUNG off of the wiper. MOOSEBLOOD (CONT'D) Beeeeeeeeeeeeee! BARRY Moose blood guy! "Bee Movie" - JS REVISIONS 8/13/07 57. Barry slides toward the end of the wiper, is thrown off, but he grabs the AERIAL and hangs on for dear life. Barry looks across and sees a CRICKET on another vehicle in the exact same predicament. They look at each other and SCREAM in unison. BARRY AND CRICKET Aaaaaaaaaah! ANOTHER BUG grabs onto the aerial, and screams as well. INT. TRUCK CAB - SAME TIME DRIVER You hear something? TRUCKER PASSENGER Like what? DRIVER Like tiny screaming. TRUCKER PASSENGER Turn off the radio. The driver reaches down and PRESSES a button, lowering the aerial. EXT. TRUCK WINDSHIELD - SAME TIME Barry and the other bug do a “choose up” to the bottom, Barry wins. BARRY Aha! Then he finally has to let go and gets thrown into the truck horn atop cab. Mooseblood is inside. MOOSEBLOOD Hey, what’s up bee boy? BARRY Hey, Blood! DISSOLVE TO: "Bee Movie" - JS REVISIONS 8/13/07 58. INT. TRUCK HORN - LATER BARRY ...and it was just an endless row of honey jars as far as the eye could see. MOOSEBLOOD Wow. BARRY So I’m just assuming wherever this honey truck goes, that’s where they’re getting it. I mean, that honey’s ours! MOOSEBLOOD Bees hang tight. BARRY Well, we’re all jammed in there. It’s a close community. MOOSEBLOOD Not us, man. We’re on our own. Every mosquito is on his own. BARRY But what if you get in trouble? MOOSEBLOOD Trouble? You're a mosquito. You're in trouble! Nobody likes us. They’re just all smacking. People see a mosquito, smack, smack! BARRY At least you’re out in the world. You must meet a lot of girls. MOOSEBLOOD Mosquito girls try to trade up; get with a moth, dragonfly...mosquito girl don’t want no mosquito. A BLOOD MOBILE pulls up alongside. MOOSEBLOOD (CONT'D) Whoa, you have got to be kidding me. Mooseblood’s about to leave the building. So long bee. "Bee Movie" - JS REVISIONS 8/13/07 59. Mooseblood EXITS the horn, and jumps onto the blood mobile. MOOSEBLOOD (CONT'D) Hey guys. I knew I’d catch you all down here. Did you bring your crazy straws? CUT TO: SEQ. 1900 - “THE APIARY” EXT. APIARY - LATER Barry sees a SIGN, “Honey Farms” The truck comes to a stop. SFX: The Honey farms truck blares its horn. Barry flies out, lands on the hood. ANGLE ON: Two BEEKEEPERS, FREDDY and ELMO, walking around to the back of the gift shop. Barry follows them, and lands in a nearby tree FREDDY ...then we throw it in some jars, slap a label on it, and it’s pretty much pure profit. BARRY What is this place? ELMO Bees got a brain the size of a pinhead. FREDDY They are pinheads. The both LAUGH. ANGLE ON: Barry REACTING. They arrive at the back of the shop where one of them opens a SMOKER BOX. FREDDY (CONT’D) Hey, check out the new smoker. "Bee Movie" - JS REVISIONS 8/13/07 60. ELMO Oh, Sweet. That’s the one you want. FREDDY The Thomas 3000. BARRY Smoker? FREDDY 90 puffs a minute, semi-automatic. Twice the nicotine, all the tar. They LAUGH again, nefariously. FREDDY (CONT’D) Couple of breaths of this, and it knocks them right out. They make the honey, and we make the money. BARRY “They make the honey, and we make the money?” Barry climbs onto the netting of Freddy’s hat. He climbs up to the brim and looks over the edge. He sees the apiary boxes as Freddy SMOKES them. BARRY (CONT'D) Oh my. As Freddy turns around, Barry jumps into an open apiary box, and into an apartment. HOWARD and FRAN are just coming to from the smoking. BARRY (CONT’D) What’s going on? Are you okay? HOWARD Yeah, it doesn’t last too long. HE COUGHS a few times. BARRY How did you two get here? Do you know you’re in a fake hive with fake walls? HOWARD (pointing to a picture on the wall) "Bee Movie" - JS REVISIONS 8/13/07 61. Our queen was moved here, we had no choice. BARRY (looking at a picture on the wall) This is your queen? That’s a man in women’s clothes. That’s a dragqueen! The other wall opens. Barry sees the hundreds of apiary boxes. BARRY (CONT'D) What is this? Barry pulls out his camera, and starts snapping. BARRY (CONT’D) Oh no. There’s hundreds of them. (V.O, as Barry takes pictures) Bee honey, our honey, is being brazenly stolen on a massive scale. CUT TO: SEQ. 2100 - “BARRY TELLS FAMILY” INT. BARRY’S PARENT’S HOUSE - LIVING ROOM - LATER Barry has assembled his parents, Adam, and Uncle Carl. BARRY This is worse than anything the bears have done to us. And I intend to do something about it. JANET BENSON Oh Barry, stop. MARTIN BENSON Who told you that humans are taking our honey? That’s just a rumor. BARRY Do these look like rumors? Barry throws the PICTURES on the table. Uncle Carl, cleaning his glasses with his shirt tail, digs through a bowl of nuts with his finger. "Bee Movie" - JS REVISIONS 8/13/07 62. HOWARD (CONT'D) UNCLE CARL That’s a conspiracy theory. These are obviously doctored photos. JANET BENSON Barry, how did you get mixed up in all this? ADAM (jumping up) Because he’s been talking to humans! JANET BENSON Whaaat? MARTIN BENSON Talking to humans?! Oh Barry. ADAM He has a human girlfriend and they make out! JANET BENSON Make out? Barry? BARRY We do not. ADAM You wish you could. BARRY Who’s side are you on? ADAM The bees! Uncle Carl stands up and pulls his pants up to his chest. UNCLE CARL I dated a cricket once in San Antonio. Man, those crazy legs kept me up all night. Hotcheewah! JANET BENSON Barry, this is what you want to do with your life? BARRY This is what I want to do for all our lives. Nobody works harder than bees. "Bee Movie" - JS REVISIONS 8/13/07 63. Dad, I remember you coming home some nights so overworked, your hands were still stirring. You couldn’t stop them. MARTIN BENSON Ehhh... JANET BENSON (to Martin) I remember that. BARRY What right do they have to our hardearned honey? We’re living on two cups a year. They’re putting it in lip balm for no reason what-soever. MARTIN BENSON Even if it’s true, Barry, what could one bee do? BARRY I’m going to sting them where it really hurts. MARTIN BENSON In the face? BARRY No. MARTIN BENSON In the eye? That would really hurt. BARRY No. MARTIN BENSON Up the nose? That’s a killer. BARRY No. There’s only one place you can sting the humans. One place where it really matters. CUT TO: SEQ. 2300 - “HIVE AT 5 NEWS/BEE LARRY KING” "Bee Movie" - JS REVISIONS 8/13/07 64. BARRY (CONT'D) INT. NEWS STUDIO - DAY DRAMATIC NEWS MUSIC plays as the opening news sequence rolls. We see the “Hive at Five” logo, followed by shots of past news events: A BEE freeway chase, a BEE BEARD protest rally, and a BEAR pawing at the hive as the BEES flee in panic. BOB BUMBLE (V.O.) Hive at Five, the hive’s only full hour action news source... SHOTS of NEWSCASTERS flash up on screen. BOB BUMBLE (V.O.) (CONT'D) With Bob Bumble at the anchor desk... BOB has a big shock of anchorman hair, gray temples and overly white teeth. BOB BUMBLE (V.O.) (CONT'D) ...weather with Storm Stinger, sports with Buzz Larvi, and Jeanette Chung. JEANETTE is an Asian bee. BOB BUMBLE (CONT'D) Good evening, I’m Bob Bumble. JEANETTE CHUNG And I’m Jeanette Chung. BOB BUMBLE Our top story, a tri-county bee, Barry Benson... INSERT: Barry’s graduation picture. BOB BUMBLE (CONT'D) ...is saying he intends to sue the human race for stealing our honey, packaging it, and profiting from it illegally. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 65. INT. BEENN STUDIO - BEE LARRY KING LIVE BEE LARRY KING, wearing suspenders and glasses, is interviewing Barry. A LOWER-THIRD CHYRON reads: “Bee Larry King Live.” BEE LARRY KING Don’t forget, tomorrow night on Bee Larry King, we are going to have three former Queens all right here in our studio discussing their new book, “Classy Ladies,” out this week on Hexagon. (to Barry) Tonight, we’re talking to Barry Benson. Did you ever think, I’m just a kid from the hive, I can’t do this? BARRY Larry, bees have never been afraid to change the world. I mean, what about Bee-Columbus? Bee-Ghandi? Be-geesus? BEE LARRY KING Well, where I’m from you wouldn’t think of suing humans. We were thinking more like stick ball, candy stores. BARRY How old are you? BEE LARRY KING I want you to know that the entire bee community is supporting you in this case, which is certain to be the trial of the bee century. BARRY Thank you, Larry. You know, they have a Larry King in the human world, too. BEE LARRY KING It’s a common name. Next week on Bee Larry King... "Bee Movie" - JS REVISIONS 8/13/07 66. BARRY No, I mean he looks like you. And he has a show with suspenders and different colored dots behind him. BEE LARRY KING Next week on Bee Larry King... BARRY Old guy glasses, and there’s quotes along the bottom from the guest you’re watching even though you just heard them... BEE LARRY KING Bear week next week! They’re scary, they’re hairy, and they’re here live. Bee Larry King EXITS. BARRY Always leans forward, pointy shoulders, squinty eyes... (lights go out) Very Jewish. CUT TO: SEQ. 2400 - “FLOWER SHOP” INT. VANESSA’S FLOWER SHOP - NIGHT Stacks of law books are piled up, legal forms, etc. Vanessa is talking with Ken in the other room. KEN Look, in tennis, you attack at the point of weakness. VANESSA But it was my grandmother, Ken. She’s 81. KEN Honey, her backhand’s a joke. I’m not going to take advantage of that? "Bee Movie" - JS REVISIONS 8/13/07 67. BARRY (O.C) Quiet please. Actual work going on here. KEN Is that that same bee? BARRY (O.C) Yes it is. VANESSA I’m helping him sue the human race. KEN What? Barry ENTERS. BARRY Oh, hello. KEN Hello Bee. Barry flies over to Vanessa. VANESSA This is Ken. BARRY Yeah, I remember you. Timberland, size 10 1/2, Vibram sole I believe. KEN Why does he talk again, Hun? VANESSA (to Ken, sensing the tension) Listen, you’d better go because we’re really busy working. KEN But it’s our yogurt night. VANESSA (pushing him out the door) Oh...bye bye. She CLOSES the door. KEN Why is yogurt night so difficult?! "Bee Movie" - JS REVISIONS 8/13/07 68. Vanessa ENTERS the back room carrying coffee. VANESSA Oh you poor thing, you two have been at this for hours. BARRY Yes, and Adam here has been a huge help. ANGLE ON: A EMPTY CINNABON BOX with Adam asleep inside, covered in frosting. VANESSA How many sugars? BARRY Just one. I try not to use the competition. So, why are you helping me, anyway? VANESSA Bees have good qualities. BARRY (rowing on the sugar cube like a gondola) Si, Certo. VANESSA And it feels good to take my mind off the shop. I don’t know why, instead of flowers, people are giving balloon bouquets now. BARRY Yeah, those are great...if you’re 3. VANESSA And artificial flowers. BARRY (re: plastic flowers) Oh, they just get me psychotic! VANESSA Yeah, me too. BARRY The bent stingers, the pointless pollination. "Bee Movie" - JS REVISIONS 8/13/07 69. VANESSA Bees must hate those fake plastic things. BARRY There’s nothing worse than a daffodil that’s had work done. VANESSA (holding up the lawsuit documents) Well, maybe this can make up for it a little bit. CUT TO: EXT. VANESSA’S FLORIST SHOP They EXIT the store, and cross to the mailbox. VANESSA You know Barry, this lawsuit is a pretty big deal. BARRY I guess. VANESSA Are you sure that you want to go through with it? BARRY Am I sure? (kicking the envelope into the mailbox) When I’m done with the humans, they won’t be able to say, “Honey, I’m home,” without paying a royalty. CUT TO: SEQ. 2700 - “MEET MONTGOMERY” EXT. MANHATTAN COURTHOUSE - DAY P.O.V SHOT - A camera feed turns on, revealing a newsperson. "Bee Movie" - JS REVISIONS 8/13/07 70. PRESS PERSON #2 (talking to camera) Sarah, it’s an incredible scene here in downtown Manhattan where all eyes and ears of the world are anxiously waiting, because for the first time in history, we’re going to hear for ourselves if a honey bee can actually speak. ANGLE ON: Barry, Vanessa, and Adam getting out of the cab. The press spots Barry and Vanessa and pushes in. Adam sits on Vanessa’s shoulder. INT. COURTHOUSE - CONTINUOUS Barry, Vanessa, and Adam sit at the Plaintiff’s Table. VANESSA (turns to Barry) What have we gotten into here, Barry? BARRY I don’t know, but it’s pretty big, isn’t it? ADAM I can’t believe how many humans don’t have to be at work during the day. BARRY Hey, you think these billion dollar multinational food companies have good lawyers? CUT TO: EXT. COURTHOUSE STEPS - CONTINUOUS A BIG BLACK CAR pulls up. ANGLE ON: the grill filling the frame. We see the “L.T.M” monogram on the hood ornament. The defense lawyer, LAYTON T. MONTGOMERY comes out, squashing a bug on the pavement. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 71. INT. COURTHOUSE - CONTINUOUS Barry SHUDDERS. VANESSA What’s the matter? BARRY I don’t know. I just got a chill. Montgomery ENTERS. He walks by Barry’s table shaking a honey packet. MONTGOMERY Well, if it isn’t the B-Team. (re: the honey packet) Any of you boys work on this? He CHUCKLES. The JUDGE ENTERS. SEQ. 3000 - “WITNESSES” BAILIFF All rise! The Honorable Judge Bumbleton presiding. JUDGE (shuffling papers) Alright...Case number 4475, Superior Court of New York. Barry Bee Benson vs. the honey industry, is now in session. Mr. Montgomery, you are representing the five major food companies, collectively. ANGLE ON: Montgomery’s BRIEFCASE. It has an embossed emblem of an EAGLE, holding a gavel in one talon and a briefcase in the other. MONTGOMERY A privilege. JUDGE Mr. Benson. Barry STANDS. JUDGE (CONT’D) You are representing all bees of the world? "Bee Movie" - JS REVISIONS 8/13/07 72. Montgomery, the stenographer, and the jury lean in. CUT TO: EXT. COURTHOUSE - CONTINUOUS The spectators outside freeze. The helicopters angle forward to listen closely. CUT TO: INT. COURTHOUSE BARRY Bzzz bzzz bzzz...Ahh, I’m kidding, I’m kidding. Yes, your honor. We are ready to proceed. ANGLE ON: Courtroom hub-bub. JUDGE And Mr. Montgomery, your opening statement, please. Montgomery rises. MONTGOMERY (grumbles, clears his throat) Ladies and gentlemen of the jury. My grandmother was a simple woman. Born on a farm, she believed it was man's divine right to benefit from the bounty of nature God put before us. If we were to live in the topsy-turvy world Mr. Benson imagines, just think of what it would mean. Maybe I would have to negotiate with the silk worm for the elastic in my britches. Talking bee. How do we know this isn’t some sort of holographic motion picture capture Hollywood wizardry? They could be using laser beams, robotics, ventriloquism, cloning...for all we know he could be on steroids! Montgomery leers at Barry, who moves to the stand. "Bee Movie" - JS REVISIONS 8/13/07 73. JUDGE Mr. Benson? Barry makes his opening statement. BARRY Ladies and Gentlemen of the jury, there’s no trickery here. I’m just an ordinary bee. And as a bee, honey’s pretty important to me. It’s important to all bees. We invented it, we make it, and we protect it with our lives. Unfortunately, there are some people in this room who think they can take whatever they want from us cause we’re the little guys. And what I’m hoping is that after this is all over, you’ll see how by taking our honey, you’re not only taking away everything we have, but everything we are. ANGLE ON: Vanessa smiling. ANGLE ON: The BEE GALLERY wiping tears away. CUT TO: INT. BENSON HOUSE Barry’s family is watching the case on TV. JANET BENSON Oh, I wish he would dress like that all the time. So nice... CUT TO: INT. COURTROOM - LATER JUDGE Call your first witness. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 74. INT. COURTHOUSE - LATER BARRY So, Mr. Klauss Vanderhayden of Honey Farms. Pretty big company you have there? MR. VANDERHAYDEN I suppose so. BARRY And I see you also own HoneyBurton, and Hon-Ron. MR. VANDERHAYDEN Yes. They provide beekeepers for our farms. BARRY Beekeeper. I find that to be a very disturbing term, I have to say. I don’t imagine you employ any bee free-ers, do you? MR. VANDERHAYDEN No. BARRY I’m sorry. I couldn’t hear you. MR. VANDERHAYDEN (louder) No. BARRY No. Because you don’t free bees. You keep bees. And not only that, it seems you thought a bear would be an appropriate image for a jar of honey? MR. VANDERHAYDEN Well, they’re very lovable creatures. Yogi-bear, Fozzy-bear, Build-a-bear. BARRY Yeah, you mean like this?! Vanessa and the SUPERINTENDANT from her building ENTER with a GIANT FEROCIOUS GRIZZLY BEAR. He has a neck collar and chains extending from either side. "Bee Movie" - JS REVISIONS 8/13/07 75. By pulling the chains, they bring him directly in front of Vanderhayden. The bear LUNGES and ROARS. BARRY (CONT'D) Bears kill bees! How would you like his big hairy head crashing into your living room? Biting into your couch, spitting out your throwpillows...rowr, rowr! The bear REACTS. BEAR Rowr!! BARRY Okay, that’s enough. Take him away. Vanessa and the Superintendant pull the bear out of the courtroom. Vanderhayden TREMBLES. The judge GLARES at him. CUT TO: INT. COURTROOM- A LITTLE LATER Barry questions STING. BARRY So, Mr. Sting. Thank you for being here. Your name intrigues me, I have to say. Where have I heard it before? STING I was with a band called "The Police". BARRY But you've never been a police officer of any kind, have you? STING No, I haven't. "Bee Movie" - JS REVISIONS 8/13/07 76. BARRY No, you haven’t. And so, here we have yet another example of bee culture being casually stolen by a human for nothing more than a prance-about stage name. STING Oh please. BARRY Have you ever been stung, Mr. Sting? Because I'm feeling a little stung, Sting. Or should I say, (looking in folder) Mr. Gordon M. Sumner? The jury GASPS. MONTGOMERY (to his aides) That’s not his real name? You idiots! CUT TO: INT. COURTHOUSE- LATER BARRY Mr. Liotta, first may I offer my belated congratulations on your Emmy win for a guest spot on E.R. in 2005. LIOTTA Thank you. Thank you. Liotta LAUGHS MANIACALLY. BARRY I also see from your resume that you’re devilishly handsome, but with a churning inner turmoil that’s always ready to blow. LIOTTA I enjoy what I do. Is that a crime? "Bee Movie" - JS REVISIONS 8/13/07 77. BARRY Not yet it isn’t. But is this what it’s come to for you, Mr. Liotta? Exploiting tiny helpless bees so you don’t have to rehearse your part, and learn your lines, Sir? LIOTTA Watch it Benson, I could blow right now. BARRY This isn’t a goodfella. This is a badfella! LIOTTA (exploding, trying to smash Barry with the Emmy) Why doesn’t someone just step on this little creep and we can all go home? You’re all thinking it. Say it! JUDGE Order! Order in this courtroom! A MONTAGE OF NEWSPAPER HEADLINES FOLLOWS: NEW YORK POST: “Bees to Humans: Buzz Off”. NEW YORK TELEGRAM: “Sue Bee”. DAILY VARIETY: “Studio Dumps Liotta Project. Slams Door on Unlawful Entry 2.” CUT TO: SEQ. 3175 - “CANDLELIGHT DINNER” INT. VANESSA’S APARTMENT Barry and Vanessa are having a candle light dinner. Visible behind Barry is a “LITTLE MISSY” SET BOX, with the flaps open. BARRY Well, I just think that was awfully nice of that bear to pitch in like that. "Bee Movie" - JS REVISIONS 8/13/07 78. VANESSA I’m telling you, I think the jury’s on our side. BARRY Are we doing everything right...you know, legally? VANESSA I’m a florist. BARRY Right, right. Barry raises his glass. BARRY (CONT’D) Well, here’s to a great team. VANESSA To a great team. They toast. Ken ENTERS KEN Well hello. VANESSA Oh...Ken. BARRY Hello. VANESSA I didn’t think you were coming. KEN No, I was just late. I tried to call. But, (holding his cell phone) the battery... VANESSA I didn’t want all this to go to waste, so I called Barry. Luckily he was free. BARRY Yeah. KEN (gritting his teeth) Oh, that was lucky. "Bee Movie" - JS REVISIONS 8/13/07 79. VANESSA Well, there’s still a little left. I could heat it up. KEN Yeah, heat it up. Sure, whatever. Vanessa EXITS. Ken and Barry look at each other as Barry eats. BARRY So, I hear you’re quite a tennis player. I’m not much for the game myself. I find the ball a little grabby. KEN That’s where I usually sit. Right there. VANESSA (O.C) Ken, Barry was looking at your resume, and he agreed with me that “eating with chopsticks” isn’t really a special skill. KEN (to Barry) You think I don’t see what you’re doing? BARRY Hey look, I know how hard it is trying to find the right job. We certainly have that in common. KEN Do we? BARRY Well, bees have 100% employment, of course. But we do jobs like taking the crud out. KEN That’s just what I was thinking about doing. Ken holds his table knife up. It slips out of his hand. He goes under the table to pick it up. "Bee Movie" - JS REVISIONS 8/13/07 80. VANESSA Ken, I let Barry borrow your razor for his fuzz. I hope that was alright. Ken hits his head on the table. BARRY I’m going to go drain the old stinger. KEN Yeah, you do that. Barry EXITS to the bathroom, grabbing a small piece of a VARIETY MAGAZINE on the way. BARRY Oh, look at that. Ken slams the champagne down on the table. Ken closes his eyes and buries his face in his hands. He grabs a magazine on the way into the bathroom. SEQ. 2800 - “BARRY FIGHTS KEN” INT. BATHROOM - CONTINUOUS Ken ENTERS, closes the door behind him. He’s not happy. Barry is washing his hands. He glances back at Ken. KEN You know, I’ve just about had it with your little mind games. BARRY What’s that? KEN Italian Vogue. BARRY Mamma Mia, that’s a lot of pages. KEN It’s a lot of ads. BARRY Remember what Van said. Why is your life any more valuable than mine? "Bee Movie" - JS REVISIONS 8/13/07 81. KEN It’s funny, I just can’t seem to recall that! Ken WHACKS at Barry with the magazine. He misses and KNOCKS EVERYTHING OFF THE VANITY. Ken grabs a can of AIR FRESHENER. KEN (CONT'D) I think something stinks in here. He sprays at Barry. BARRY I love the smell of flowers. KEN Yeah? How do you like the smell of flames? Ken lights the stream. BARRY Not as much. Barry flies in a circle. Ken, trying to stay with him, spins in place. ANGLE ON: Flames outside the bathroom door. Ken slips on the Italian Vogue, falls backward into the shower, pulling down the shower curtain. The can hits him in the head, followed by the shower curtain rod, and the rubber duck. Ken reaches back, grabs the handheld shower head. He whips around, looking for Barry. ANGLE ON: A WATERBUG near the drain. WATERBUG Waterbug. Not taking sides. Barry is on the toilet tank. He comes out from behind a shampoo bottle, wearing a chapstick cap as a helmet. BARRY Ken, look at me! I’m wearing a chapstick hat. This is pathetic. ANGLE ON: Ken turning the hand shower nozzle from “GENTLE”, to “TURBO”, to “LETHAL”. "Bee Movie" - JS REVISIONS 8/13/07 82. KEN I’ve got issues! Ken fires the water at Barry, knocking him into the toilet. The items from the vanity (emory board, lipstick, eye curler, etc.) are on the toilet seat. Ken looks down at Barry. KEN (CONT'D) Well well well, a royal flush. BARRY You’re bluffing. KEN Am I? Ken flushes the toilet. Barry grabs the Emory board and uses it to surf. He puts his hand in the water while he’s surfing. Some water splashes on Ken. BARRY Surf’s up, dude! KEN Awww, poo water! He does some skate board-style half-pipe riding. Barry surfs out of the toilet. BARRY That bowl is gnarly. Ken tries to get a shot at him with the toilet brush. KEN Except for those dirty yellow rings. Vanessa ENTERS. VANESSA Kenneth! What are you doing? KEN You know what? I don’t even like honey! I don’t eat it! VANESSA We need to talk! "Bee Movie" - JS REVISIONS 8/13/07 83. She pulls Ken out by his ear. Ken glares at Barry. CUT TO: INT. HALLWAY - CONTINUOUS VANESSA He’s just a little bee. And he happens to be the nicest bee I’ve met in a long time. KEN Long time? What are you talking about? Are there other bugs in your life? VANESSA No, but there are other things bugging me in life. And you’re one of them! KEN Fine! Talking bees, no yogurt night...my nerves are fried from riding on this emotional rollercoaster. VANESSA Goodbye, Ken. KEN Augh! VANESSA Whew! Ken EXITS, then re-enters frame. KEN And for your information, I prefer sugar-free, artificial sweeteners, made by man! He EXITS again. The DOOR SLAMS behind him. VANESSA (to Barry) I’m sorry about all that. Ken RE-ENTERS. "Bee Movie" - JS REVISIONS 8/13/07 84. KEN I know it’s got an aftertaste! I like it! BARRY (re: Ken) I always felt there was some kind of barrier between Ken and me. (puts his hands in his pockets) I couldn’t overcome it. Oh well. VANESSA Are you going to be okay for the trial tomorrow? BARRY Oh, I believe Mr. Montgomery is about out of ideas. CUT TO: SEQ. 3300 - “ADAM STINGS MONTY” INT. COURTROOM - NEXT DAY ANGLE ON: Medium shot of Montgomery standing at his table. MONTGOMERY We would like to call Mr. Barry Benson Bee to the stand. ADAM (whispering to Vanessa) Now that’s a good idea. (to Barry) You can really see why he’s considered one of the very best lawyers-- Oh. Barry rolls his eyes. He gets up, takes the stand. A juror in a striped shirt APPLAUDS. MR. GAMMIL (whispering) Layton, you’ve got to weave some magic with this jury, or it’s going to be all over. Montgomery is holding a BOOK, “The Secret Life of Bees”. "Bee Movie" - JS REVISIONS 8/13/07 85. MONTGOMERY (confidently whispering) Oh, don’t worry Mr. Gammil. The only thing I have to do to turn this jury around is to remind them of what they don’t like about bees. (to Gammil) You got the tweezers? Mr. Gammil NODS, and pats his breast pocket. MR. GAMMIL Are you allergic? MONTGOMERY Only to losing, son. Only to losing. Montgomery approaches the stand. MONTGOMERY (CONT’D) Mr. Benson Bee. I’ll ask you what I think we’d all like to know. What exactly is your relationship to that woman? Montgomery points to Vanessa. BARRY We’re friends. MONTGOMERY Good friends? BARRY Yes. MONTGOMERY (softly in Barry’s face) How good? BARRY What? MONTGOMERY Do you live together? BARRY Wait a minute, this isn’t about-- "Bee Movie" - JS REVISIONS 8/13/07 86. MONTGOMERY Are you her little... (clearing throat) ... bed bug? BARRY (flustered) Hey, that’s not the kind of-- MONTGOMERY I’ve seen a bee documentary or two. Now, from what I understand, doesn’t your Queen give birth to all the bee children in the hive? BARRY Yeah, but-- MONTGOMERY So those aren’t even your real parents! ANGLE ON: Barry’s parents. MARTIN BENSON Oh, Barry. BARRY Yes they are! ADAM Hold me back! Vanessa holds him back with a COFFEE STIRRER. Montgomery points to Barry’s parents. MONTGOMERY You’re an illegitimate bee, aren’t you Benson? ADAM He’s denouncing bees! All the bees in the courtroom start to HUM. They’re agitated. MONTGOMERY And don’t y’all date your cousins? "Bee Movie" - JS REVISIONS 8/13/07 87. VANESSA (standing, letting go of Adam) Objection! Adam explodes from the table and flies towards Montgomery. ADAM I’m going to pin cushion this guy! Montgomery turns around and positions himself by the judge’s bench. He sticks his butt out. Montgomery winks at his team. BARRY Adam, don’t! It’s what he wants! Adam shoves Barry out of the way. Adam STINGS Montgomery in the butt. The jury REACTS, aghast. MONTGOMERY Ow! I’m hit! Oh, lordy, I am hit! The judge BANGS her gavel. JUDGE Order! Order! Please, Mr. Montgomery. MONTGOMERY The venom! The venom is coursing through my veins! I have been felled by a wing-ed beast of destruction. You see? You can’t treat them like equals. They’re strip-ed savages! Stinging’s the only thing they know! It’s their way! ANGLE ON: Adam, collapsed on the floor. Barry rushes to his side. BARRY Adam, stay with me. ADAM I can’t feel my legs. Montgomery falls on the Bailiff. BAILIFF Take it easy. "Bee Movie" - JS REVISIONS 8/13/07 88. MONTGOMERY Oh, what angel of mercy will come forward to suck the poison from my heaving buttocks? The JURY recoils. JUDGE Please, I will have order in this court. Order! Order, please! FADE TO: SEQ. 3400 - “ADAM AT HOSPITAL” INT. HOSPITAL - STREET LEVEL ROOM - DAY PRESS PERSON #1 (V.O) The case of the honey bees versus the human race took a pointed turn against the bees yesterday, when one of their legal team stung Layton T. Montgomery. Now here’s Don with the 5-day. A NURSE lets Barry into the room. Barry CARRIES a FLOWER. BARRY Thank you. Barry stands over Adam, in a bed. Barry lays the flower down next to him. The TV is on. BARRY (CONT'D) Hey buddy. ADAM Hey. BARRY Is there much pain? Adam has a BEE-SIZED PAINKILLER HONEY BUTTON near his head that he presses. ADAM (pressing the button) Yeah...I blew the whole case, didn’t I? "Bee Movie" - JS REVISIONS 8/13/07 89. BARRY Oh, it doesn’t matter. The important thing is you’re alive. You could have died. ADAM I’d be better off dead. Look at me. Adam THROWS the blanket off his lap, revealing a GREEN SANDWICH SWORD STINGER. ADAM (CONT’D) (voice cracking) They got it from the cafeteria, they got it from downstairs. In a tuna sandwich. Look, there’s a little celery still on it. BARRY What was it like to sting someone? ADAM I can’t explain it. It was all adrenaline...and then...ecstasy. Barry looks at Adam. BARRY Alright. ADAM You think that was all a trap? BARRY Of course. I’m sorry. I flew us right into this. What were we thinking? Look at us, we’re just a couple of bugs in this world. ADAM What do you think the humans will do to us if they win? BARRY I don’t know. ADAM I hear they put the roaches in motels. That doesn’t sound so bad. "Bee Movie" - JS REVISIONS 8/13/07 90. BARRY Adam, they check in, but they don’t check out. Adam GULPS. ADAM Oh my. ANGLE ON: the hospital window. We see THREE PEOPLE smoking outside on the sidewalk. The smoke drifts in. Adam COUGHS. ADAM (CONT’D) Say, could you get a nurse to close that window? BARRY Why? ADAM The smoke. Bees don’t smoke. BARRY Right. Bees don’t smoke. Bees don’t smoke! But some bees are smoking. Adam, that’s it! That’s our case. Adam starts putting his clothes on. ADAM It is? It’s not over? BARRY No. Get up. Get dressed. I’ve got to go somewhere. You get back the court and stall. Stall anyway you can. CUT TO: SEQ. 3500 - “SMOKING GUN” INT. COURTROOM - THE NEXT DAY Adam is folding a piece of paper into a boat. ADAM ...and assuming you’ve done step 29 correctly, you’re ready for the tub. "Bee Movie" - JS REVISIONS 8/13/07 91. ANGLE ON: The jury, all with paper boats of their own. JURORS Ooh. ANGLE ON: Montgomery frustrated with Gammil, who’s making a boat also. Monty crumples Gammil’s boat, and throws it at him. JUDGE Mr. Flayman? ADAM Yes? Yes, Your Honor? JUDGE Where is the rest of your team? ADAM (fumbling with his swordstinger) Well, your honor, it’s interesting. You know Bees are trained to fly kind of haphazardly and as a result quite often we don’t make very good time. I actually once heard a pretty funny story about a bee-- MONTGOMERY Your Honor, haven’t these ridiculous bugs taken up enough of this court’s valuable time? Montgomery rolls out from behind his table. He’s suspended in a LARGE BABY CHAIR with wheels. MONTGOMERY (CONT'D) How much longer are we going to allow these absurd shenanigans to go on? They have presented no compelling evidence to support their charges against my clients who have all run perfectly legitimate businesses. I move for a complete dismissal of this entire case. JUDGE Mr. Flayman, I am afraid I am going to have to consider Mr. Montgomery’s motion. "Bee Movie" - JS REVISIONS 8/13/07 92. ADAM But you can’t. We have a terrific case. MONTGOMERY Where is your proof? Where is the evidence? Show me the smoking gun. Barry bursts through the door. BARRY Hold it, your honor. You want a smoking gun? Here is your smoking gun. Vanessa ENTERS, holding a bee smoker Vanessa slams the beekeeper's SMOKER onto the judge’s bench. JUDGE What is that? BARRY It’s a Bee smoker. Montgomery GRABS the smoker. MONTGOMERY What, this? This harmless little contraption? This couldn’t hurt a fly, let alone a bee. He unintentionally points it towards the bee gallery, KNOCKING THEM ALL OUT. The jury GASPS. The press SNAPS pictures of them. BARRY Members of the jury, look at what has happened to bees who have never been asked, "Smoking or Non?" Is this what nature intended for us? To be forcibly addicted to these smoke machines in man-made wooden slat work camps? Living out our lives as honey slaves to the white man? Barry gestures dramatically towards Montgomery's racially mixed table. The BLACK LAWYER slowly moves his chair away. GAMMIL What are we going to do? "Bee Movie" - JS REVISIONS 8/13/07 93. MONTGOMERY (to Pross) He's playing the species card. Barry lands on the scale of justice, by the judge’s bench. It balances as he lands. BARRY Ladies and gentlemen, please, FreeThese-Bees! ANGLE ON: Jury, chanting "Free the bees". JUDGE The court finds in favor of the bees. The chaos continues. Barry flies over to Vanessa, with his hand up for a “high 5”. BARRY Vanessa, we won! VANESSA Yay! I knew you could do it. Highfive! She high 5’s Barry, sending him crashing to the table. He bounces right back up. VANESSA (CONT'D) Oh, sorry. BARRY Ow!! I’m okay. Vanessa, do you know what this means? All the honey is finally going to belong to the bees. Now we won’t have to work so hard all the time. Montgomery approaches Barry, surrounded by the press. The cameras and microphones go to Montgomery. MONTGOMERY (waving a finger) This is an unholy perversion of the balance of nature, Benson! You’ll regret this. ANGLE ON: Barry’s ‘deer in headlights’ expression, as the press pushes microphones in his face. "Bee Movie" - JS REVISIONS 8/13/07 94. PRESS PERSON 1 Barry, how much honey do you think is out there? BARRY Alright, alright, one at a time... SARAH Barry, who are you wearing? BARRY Uhhh, my sweater is Ralph Lauren, and I have no pants. The Press follows Barry as he EXITS. ANGLE ON: Adam and Vanessa. ADAM (putting papers away) What if Montgomery’s right? VANESSA What do you mean? ADAM We’ve been living the bee way a long time. 27 million years. DISSOLVE TO: SEQ. 3600 - “HONEY ROUNDUP” EXT. HONEY FARMS APIARY - MONTAGE SARAH (V.O) Congratulations on your victory. What are you going to demand as a settlement? BARRY (V.O) (over montage) First, we’re going to demand a complete shutdown of all bee work camps. Then, we want to get back all the honey that was ours to begin with. Every last drop. We demand an end to the glorification of the bear as anything more than a filthy, smelly, big-headed, bad breath, stink-machine. "Bee Movie" - JS REVISIONS 8/13/07 95. I believe we’re all aware of what they do in the woods. We will no longer tolerate derogatory beenegative nick-names, unnecessary inclusion of honey in bogus health products, and la-dee-da tea-time human snack garnishments. MONTAGE IMAGES: Close-up on an ATF JACKET, with the YELLOW LETTERS. Camera pulls back. We see an ARMY OF BEE AND HUMAN AGENTS wearing hastily made “Alcohol, Tobacco, Firearms, and Honey” jackets. Barry supervises. The gate to Honey Farms is locked permanently. All the smokers are collected and locked up. All the bees leave the Apiary. CUT TO: EXT. ATF OUTSIDE OF SUPERMARKET - MONTAGE Agents begin YANKING honey off the supermarket shelves, and out of shopping baskets. CUT TO: EXT. NEW HIVE CITY - MONTAGE The bees tear down a honey-bear statue. CUT TO: EXT. YELLOWSTONE FOREST - MONTAGE POV of a sniper’s crosshairs. An animated BEAR character looka-like, turns his head towards camera. BARRY Wait for my signal. ANGLE ON: Barry lowering his binoculars. BARRY (CONT'D) Take him out. The sniper SHOOTS the bear. It hits him in the shoulder. The bear looks at it. He gets woozy and the honey jar falls out of his lap, an ATF&H agent catches it. "Bee Movie" - JS REVISIONS 8/13/07 96. BARRY (V.O) (CONT'D) ATF&H AGENT (to the bear’s pig friend) He’ll have a little nausea for a few hours, then he’ll be fine. CUT TO: EXT. STING’S HOUSE - MONTAGE ATF&H agents SLAP CUFFS on Sting, who is meditating. STING But it’s just a prance-about stage name! CUT TO: INT. A WOMAN’S SHOWER - MONTAGE A WOMAN is taking a shower, and using honey shampoo. An ATF&H agent pulls the shower curtain aside, and grabs her bottle of shampoo. The woman SCREAMS. The agent turns to the 3 other agents, and Barry. ANGLE ON: Barry looking at the label on the shampoo bottle, shaking his head and writing in his clipboard. CUT TO: EXT. SUPERMARKET CAFE - MONTAGE Another customer, an old lady having her tea with a little jar of honey, gets her face pushed down onto the table and turned to the side by two agents. One of the agents has a gun on her. OLD LADY Can’t breathe. CUT TO: EXT. CENTRAL PARK - MONTAGE An OIL DRUM of honey is connected to Barry’s hive. "Bee Movie" - JS REVISIONS 8/13/07 97. BARRY Bring it in, boys. CUT TO: SEQ. 3650 - “NO MORE WORK” INT. HONEX - MONTAGE ANGLE ON: The honey goes past the 3-cup hash-mark, and begins to overflow. A WORKER BEE runs up to Buzzwell. WORKER BEE 1 Mr. Buzzwell, we just passed 3 cups, and there’s gallons mores coming. I think we need to shutdown. KEYCHAIN BEE (to Buzzwell) Shutdown? We’ve never shutdown. ANGLE ON: Buzzwell overlooking the factory floor. BUZZWELL Shutdown honey production! Stop making honey! ANGLE ON: TWO BEES, each with a KEY. BUZZWELL (CONT’D) Turn your key, Sir! They turn the keys simultaneously, War Games-style, shutting down the honey machines. ANGLE ON: the Taffy-Pull machine, Centrifuge, and Krelman all slowly come to a stop. The bees look around, bewildered. WORKER BEE 5 What do we do now? A BEAT. WORKER BEE 6 Cannon ball!! He jumps into a HONEY VAT, doesn’t penetrate the surface. He looks around, and slowly sinks down to his waist. "Bee Movie" - JS REVISIONS 8/13/07 98. EXT. HONEX FACTORY THE WHISTLE BLOWS, and the bees all stream out the exit. CUT TO: INT. J-GATE - CONTINUOUS Lou Loduca gives orders to the pollen jocks. LOU LODUCA We’re shutting down honey production. Mission abort. CUT TO: EXT. CENTRAL PARK Jackson receives the orders, mid-pollination. JACKSON Aborting pollination and nectar detail. Returning to base. CUT TO: EXT. NEW HIVE CITY ANGLE ON: Bees, putting sun-tan lotion on their noses and antennae, and sunning themselves on the balconies of the gyms. CUT TO: EXT. CENTRAL PARK ANGLE ON: THE FLOWERS starting to DROOP. CUT TO: INT. J-GATE J-Gate is deserted. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 99. EXT. NEW HIVE CITY ANGLE ON: Bees sunning themselves. A TIMER DINGS, and they all turn over. CUT TO: EXT. CENTRAL PARK TIME LAPSE of Central Park turning brown. CUT TO: EXT. VANESSA’S FLORIST SHOP CLOSE-UP SHOT: Vanessa writes “Sorry. No more flowers.” on a “Closed” sign, an turns it facing out. CUT TO: SEQ. 3700 - “IDLE HIVE” EXT. NEW HIVE CITY - DAY Barry flies at high speed. TRACKING SHOT into the hive, through the lobby of Honex, and into Adam’s office. CUT TO: INT. ADAM’S OFFICE - CONTINUOUS Barry meets Adam in his office. Adam’s office is in disarray. There are papers everywhere. He’s filling up his cardboard hexagon box. BARRY (out of breath) Adam, you wouldn’t believe how much honey was out there. ADAM Oh yeah? BARRY What’s going on around here? Where is everybody? Are they out celebrating? "Bee Movie" - JS REVISIONS 8/13/07 100. ADAM (exiting with a cardboard box of belongings) No, they’re just home. They don’t know what to do. BARRY Hmmm. ADAM They’re laying out, they’re sleeping in. I heard your Uncle Carl was on his way to San Antonio with a cricket. BARRY At least we got our honey back. They walk through the empty factory. ADAM Yeah, but sometimes I think, so what if the humans liked our honey? Who wouldn’t? It’s the greatest thing in the world. I was excited to be a part of making it. ANGLE ON: Adam’s desk on it’s side in the hall. ADAM (CONT’D) This was my new desk. This was my new job. I wanted to do it really well. And now...and now I can’t. Adam EXITS. CUT TO: SEQ. 3900 - “WORLD WITHOUT BEES” INT. STAIRWELL Vanessa and Barry are walking up the stairs to the roof. BARRY I don’t understand why they’re not happy. We have so much now. I thought their lives would be better. "Bee Movie" - JS REVISIONS 8/13/07 101. VANESSA Hmmm. BARRY They’re doing nothing. It’s amazing, honey really changes people. VANESSA You don’t have any idea what’s going on, do you? BARRY What did you want to show me? VANESSA This. They reach the top of the stairs. Vanessa opens the door. CUT TO: EXT. VANESSA’S ROOFTOP - CONTINUOUS Barry sees Vanessa’s flower pots and small garden have all turned brown. BARRY What happened here? VANESSA That is not the half of it... Vanessa turns Barry around with her two fingers, revealing the view of Central Park, which is also all brown. BARRY Oh no. Oh my. They’re all wilting. VANESSA Doesn’t look very good, does it? BARRY No. VANESSA And who’s fault do you think that is? "Bee Movie" - JS REVISIONS 8/13/07 102. BARRY Mmmm...you know, I’m going to guess, bees. VANESSA Bees? BARRY Specifically me. I guess I didn’t think that bees not needing to make honey would affect all these other things. VANESSA And it’s not just flowers. Fruits, vegetables...they all need bees. BARRY Well, that’s our whole SAT test right there. VANESSA So, you take away the produce, that affects the entire animal kingdom. And then, of course... BARRY The human species? VANESSA (clearing throat) Ahem! BARRY Oh. So, if there’s no more pollination, it could all just go south here, couldn’t it? VANESSA And I know this is also partly my fault. Barry takes a long SIGH. BARRY How about a suicide pact? VANESSA (not sure if he’s joking) How would we do it? BARRY I’ll sting you, you step on me. "Bee Movie" - JS REVISIONS 8/13/07 103. VANESSA That just kills you twice. BARRY Right, right. VANESSA Listen Barry. Sorry but I’ve got to get going. She EXITS. BARRY (looking out over the park) Had to open my mouth and talk... (looking back) Vanessa..? Vanessa is gone. CUT TO: SEQ. 3935 - “GOING TO PASADENA” EXT. NY STREET - CONTINUOUS Vanessa gets into a cab. Barry ENTERS. BARRY Vanessa. Why are you leaving? Where are you going? VANESSA To the final Tournament of Roses parade in Pasadena. They moved it up to this weekend because all the flowers are dying. It’s the last chance I’ll ever have to see it. BARRY Vanessa, I just want to say I’m sorry. I never meant it to turn out like this. VANESSA I know. Me neither. Vanessa cab drives away. "Bee Movie" - JS REVISIONS 8/13/07 104. BARRY (chuckling to himself) Tournament of Roses. Roses can’t do sports. Wait a minute...roses. Roses? Roses!? Vanessa! Barry follows shortly after. He catches up to it, and he pounds on the window. Barry follows shortly after Vanessa’s cab. He catches up to it, and he pounds on the window. INT. TAXI - CONTINUOUS Barry motions for her to roll the window down. She does so. BARRY Roses?! VANESSA Barry? BARRY (as he flies next to the cab) Roses are flowers. VANESSA Yes, they are. BARRY Flowers, bees, pollen! VANESSA I know. That’s why this is the last parade. BARRY Maybe not. The cab starts pulling ahead of Barry. BARRY (CONT'D) (re: driver) Could you ask him to slow down? VANESSA Could you slow down? The cabs slows. Barry flies in the window, and lands in the change box, which closes on him. "Bee Movie" - JS REVISIONS 8/13/07 105. VANESSA (CONT'D) Barry! Vanessa lets him out. Barry stands on the change box, in front of the driver’s license. BARRY Okay, I made a huge mistake! This is a total disaster, and it’s all my fault! VANESSA Yes, it kind of is. BARRY I’ve ruined the planet. And, I wanted to help with your flower shop. Instead, I’ve made it worse. VANESSA Actually, it’s completely closed down. BARRY Oh, I thought maybe you were remodeling. Nonetheless, I have another idea. And it’s greater than all my previous great ideas combined. VANESSA I don’t want to hear it. Vanessa closes the change box on Barry. BARRY (opening it again) Alright, here’s what I’m thinking. They have the roses, the roses have the pollen. I know every bee, plant, and flower bud in this park. All we’ve got to do is get what they’ve got back here with what we’ve got. VANESSA Bees... BARRY Park... VANESSA Pollen... "Bee Movie" - JS REVISIONS 8/13/07 106. BARRY Flowers... VANESSA Repollination! BARRY (on luggage handle, going up) Across the nation! CUT TO: SEQ. 3950 - “ROSE PARADE” EXT. PASADENA PARADE BARRY (V.O) Alright. Tournament of Roses. Pasadena, California. They’ve got nothing but flowers, floats, and cotton candy. Security will be tight. VANESSA I have an idea. CUT TO: EXT. FLOAT STAGING AREA ANGLE ON: Barry and Vanessa approaching a HEAVILY ARMED GUARD in front of the staging area. VANESSA Vanessa Bloome, FTD. Official floral business. He leans in to look at her badge. She SNAPS IT SHUT, VANESSA (CONT’D) Oh, it’s real. HEAVILY ARMED GUARD Sorry ma’am. That’s a nice brooch, by the way. VANESSA Thank you. It was a gift. "Bee Movie" - JS REVISIONS 8/13/07 107. They ENTER the staging area. BARRY (V.O) Then, once we’re inside, we just pick the right float. VANESSA How about the Princess and the Pea? BARRY Yeah. VANESSA I can be the princess, and-- BARRY ...yes, I think-- VANESSA You could be-- BARRY I’ve-- VANESSA The pea. BARRY Got it. CUT TO: EXT. FLOAT STAGING AREA - A FEW MOMENTS LATER Barry, dressed as a PEA, flies up and hovers in front of the princess on the “Princess and the Pea” float. The float is sponsored by Inflat-a-bed and a SIGN READS: “Inflat-a-bed: If it blows, it’s ours.” BARRY Sorry I’m late. Where should I sit? PRINCESS What are you? BARRY I believe I’m the pea. PRINCESS The pea? It’s supposed to be under the mattresses. "Bee Movie" - JS REVISIONS 8/13/07 108. BARRY Not in this fairy tale, sweetheart. PRINCESS I’m going to go talk to the marshall. BARRY You do that. This whole parade is a fiasco! She EXITS. Vanessa removes the step-ladder. The princess FALLS. Barry and Vanessa take off in the float. BARRY (CONT’D) Let’s see what this baby will do. ANGLE ON: Guy with headset talking to drivers. HEADSET GUY Hey! The float ZOOMS by. A young CHILD in the stands, TIMMY, cries. CUT TO: EXT. FLOAT STAGING AREA - A FEW MOMENTS LATER ANGLE ON: Vanessa putting the princess hat on. BARRY (V.O) Then all we do is blend in with traffic, without arousing suspicion. CUT TO: EXT. THE PARADE ROUTE - CONTINUOUS The floats go flying by the crowds. Barry and Vanessa’s float CRASHES through the fence. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 109. EXT. LA FREEWAY Vanessa and Barry speed, dodging and weaving, down the freeway. BARRY (V.O) And once we’re at the airport, there’s no stopping us. CUT TO: EXT. LAX AIRPORT Barry and Vanessa pull up to the curb, in front of an TSA AGENT WITH CLIPBOARD. TSA AGENT Stop. Security. Did you and your insect pack your own float? VANESSA (O.C) Yes. TSA AGENT Has this float been in your possession the entire time? VANESSA (O.C) Since the parade...yes. ANGLE ON: Barry holding his shoes. TSA AGENT Would you remove your shoes and everything in your pockets? Can you remove your stinger, Sir? BARRY That’s part of me. TSA AGENT I know. Just having some fun. Enjoy your flight. CUT TO: EXT. RUNWAY Barry and Vanessa’s airplane TAKES OFF. "Bee Movie" - JS REVISIONS 8/13/07 110. BARRY (O.C) Then, if we’re lucky, we’ll have just enough pollen to do the job. DISSOLVE TO: SEQ. 4025 - “COCKPIT FIGHT” INT. AIRPLANE Vanessa is on the aisle. Barry is on a laptop calculating flowers, pollen, number of bees, airspeed, etc. He does a “Stomp” dance on the keyboard. BARRY Can you believe how lucky we are? We have just enough pollen to do the job. I think this is going to work, Vanessa. VANESSA It’s got to work. PILOT (V.O) Attention passengers. This is Captain Scott. I’m afraid we have a bit of bad weather in the New York area. And looks like we’re going to be experiencing a couple of hours delay. VANESSA Barry, these are cut flowers with no water. They’ll never make it. BARRY I’ve got to get up there and talk to these guys. VANESSA Be careful. Barry flies up to the cockpit door. CUT TO: INT. COCKPIT - CONTINUOUS A female flight attendant, ANGELA, is in the cockpit with the pilots. "Bee Movie" - JS REVISIONS 8/13/07 111. There’s a KNOCK at the door. BARRY (C.O) Hey, can I get some help with this Sky Mall Magazine? I’d like to order the talking inflatable travel pool filter. ANGELA (to the pilots, irritated) Excuse me. CUT TO: EXT. CABIN - CONTINUOUS Angela opens the cockpit door and looks around. She doesn’t see anybody. ANGLE ON: Barry hidden on the yellow and black “caution” stripe. As Angela looks around, Barry zips into the cockpit. CUT TO: INT. COCKPIT BARRY Excuse me, Captain. I am in a real situation here... PILOT (pulling an earphone back, to the co-pilot) What did you say, Hal? CO-PILOT I didn’t say anything. PILOT (he sees Barry) Ahhh! Bee! BARRY No, no! Don’t freak out! There’s a chance my entire species-- CO-PILOT (taking off his earphones) Ahhh! "Bee Movie" - JS REVISIONS 8/13/07 112. The pilot grabs a “DUSTBUSTER” vacuum cleaner. He aims it around trying to vacuum up Barry. The co-pilot faces camera, as the pilot tries to suck Barry up. Barry is on the other side of the co-pilot. As they dosey-do, the toupee of the co-pilot begins to come up, still attached to the front. CO-PILOT (CONT'D) What are you doing? Stop! The toupee comes off the co-pilot’s head, and sticks in the Dustbuster. Barry runs across the bald head. BARRY Wait a minute! I’m an attorney! CO-PILOT Who’s an attorney? PILOT Don’t move. The pilot uses the Dustbuster to try and mash Barry, who is hovering in front of the co-pilot’s nose, and knocks out the co-pilot who falls out of his chair, hitting the life raft release button. The life raft inflates, hitting the pilot, knocking him into a wall and out cold. Barry surveys the situation. BARRY Oh, Barry. CUT TO: INT. AIRPLANE CABIN Vanessa studies her laptop, looking serious. SFX: PA CRACKLE. BARRY (V.O) (in captain voice) Good afternoon passengers, this is your captain speaking. Would a Miss Vanessa Bloome in 24F please report to the cockpit. And please hurry! "Bee Movie" - JS REVISIONS 8/13/07 113. ANGLE ON: The aisle, and Vanessa head popping up. CUT TO: INT. COCKPIT Vanessa ENTERS. VANESSA What happened here? BARRY I tried to talk to them, but then there was a Dustbuster, a toupee, a life raft exploded...Now one’s bald, one’s in a boat, and they’re both unconscious. VANESSA Is that another bee joke? BARRY No. No one’s flying the plane. The AIR TRAFFIC CONTROLLER, BUD, speaks over the radio. BUD This is JFK control tower. Flight 356, what’s your status? Vanessa presses a button, and the intercom comes on. VANESSA This is Vanessa Bloome. I’m a florist from New York. BUD Where’s the pilot? VANESSA He’s unconscious and so is the copilot. BUD Not good. Is there anyone onboard who has flight experience? A BEAT. BARRY As a matter of fact, there is. "Bee Movie" - JS REVISIONS 8/13/07 114. BUD Who’s that? VANESSA Barry Benson. BUD From the honey trial? Oh great. BARRY Vanessa, this is nothing more than a big metal bee. It’s got giant wings, huge engines. VANESSA I can’t fly a plane. BARRY Why not? Isn’t John Travolta a pilot? VANESSA Yes? BARRY How hard could it be? VANESSA Wait a minute. Barry, we’re headed into some lightning. CUT TO: Vanessa shrugs, and takes the controls. SEQ. 4150 - “BARRY FLIES PLANE” INT. BENSON HOUSE The family is all huddled around the TV at the Benson house. ANGLE ON: TV. Bob Bumble is broadcasting. BOB BUMBLE This is Bob Bumble. We have some late-breaking news from JFK airport, where a very suspenseful scene is developing. Barry Benson, fresh off his stunning legal victory... "Bee Movie" - JS REVISIONS 8/13/07 115. Adam SPRAYS a can of HONEY-WHIP into his mouth. ADAM That’s Barry. BOB BUMBLE ...is now attempting to land a plane, loaded with people, flowers, and an incapacitated flight crew. EVERYONE Flowers?! CUT TO: INT. AIR TRAFFIC CONTROL TOWER BUD Well, we have an electrical storm in the area, and two individuals at the controls of a jumbo jet with absolutely no flight experience. JEANETTE CHUNG Just a minute, Mr. Ditchwater, there’s a honey bee on that plane. BUD Oh, I’m quite familiar with Mr. Benson’s work, and his no-account compadres. Haven’t they done enough damage already? JEANETTE CHUNG But isn’t he your only hope right now? BUD Come on, technically a bee shouldn’t be able to fly at all. CUT TO: INT. COCKPIT. Barry REACTS BUD The wings are too small, their bodies are too big-- "Bee Movie" - JS REVISIONS 8/13/07 116. BARRY (over PA) Hey, hold on a second. Haven’t we heard this million times? The surface area of the wings, and the body mass doesn’t make sense? JEANETTE CHUNG Get this on the air. CAMERAMAN You got it! CUT TO: INT. BEE TV CONTROL ROOM An engineer throws a switch. BEE ENGINEER Stand by. We’re going live. The “ON AIR” sign illuminates. CUT TO: INT. VARIOUS SHOTS OF NEW HIVE CITY The news report plays on TV. The pollen jocks are sitting around, playing paddle-ball, Wheel-o, and one of them is spinning his helmet on his finger. Buzzwell is in an office cubicle, playing computer solitaire. Barry’s family and Adam watch from their living room. Bees sitting on the street curb turn around to watch the TV. BARRY Mr. Ditchwater, the way we work may be a mystery to you, because making honey takes a lot of bees doing a lot of small jobs. But let me tell you something about a small job. If you do it really well, it makes a big difference. More than we realized. To us, to everyone. That’s why I want to get bees back to doing what we do best. "Bee Movie" - JS REVISIONS 8/13/07 117. Working together. That’s the bee way. We’re not made of Jello. We get behind a fellow. Black and yellow. CROWD OF BEES Hello! CUT TO: INT. COCKPIT Barry is giving orders to Vanessa. BARRY Left, right, down, hover. VANESSA Hover? BARRY Forget hover. VANESSA You know what? This isn’t so hard. Vanessa pretends to HONK THE HORN. VANESSA (CONT’D) Beep, beep! Beep, beep! A BOLT OF LIGHTNING HITS the plane. The plane takes a sharp dip. VANESSA (CONT’D) Barry, what happened? BARRY (noticing the control panel) Wait a minute. I think we were on autopilot that whole time. VANESSA That may have been helping me. BARRY And now we’re not! VANESSA (V.O.) (folding her arms) Well, then it turns out I cannot fly a plane. "Bee Movie" - JS REVISIONS 8/13/07 118. BARRY (CONT'D) Vanessa struggles with the yoke. CUT TO: EXT. AIRPLANE The airplane goes into a steep dive. CUT TO: SEQ. 4175 - “CRASH LANDING” INT. J-GATE An ALERT SIGN READING: “Hive Alert. We Need:” Then the SIGNAL goes from “Two Bees” “Some Bees” “Every Bee There Is” Lou Loduca gathers the pollen jocks at J-Gate. LOU LODUCA All of you, let’s get behind this fellow. Move it out! The bees follow Lou Loduca, and EXIT J-Gate. CUT TO: INT. AIRPLANE COCKPIT BARRY Our only chance is if I do what I would do, and you copy me with the wings of the plane! VANESSA You don’t have to yell. BARRY I’m not yelling. We happen to be in a lot of trouble here. VANESSA It’s very hard to concentrate with that panicky tone in your voice. BARRY It’s not a tone. I’m panicking! CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 119. EXT. JFK AIRPORT ANGLE ON: The bees arriving and massing at the airport. CUT TO: INT. COCKPIT Barry and Vanessa alternately SLAP EACH OTHER IN THE FACE. VANESSA I don’t think I can do this. BARRY Vanessa, pull yourself together. Listen to me, you have got to snap out of it! VANESSA You snap out of it! BARRY You snap out of it! VANESSA You snap out of it! BARRY You snap out of it! VANESSA You snap out of it! CUT TO: EXT. AIRPLANE A GIGANTIC SWARM OF BEES flies in to hold the plane up. CUT TO: INT. COCKPIT - CONTINUOUS BARRY You snap out of it! VANESSA You snap out of it! "Bee Movie" - JS REVISIONS 8/13/07 120. BARRY You snap-- VANESSA Hold it! BARRY (about to slap her again) Why? Come on, it’s my turn. VANESSA How is the plane flying? Barry’s antennae ring. BARRY I don’t know. (answering) Hello? CUT TO: EXT. AIRPLANE ANGLE ON: The underside of the plane. The pollen jocks have massed all around the underbelly of the plane, and are holding it up. LOU LODUCA Hey Benson, have you got any flowers for a happy occasion in there? CUT TO: INT. COCKPIT Lou, Buzz, Splitz, and Jackson come up alongside the cockpit. BARRY The pollen jocks! VANESSA They do get behind a fellow. BARRY Black and yellow. LOU LODUCA (over headset) Hello. "Bee Movie" - JS REVISIONS 8/13/07 121. Alright you two, what do you say we drop this tin can on the blacktop? VANESSA What blacktop? Where? I can’t see anything. Can you? BARRY No, nothing. It’s all cloudy. CUT TO: EXT. RUNWAY Adam SHOUTS. ADAM Come on, you’ve got to think bee, Barry. Thinking bee, thinking bee. ANGLE ON: Overhead shot of runway. The bees are in the formation of a flower. In unison they move, causing the flower to FLASH YELLOW AND BLACK. BEES (chanting) Thinking bee, thinking bee. CUT TO: INT. COCKPIT We see through the swirling mist and clouds. A GIANT SHAPE OF A FLOWER is forming in the middle of the runway. BARRY Wait a minute. I think I’m feeling something. VANESSA What? BARRY I don’t know, but it’s strong. And it’s pulling me, like a 27 million year old instinct. Bring the nose of the plane down. "Bee Movie" - JS REVISIONS 8/13/07 122. LOU LODUCA (CONT'D) EXT. RUNWAY All the bees are on the runway chanting “Thinking Bee”. CUT TO: INT. CONTROL TOWER RICK What in the world is on the tarmac? ANGLE ON: Dave OTS onto runway seeing a flower being formed by millions of bees. BUD Get some lights on that! CUT TO: EXT. RUNWAY ANGLE ON: AIRCRAFT LANDING LIGHT SCAFFOLD by the side of the runway, illuminating the bees in their flower formation. INT. COCKPIT BARRY Vanessa, aim for the flower! VANESSA Oh, okay? BARRY Cut the engines! VANESSA Cut the engines? BARRY We’re going in on bee power. Ready boys? LOU LODUCA Affirmative. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 123. INT. AIRPLANE COCKPIT BARRY Good, good, easy now. Land on that flower! Ready boys? Give me full reverse. LOU LODUCA Spin it around! The plane attempts to land on top of an “Aloha Airlines” plane with flowers painted on it. BARRY (V.O) I mean the giant black and yellow pulsating flower made of millions of bees! VANESSA Which flower? BARRY That flower! VANESSA I’m aiming at the flower! The plane goes after a FAT GUY IN A HAWAIIAN SHIRT. BARRY (V.O) That’s a fat guy in a flowered shirt! The other other flower! The big one. He snaps a photo and runs away. BARRY (CONT'D) Full forward. Ready boys? Nose down. Bring your tail up. Rotate around it. VANESSA Oh, this is insane, Barry. BARRY This is the only way I know how to fly. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 124. AIR TRAFFIC CONTROL TOWER BUD Am I koo-koo kachoo, or is this plane flying in an insect-like pattern? CUT TO: EXT. RUNWAY BARRY (V.O) Get your nose in there. Don’t be afraid of it. Smell it. Full reverse! Easy, just drop it. Be a part of it. Aim for the center! Now drop it in. Drop it in, woman! The plane HOVERS and MANEUVERS, landing in the center of the giant flower, like a bee. The FLOWERS from the cargo hold spill out onto the runway. INT. AIPLANE CABIN The passengers are motionless for a beat. PASSENGER Come on already! They hear the “ding ding”, and all jump up to grab their luggage out of the overheads. SEQ. 4225 - “RUNWAY SPEECH” EXT. RUNWAY - CONTINUOUS The INFLATABLE SLIDES pop out the side of the plane. The passengers escape. Barry and Vanessa slide down out of the cockpit. Barry and Vanessa exhale a huge breath. VANESSA Barry, we did it. You taught me how to fly. Vanessa raises her hand up for a high five. "Bee Movie" - JS REVISIONS 8/13/07 125. BARRY Yes. No high five. VANESSA Right. ADAM Barry, it worked. Did you see the giant flower? BARRY What giant flower? Where? Of course I saw the flower! That was genius, man. Genius! ADAM Thank you. BARRY But we’re not done yet. Barry flies up to the wing of the plane, and addresses the bee crowd. BARRY (CONT’D) Listen everyone. This runway is covered with the last pollen from the last flowers available anywhere on Earth. That means this is our last chance. We’re the only ones who make honey, pollinate flowers, and dress like this. If we’re going to survive as a species, this is our moment. So what do you all say? Are we going to be bees, or just Museum of Natural History key chains? BEES We’re bees! KEYCHAIN BEE Keychain! BARRY Then follow me... Except Keychain. BUZZ Hold on Barry. You’ve earned this. Buzz puts a pollen jock jacket and helmet with Barry’s name on it on Barry. "Bee Movie" - JS REVISIONS 8/13/07 126. BARRY I’m a pollen jock! (looking at the jacket. The sleeves are a little long) And it’s a perfect fit. All I’ve got to do are the sleeves. The Pollen Jocks toss Barry a gun. BARRY (CONT’D) Oh yeah! ANGLE ON: Martin and Janet Benson. JANET BENSON That’s our Barry. All the bees descend upon the flowers on the tarmac, and start collecting pollen. CUT TO: SEQ. 4250 - “RE-POLLINATION” EXT. SKIES - CONTINUOUS The squadron FLIES over the city, REPOLLINATING trees and flowers as they go. Barry breaks off from the group, towards Vanessa’s flower shop. CUT TO: EXT. VANESSA’S FLOWER SHOP - CONTINUOUS Barry REPOLLINATES Vanessa’s flowers. CUT TO: EXT. CENTRAL PARK - CONTINUOUS ANGLE ON: Timmy with a frisbee, as the bees fly by. TIMMY Mom, the bees are back! "Bee Movie" - JS REVISIONS 8/13/07 127. Central Park is completely repollinated by the bees. DISSOLVE TO: INT. HONEX - CONTINUOUS Honex is back to normal and everyone is busily working. ANGLE ON: Adam, putting his Krelman hat on. ADAM If anyone needs to make a call, now’s the time. I’ve got a feeling we’ll be working late tonight! The bees CHEER. CUT TO: SEQ. 4355 EXT: VANESSA’S FLOWER SHOP With a new sign out front. “Vanessa & Barry: Flowers, Honey, Legal Advice” DISSOLVE TO: INT: FLOWER COUNTER Vanessa doing a brisk trade with many customers. CUT TO: INT: FLOWER SHOP - CONTINUOUS Vanessa is selling flowers. In the background, there are SHELVES STOCKED WITH HONEY. VANESSA (O.C.) Don’t forget these. Have a great afternoon. Yes, can I help who’s next? Who’s next? Would you like some honey with that? It is beeapproved. SIGN ON THE BACK ROOM DOOR READS: “Barry Benson: Insects at Law”. "Bee Movie" - JS REVISIONS 8/13/07 128. Camera moves into the back room. ANGLE ON: Barry. ANGLE ON: Barry’s COW CLIENT. COW Milk, cream, cheese...it’s all me. And I don’t see a nickel. BARRY Uh huh? Uh huh? COW (breaking down) Sometimes I just feel like a piece of meat. BARRY I had no idea. VANESSA Barry? I’m sorry, have you got a moment? BARRY Would you excuse me? My mosquito associate here will be able to help you. Mooseblood ENTERS. MOOSEBLOOD Sorry I’m late. COW He’s a lawyer too? MOOSEBLOOD Ma’am, I was already a bloodsucking parasite. All I needed was * a briefcase. * ANGLE ON: Flower Counter. VANESSA (to customer) Have a great afternoon! (to Barry) Barry, I just got this huge tulip order for a wedding, and I can’t get them anywhere. "Bee Movie" - JS REVISIONS 8/13/07 129. BARRY Not a problem, Vannie. Just leave it to me. Vanessa turns back to deal with a customer. VANESSA You’re a life-saver, Barry. (to the next customer) Can I help who’s next? Who’s next? ANGLE ON: Vanessa smiling back at Barry. Barry smiles too, then snaps himself out of it. BARRY (speaks into his antennae) Alright. Scramble jocks, it’s time to fly! VANESSA Thank you, Barry! EXT. FLOWER SHOP - CONTINUOUS ANGLE ON: Ken and Andy walking down the street. KEN (noticing the new sign) Augh! What in the world? It’s that bee again! ANDY (guiding Ken protectively) Let it go, Kenny. KEN That bee is living my life! When will this nightmare end? ANDY Let it all go. They don’t break stride. ANGLE ON: Camera in front of Barry as he flies out the door and up into the sky. Pollen jocks fold in formation behind him as they zoom into the park. BARRY (to Splitz) Beautiful day to fly. "Bee Movie" - JS REVISIONS 8/13/07 130. JACKSON Sure is. BARRY Between you and me, I was dying to get out of that office. FADE OUT: "Bee Movie" - JS REVISIONS 8/13/07 131.
A philosopher once asked, "Are we human because we gaze at the stars, or do we gaze at them because we are human?" Pointless, really... "Do the stars gaze back?" Now *that's* a question.
Hello, everybody. Thanks for comin’. I am the Lorax. I speak for the trees. And I’d like to say a few words, if you please. Regarding the story that you’re about to see it actually happened. Just take it from me. But there’s more to this story than what’s on the page, so please pay attention while I set the stage. We open in Thneedville, a city they say that was plastic and fake, and they liked it that way! A town without nature, not one living tree. So, what happened to them? Cue the music! Let’s see. Buzz. Buzz. ♪ In Thneedville, ♪ ♪ it’s a brand new dawn ♪ ♪ With brand new cars ♪ ♪ and houses and lawns ♪ ♪ Here in ♪ ♪ Got-all-that-we-need-ville ♪ ♪ In Thneedville, ♪ ♪ we manufacture our trees ♪ ♪ Each one is made in factories ♪ ♪ And uses 96 batteries ♪ ♪ In Thneedville, ♪ ♪ the air’s not so clean ♪ ♪ So we buy it fresh ♪ ♪ It comes out this machine! ♪ ♪ In Satisfaction’s-♪ ♪ guaranteed-ville ♪ ♪ In Thneedville, ♪ ♪ we don’t want to know ♪ ♪ Where the smog and trash ♪ ♪ and chemicals go ♪ ♪ I just went swimming, ♪ ♪ and now I glow ♪ ♪ In Thneedville, ♪ ♪ we have fun year round ♪ ♪ We surf and snowboard ♪ ♪ right in town ♪ ♪ We thank the Lord ♪ ♪ for all we’ve got ♪ ♪ Including this ♪ ♪ brand new parking lot! ♪ ♪ Parking lot! ♪ ♪ Oh, look, it’s Aloysius O’Hare ♪ ♪ Aloysius O’Hare ♪ ♪ The man who found ♪ ♪ a way to sell air ♪ ♪ And became a zillionaire ♪ ♪ Hip-hip-hooray! ♪ ♪ In Thneedville, ♪ ♪ we love living this way ♪ ♪ It’s like living in paradise ♪ ♪ It’s perfect! ♪ ♪ And that’s how it will stay ♪ ♪ Oh, yeah! ♪ ♪ Here in ♪ ♪ Love-the-life-we-lead-ville ♪ ♪ Destined-to-succeed-ville ♪ ♪ We-are-all-agreed-ville ♪ ♪ We love it here in… ♪ ♪ Thneedville! ♪ Yes! Oh, hi, Ted. Oh, hey, Audrey. Hi. Did your ball land in my backyard again? What? No. A model airplane, this time. Hey, do you want to see something cool? Come on. Whoa! Did you… Did you paint this? Do you like it? What? Are you kidding? This is amazing! What are those? Those are trees. Real ones. They used to grow all around here. And people said that the touch of their tufts was softer than anything, even silk. And they smelled like butterfly milk! Wow! What does that even mean? I know, right? Oh, yeah. What I want more than anything in the whole world is to see a real living tree growing in my backyard. So if, say… I’m just thinking out loud here. If a guy somehow got you one… I’d probably marry him on the spot. I bet that sounds crazy. Does that sound crazy? No! Not crazy. Not crazy at all. * * * Ted, honey, don’t play with your food. You, either, Mom. So, Mom, do you happen to know if there’s any place where I could get a real tree? Ted, we already have a tree. It’s the latest model. Yeah, but I mean a real one that grows out of the ground or whatever. You know, a real tree. Really? You would rather have some dirty, messy lump of wood that just sticks out of the ground? And it does what? I don’t even know what it does. What’s its purpose? Look at what we’ve got. It’s the Oak-amatic. The only tree with its own remote. Summer, autumn, winter, and disco! Mom? Come on, Ted. Get into it. Dance with the tree. Oh, it hurts, Mom. Please stop. So, anyway… Let’s just say I need a tree. Where would I go? What do I do? Then you know what? You need to find the Once-ler. The What? Mom, it’s not really the time for one of your magical fables, okay? That’s right, I forgot. I’m old and can’t even remember to put my teeth in. Stand down. That’s not what I meant. No, really, I forgot my teeth. Would you be a dear and go get them for me? Sure, Mom. Okay, here’s the deal. The Once-ler is the man who knows what happened to the trees. You want one, you need to find him. The Once-ler? Mmm-hmm. Okay. Grammy, is this a real thing that we’re talking about now? Oh, he’s real all right. Well, where can I find him? Far outside of town where the grass never grows and the wind smells slow and sour when it blows. And no birds ever sing, excepting old crows. Quit doing that. That’s the place where the Once-ler lives. Wait, outside of town? People used to say if you brought him 15 cents, a nail and the shell of a great, great, great grandfather snail, he would tell you everything. * * * Hmm. Mr. O’Hare, what we’ve got for you is something that is going to take O’Hare Air to the next level. Now, Mr. O’Hare, I know what you’re thinking. One, “I’ve gotten rich selling people air that’s” “fresher than the stinky stuff outside.” Two, and here is the important one, “How can I possibly make even more money?” We can tell you, sir! We can tell you. Check out this commercial, huh? Well, here goes another lame Saturday. Dude, I don’t think so! Huh! Hey! Man! Oh, yeah! What! Yeah! O’Hare purified air. Freshness to go. Please breathe responsibly. Ah? Oh, my goodness. Yeah! Love it. You got to be kidding me. You really think people are stupid enough to buy this? Our research shows that if you put something in a plastic bottle, people will buy it. Exactly. And… And what’s more, when we build a new factory to make the plastic bottles, the air quality is just going to get worse. Which will make people want our air even more, and drive sales where? Through the roof! So, in other words, the more smog in the sky, the more people will buy. See, that’s why he’s the genius! It even rhymes! I’m aware it rhymes. Coats. Big. What do you two knuckleheads want? I’m in the middle of a meeting! What? Why is he leaving town? No one ever leaves town! See what he’s up to. * * * Whoa! Huh? Whoa! Whoa. Oh, man. Whoa! All right. Okay. What the… Whoa! Who are you? Who are you and what are you doing here? I’m Ted. I’m Ted. I can’t breathe. Are you the Once-ler? Oh, man. Didn’t you read the signs? No one is supposed to come here. Get out of here and leave me alone! And don’t let the boot hit you on the way out. The boot? Hello! Ow! Listen! People say that if someone brings you this stuff that you will tell them about trees. No, no, no! Trees? Yeah, real ones. You know, that grow out of the ground? Hello? Sorry, it’s just… Well, I didn’t think anyone still cared about trees. Well, that’s me. The guy who still cares. I’m here. Hey! What? Do you want to know about trees? About what happened to them? Why they’re all gone? It’s because of me. Wait, what? It’s because of me! And my invention, the Thneed. It was an amazing product that could do the job of a thousand. All right. Sounds ridiculous, but I mean, that’s cool. You’re darn right it was cool! It all started a long time ago. Can we start not so long ago, maybe? Do you want a tree? Yes, yes. Then it all started a long, long time ago. I was a young man leaving home… Well, here I go, Mom. Off to change the world with my Thneed. I’m actually doing it! Yes, but just remember, Oncie, if somehow your invention ends up a failure instead of a success, oh, it wouldn’t surprise me at all! Nice wheels. Burn! Ow! Yeah, “Burn!” But you will see, okay? I’m going to prove you all wrong. Come on, Melvin! So, there I was at the very bottom. With nothing but a wagon, a mule, and a completely irrational sense of optimism. I was searching the globe, obsessed with finding the perfect material for my Thneed. But I’d had absolutely no success. Until one day, I found paradise… Oh! We’re going to be there soon, I’m sure. Whoa! This is the most beautiful place, okay, I have ever seen. Oh. Ta-da! Whoa! Yeah. ♪ This is it ♪ ♪ This is the place ♪ ♪ These Truffula trees ♪ ♪ are just what I need ♪ ♪ Gonna chop one down ♪ ♪ and make my Thneed ♪ ♪ But first… ♪ ♪ Na! Na! Nanana Na! ♪ ♪ Na Na Nana Nanana Na Na… ♪ ♪ Now you! ♪ ♪ That’s great! ♪ ♪ So now our ♪ ♪ friendship can begin ♪ ♪ Hand in hand, ♪ ♪ and wing and fin ♪ ♪ There’s nothing ♪ ♪ you and I can’t do ♪ ♪ So let’s all make ♪ ♪ my dreams come true ♪ Hey, guys! Come on, where is my back-up chorus? What? Ah-ha! Oh. Ooh! Hey, hey, wait. Wait a minute. Excuse me? Yeah, that’s awesome. Feeding junk food to forest animals? That’s great. But, uh, is there a musical number where you show me how to get a tree? Because I would love to hear that one. Oh, yes. Right after the musical number about the kid who kept interrupting the story, and was never heard from again. Right, got it. Proceed. All right, here we go. About to make a Thneed, about to change the world. Check it out, guys… Where did everybody go? Little did I know that by chopping down that tree I had just summoned a mystical creature as old as time itself. The legendary, slightly annoying guardian of the forest. The Lorax. Hey! Whoo! Did you chop down this tree? Uh… No. Who did it? What’s that? I think he did it. Leave! Vacate the premises! Take your ax and get out! And who are you? I’m the Lorax! Guardian of the forest. I speak for the trees. So you’re telling me, you just didn’t see me magically appear out of that stump? With all the lightning and thunder and stuff. You didn’t see any of that? No, but that sounds amazing. Can I see some of that? Uh, yeah, I could show you. But that’s not how it works. Okay. Um… Didn’t really happen. Oh, I know what you want! I’ve got one of these for the cutest little guy I ever saw! Yummy, yummy, yummy, yummy, yummy… How dare you! Give me that! Mmm. I’m going to eat this, but I am highly offended by it. What are you… Hey, Mustache! Will you stop that? What’s your deal, man? Pull them right out Time for you to go, Beanpole! Just going to put them right back in. We can do this all day. Stop right there! Stop it! So you would hammer one of nature’s innocent creatures? What? No! I would never hit this little guy. You, on the other hand, I would gladly pound you and your mustache into the ground! Behold! The intruder and his violent ways. Shame on you. For shame! All right, you know what? That’s it! You listen to me, you furry meatloaf. I’m going to chop down as many trees as I need. Okay? Newsflash! Not going anywhere! End of story. Then you leave me no choice. If you’re not gone by the time the sun sets on this valley, all the forces of nature will be unleashed upon you and curse you until the end of your days! You have been warned. Thanks. Yeah, okay. You have been warned. But I didn’t listen to his warning. And you won’t believe what happened that night. What? If you want to hear more, come back tomorrow. Hey, wait, wait! Tomorrow? Whoa! Whoa-ho-ho. Are you serious right now? Ah! You live in the middle of nowhere! It stinks out here. Don’t make me come back! I guess you don’t really want to hear the rest of the story. No, no. I do. I really do. I want to hear the story. I just… Nah! You don’t have what it takes. Goodbye. Wait, wait! I have what it takes. It’s all right. It’s okay, I’ll come back. It’s no problem. See, here I am, leaving. Walking away now. I’ll see you tomorrow. Mmm. Maybe. Just maybe. * * * What did you wish for, Audrey? Well, I would love to tell you, but, sadly, according to the universal wish laws, I cannot I know what she wished for. Was it, perhaps… This? Ted, you didn’t. Oh, no. I totally did. Happy birthday, Audrey. Kiss him! Kiss him! Ted. Ted. Tedster. Huh! You’re kissing the cereal again, hon. What? I just… I like this cereal. What one is this? Yeah! Okay. Well, I’ll make sure to buy extra next time for you. All right, cool. Hey, I got to run. I got to go do a thing. So, I’ll see you guys. Whoa! Whoa! Whoa! You’re not going anywhere, young man. It’s Sunday. You know what that means? Family time, and we’re all playing board games! But… Hmm. Mmm? Oh, man. Mom, seriously, every turn? Hey, back off! Ooh! No. Okay! Family time is over. It is now personal time. I’ll be in my room. Okay, dear. Have fun. I knew I could break her. Go. Huh? Go see him! Oh, yeah! You rule! Thank you, Grammy. * * * Whoa! Hey! Ted, right? Um, Mr. O’Hare? So, I hear you have become interested in trees. What’s that all about? Oh. Um… Where did you hear that? Oh. Teddy, there’s not much that goes on in Thneedville that I don’t know about. Here’s the deal, I make a living selling fresh air to people. Trees? They make it for free. So, when I hear people talking about them, I consider it kind of a threat to my business. I don’t even know what you’re talking about. You listen to me, boy. Don’t go poking around in things you don’t understand or I’ll be your worst nightmare. I’m Frankenstein’s head on a spider’s body! Yeah, um… Okay, my mom is expecting me. So, I’m just going to… Of course, of course. Now, go back to your family game time. Grandma just finished her turn. How did you know? Please. I have eyes everywhere. Huh! You got a beautiful town here, Ted. Lots of fun stuff to occupy your short attention span. Why, I can’t think of any reason you would ever want to go outside of town again. Even. Okay! Good talk. Really good talk. Oh, no. Look out! Hey, man? You know, you need to change that door bell. Oh, you missed me. What? You’re already back. Clearly, you missed me a little. Right? No, I didn’t. I’m just here to hear the end of the story. Why are you so interested in trees anyway? Why aren’t you like other kids, break dancing and wearing bell-bottoms, and playing the Donkey Kongs? Yeah, right, right. I don’t know. Uh, I just thought it would be kind of cool to have one, you know? Huh? It’s a girl, isn’t it? What? No! Really? Because when a guy does something stupid once, well, that’s because he’s a guy. But if he does the same stupid thing twice, it’s usually to impress some girl. Hey, she is not some girl! She’s a woman, in high school. And she loves trees. And I’m going to get her one. Aw! How nice to see someone so undeterred by things like reality. Thank you. All right, but where did we leave off? * * * Now that’s a Thneed. Nothing unmanly about knitting. No, sir. Look at that… Oh! Who taught you guys how to steal a bed? Shh! Okay, nice and easy. Nice work, you guys. Couldn’t have done it without you. You got to be kidding me. Can he swim? Of course he can’t swim! Hang on, Pipsqueak! I’m coming to get you! Hey, you fishies! Stop that bed! Whoo! Whoo! Jump, jump! Come on, get up there. Come on. Go, go! A little bit more! A little bit more! Now what? Mmm-mmm. Get up there. Okay, Pipsqueak, give me your hand. Come on, reach out for the Lorax. Where did you go? Bar-ba-loots. Oh, that’s bad. Hey, Beanpole, wake up! What’s happening? Where am I? Hey! We got trouble, and it’s coming up fast! Whoo! We’re in a river! Whew! Oh, no. Just do something! Help is on the way! No, no! Just a minute! Oh, no! Wake up! Wake up! Yuck! Clear! Ah! I was heading into the light, and you pulled me right back and here I am! You saved my life! Yeah, I know. Well, no, it’s not that big a deal. It is a big deal! Look, I almost went over that waterfall! Wait… On my bed. How did my bed get in the river? Uh… About that… Actually… I put your bed in the water. I didn’t mean you any harm. I just wanted to calmly float you away. Look, everyone here needs the trees and you’re chopping them down! So, we’ve got a big problem. All right, look. I hereby swear that I will never chop down another tree. I promise. Thank you. But I’m going to keep my eye on you. Good. Now, I’ve got a big day tomorrow so I’m going to get some sleep. Right after I find my bed. * * * Ow! Okay, what are you… Question, what are they doing here? And follow up, if I may, what are you doing here? Well, after the incident last night, we found one of your socks and came here to return it. But when we got here, you were asleep. What? Ew! Exactly. And sleeping is the body’s way of telling other people to go away. I know, but you looked so cozy. And it was cold outside, and we just fell asleep. No harm done. “No harm done”? “No harm done”? Okay. Okay, I put my lips on those. Well, I used to, anyway. Ew. Did you just… In my bowl! Why do you have one of these? You don’t even have a mustache. Okay, that’s it! What? I thought we made a deal last night. Yes, we did. And I said I wouldn’t chop down any more trees. And I said I was going to keep an eye on you. I’m starving. What’s for breakfast? Breakfast is overrated. You know what? I got work to do. Yeah. I got to go into town and sell my Thneed. You chopped down one of my trees to make that piece of garbage? Look at that… “Garbage”? Oh, no. Oh, no! You do not get it. This is a revolutionary product that will change the world as we know it. It has a million uses! Look at this. It’s a swimsuit! Mud tracked all over your floor by uninvited guests? Well, the Thneed sure comes in handy for that! But wait, there’s more! Thanks to its all-natural microfibers, the Thneed is super-absorbent! It also works as a hat. Of course, you probably want to wring it out first. Go ahead, knock yourself out. But nobody is going to buy that thing. Good to know. Well, fortunately, you are not the target market, weirdo. You’re bringing a guitar? Oh, yeah. I got a little jingle. I’m gonna blow some minds, gonna sell some Thneeds! Yeah. ♪ Everybody needs a Thneed ♪ ♪ A fine thing that all people… ♪ Sit down, go on. Unfortunately, I didn’t sell it the first day. ♪ The Thneed is good ♪ ♪ The Thneed is great… ♪ Hey! Or the second day. Hey! Or the third, or fourth, or fifth day. Okay, that one hit the tender spot. Until finally… That’s it! You know what? I’m done with this thing. Aw. My family was right. I quit! Hey. Cool hat. Oh, my gosh! I totally want one. That thing makes me like you more. Hey! Where’s your Thneed, did you sell it? Hey. No, no. Didn’t sell it. Turns out, it’s ahead of its time, I guess. Hey, you gave it your best shot. Right? What more can you do? Come on, take a seat, we’ll deal you in. What are we playing? I’m playing poker. He’s playing Go Fish. And I think he’s hungry. Ohhh. ♪ Pancake, the pancake ♪ Up! Who is up for ninths? Ooh! Ooh! Ooh! Ooh! Ooh! Ooh! Whoa! All right, pass them over. Yeah, see? What’s going on? Oh, no. That’s a lot of people. ♪ Everybody needs a Thneed ♪ ♪ A fine thing ♪ ♪ that all people need ♪ ♪ The Thneed is good ♪ ♪ The Thneed is great ♪ ♪ Let’s hope we’re not too late ♪ ♪ It’s a super trendy hat ♪ ♪ It’s a tightrope for an acrobat ♪ ♪ A net for catching butterflies ♪ ♪ A thing we use for exercise ♪ ♪ Everybody needs a Thneed ♪ ♪ A fine thing ♪ ♪ that all people need ♪ ♪ Everybody needs a Thneed ♪ Oh, yeah! We’re in business, baby! ♪ We need a Thneed ♪ Mom? Hey, it’s me! I told you I was going to be a success! You need to bring the whole family here right now. We’re going to be rich! What? I’m going to need all the help I can get. Don’t worry. * * * So, has he told you how to get a tree yet? Actually, no. But I think he’s going to get to that part really soon. Here we are. What? I’ll just be a minute. Oh, wow. Hey, Audrey! Oh, hi, Ted! What’s up? You know me, just cruising. Putting out the vibe. Just me and my thoughts. Oh, is this the girl you’re always talking about? Grandma! Stop making things up. She’s even prettier than… Okay, got to run! Bye. Okay, Grammy, let’s get you home! Yeah! Whoa! I’m so sorry. So sorry. Did not wanna see that. Whoa! Whoa! Whoa-ho-ho! Hey! Hey, I’m back. What have you got there? Yes! Whoa! Thank you, Ted. Now, picture this. Sun shining, a blue sky, a perfect day. It was all downhill from there. Whoa! What a dump. Hey, Aunt Grizelda! Hey, Chet, check this out! Go long! No, Brett, that’s actually not a… Okay. Go long! Go long! I got it! I got it! Got it! He totally ran into that tree! Ow! Oncie, is that you? Mom! There he is! There’s my big, suddenly successful son! We always knew you would make it, Oncie. Right? Hey! I love this guy! But you always said I wouldn’t amount to anything, remember? Hush your mouth. I was just trying to motivate you! I am really glad that you clarified that because it actually hurt my feelings for a really long time. Anyway, you’re all here, you all work for me, and that’s cool. So, let’s get to work. Brett, Chet, set up the RV! Would you stop throwing that bear? Time out. Back up. Stop. Don’t move an inch. Nobody’s moving in here. You got to go. Goodbye. So, who invited the giant, furry peanut? You calling me a peanut, huh? I’ll go right up your nose! Whoa! Whoa! Whoa! You wouldn’t hit a woman. That’s a woman? Okay. Everyone, cool it. Let’s not get off on the wrong foot here. Um, family, this is my friend… Acquaintance. Yeah, acquaintance. Very good acquaintance, the Lorax. He speaks for the trees. That’s right. And on behalf of the trees, get out! Will you just be nice! This is my family. And I’m going to need their help if my company is going to get bigger. Okay? Bigger? Yeah, this isn’t some rinky-dink operation anymore. I got plans. Big plans! A vision of a world filled with Thneeds. It’s going to be huge! Which way does a tree fall? Uh, down? A tree falls the way it leans. Be careful which way you lean. * * * I mean, look at this. It’s amazing. I am so proud of me. Oncie, we’ve got us a little problem. Problem? Mmm-hmm. See, we’re not making Thneeds fast enough. Harvesting the tufts takes too long! Well, what else can we do? Well, and this just came to me, we could always start chopping down the trees. What? Now you’re thinking. That would speed things up! But… No “but” s, Oncie. You’re running a business now. You have to do what’s best for the company, and your momma. Well, I guess it couldn’t hurt to chop down a few trees. You’ve made me so proud, Oncie. Come here! Hey! I love this guy! No! No, no, no! Stop it! Please, stop. Take that, you stupid tree! Where do you think you’re going? Excuse me, sir. I need to talk with your boss. Oh, I’m sorry, but Mr. Once-ler’s not seeing anyone right now. Yeah, well, he’ll see me. So… Hey, keep your paws off me! Give me a reason, Shorty. Hey, you broke your promise. You’re better than this. You gotta stop! This is bad! Have a nice day! Bad? I’m not bad, I’m the good guy here. He just doesn’t get it. Do you think I’m bad? Thank you! I mean, something good finally happens to me, and he just has to come along and rain on my parade. What’s his problem? See? Yeah, bad! Right. ♪ How bad can I be? ♪ ♪ I’m just doin’ ♪ ♪ what comes naturally ♪ ♪ How bad can I be? ♪ ♪ I’m just following my destiny ♪ ♪ How bad can I be? ♪ ♪ I’m just doin’ ♪ ♪ what comes naturally ♪ ♪ How bad can I be? ♪ ♪ How bad can I possibly be? ♪ ♪ Well, there’s ♪ ♪ a principle in nature ♪ ♪ Principle in nature ♪ ♪ That almost ♪ ♪ every creature knows ♪ ♪ Called survival of the fittest ♪ ♪ Survival of the fittest ♪ ♪ And check it, ♪ ♪ this is how it goes ♪ ♪ The animal that wins ♪ ♪ gotta scratch and fight ♪ ♪ And claw and bite and punch ♪ ♪ And the animal that doesn’t ♪ ♪ Well, the animal that doesn’t ♪ ♪ Winds up someone else’s ♪ ♪ La-la-la-la lunch ♪ ♪ Munch, munch, munch, munch, ♪ ♪ munch I’m just sayin’ ♪ ♪ How bad can I be? ♪ ♪ I’m just doin’ ♪ ♪ what comes naturally ♪ ♪ How bad can I be? ♪ ♪ I’m just following my destiny ♪ ♪ How bad can I be? ♪ ♪ I’m just doin’ ♪ ♪ what comes naturally ♪ ♪ How bad can I be? ♪ ♪ How bad can I possibly be? ♪ ♪ There’s a principle in business ♪ ♪ Principle in business ♪ ♪ That everybody knows is sound ♪ ♪ It says the people with the ♪ ♪ money People with the money ♪ ♪ Make this ♪ ♪ ever-loving world go round ♪ ♪ So I’m biggering my company ♪ ♪ I’m biggering my factory ♪ ♪ I’m biggering my corporate sign ♪ ♪ Bigger, bigger! ♪ ♪ Everybody out there ♪ ♪ You take care of yours ♪ ♪ I’ll take care of ♪ ♪ mine-mine-mine-mine-mine ♪ ♪ Shake that bottom line ♪ ♪ Let me hear you ♪ ♪ say Smogulous Smoke! ♪ ♪ Smogulous Smoke! ♪ ♪ Schloppity-Schlopp! ♪ ♪ Complain all you want It’s never, ♪ ♪ ever, ever, ever gonna stop ♪ ♪ Stop! ♪ ♪ Come on, ♪ ♪ how bad can I possibly be? ♪ ♪ How bad can I be? ♪ ♪ I’m just building the economy ♪ ♪ How bad can I be? ♪ ♪ Just look at me ♪ ♪ petting this puppy ♪ ♪ How bad can I be? ♪ ♪ A portion of proceeds ♪ ♪ goes to charity ♪ ♪ How bad can I be? ♪ ♪ How bad could I possibly be? ♪ ♪ Let’s see! ♪ ♪ All the customers are buying ♪ ♪ And the money’s multiplying ♪ ♪ And the PR people are lying ♪ ♪ And the lawyers are denying ♪ ♪ Who cares if ♪ ♪ a few trees are dying? ♪ ♪ This is all so gratifying! ♪ ♪ How bad? ♪ ♪ How bad can this possibly be? ♪ So, how are things? What are you doing here? Happy yet? You fill that hole deep down inside you? Or do you still need more? Look, if you’ve got a problem with what I’m doing, why haven’t you used your quote-unquote powers to stop me? I told you, that’s not how it works. Right, I forgot. You’re a fraud. I need you to get out. Now! Why? Do I make you uncomfortable? Remind you of the promises you made? The man you used to be? You know what? You can just shut your mustache. My conscience is clear. I have done nothing illegal. I have my rights, and I intend to keep on biggering and biggering, and turning more Truffula trees into Thneeds. And nothing is going to stop me! Well, that’s it. The very last one. That may stop you. Somebody sure made a bundle on that thing. I wonder what the next million dollar invention’s going to be. Yeah, I wonder… Son, you have let me down. Brett, you are now my favorite child. Hey, look, I don’t want any trouble. And you won’t get any. Not from them. Thanks to you and your hacking, and smogging and glupping, they can’t live here anymore. So, I’m sending them off. Hopefully, they’ll be able to find a better place out there somewhere. Melvin? Melvin… Hey, Pipsqueak… Hey… So, this is really all your fault. You destroyed everything. Yes. And each day since the Lorax left, I’ve sat here regretting everything I’ve done, staring at that word, “unless,” and wondering what it meant. But now I’m thinking… Well, maybe you’re the reason the Lorax left that word there. Me? Why would he leave that for me? Because unless someone like you cares a whole awful lot, nothing is going to get better. It’s not. The last Truffula seed. You need to plant it, Ted. Yeah, but, nobody cares about trees anymore. Then make them care. Plant the seed in the middle of town, where everyone can see. Change the way things are. I know it may seem small and insignificant, but it’s not about what it is, it’s about what it can become. That’s not just a seed, any more than you’re just a boy. I won’t let you down. I know. * * * Hey, Audrey! Audrey! Ted? What are you doing? Meet me at my house. Wait, but… My house, okay? Got to plant the seed. Okay, we’re going to need water. And uh, something to dig with. Um, what do I have… Ted? Mom, I’m busy, Mom. Theodore Wiggins, get down here right now, and I am not kidding with you! Ted, I would like you to meet Mr. O’Hare, the most powerful man in town. There he is! Hello, Ted. Uh… Hi. Isn’t he clever, Mr. O’Hare? He knows his own name and everything. You know what I would love right now, Mrs. Wiggins? A delicious cookie. Wonderful. Teddy and I’ll stay here and talk. Sure, why don’t you go ahead and adopt him? I’m just kidding. That was a joke. I was just joking. I’ll get your cookie. I know you have it, Ted. So, let’s put an end to this nonsense, shall we? Hand it over. I’m sorry… I don’t know what you’re talking about. Really? Well, then… I guess you wouldn’t mind us checking your room. No, no, no! Morty! McGurk! Find the seed! No, you can’t go up there! Guys, this is ridiculous. Stop! Hey! No, you can’t come in my room! Find it! Find it! What is going on here? This doesn’t involve you! Get back downstairs! Excuse me, down there! I don’t care who you are, you little crazy baby-man! Get out of my house now. This is outrageous. Fine. Sorry. Must have been a misunderstanding. We’ll be leaving now. And my apologies, Ted. You be safe. Mind telling me what’s going on here? The seed! Where is it? Seed? Where’s Grammy? It’s alive! I remember you. Ted, what… Audrey! Hey, did you want to… Well, okay! Ted, what is this about? It’s about this. Wait, wait, wait. Is that… Yes. The last Truffula seed. And you’re going to help me plant it right in the middle of town where everyone can see it. I could just kiss you right now! We don’t have time for that. I don’t know, we have a little time. But, you know what, let’s just go. Let’s go. Forget about it. Maniac! Hey! Ah! Here it comes! I’m going for it. Oh, hello! Ted, big scary blimp coming. Whoa! You won’t get away with this, boy! Bam! Go faster, you idiot! Yeah! Step on it, Ted! Whoa! You’re fired! Whoa! Ted, look out! Nobody beats Aloysius O… Ted… This is not good. How’s it doing? Whoa-ho-ho! Loser! Oh, really? Oh, no. The seed! Get that seed! Hang on! Here we go! Grammy! Seriously, how cool is your grandma? No! Come on! Yeah, that’s right. There it is! Hey! Watch the road, you meathead! Ah! Hey, ow, ow! Oh, come on! What the… Get it unstuck, get it unstuck! Bring it on, Teddy! You don’t have the guts! Ted! Grammy! Whoo-hoo! Yes! Hey, hey, hey! Hey! It’s Mr. O… Take that, shorty! Okay, we have to get this in the ground. But where? There’s no dirt anywhere. No, Grammy… Hey, get out of there! Ah! Hey! What? See, what did I tell you? Easy. Huh? Hey, they broke O’Hare’s head! What do you think you’re doing, kid? Um, I’m looking for a place to plant a tree. A real one. Why would we need a tree? Exactly. Oh, man. Folks… The last thing you want around here is trees. They’re filthy! Spewing that sticky, nasty sap all over the place. They bring poisonous ants and stinging bees. Hey! Ouch. Think about the kids. And, I just thought, you know, they make leaves! You know that, right? Then these leaves, they just fall. They just fall wherever they want! Come on! We know why you’re really against trees. Because they produce fresh air. For free! Oh! I am wounded! You have lied! It is not a lie! It’s called photosynthesis. Come on. She’s making that up! That’s a made-up word, people! Thneedville is perfect just the way it is. We don’t need trees! That boy has a seed. We need to stop him! Who’s with me? Come on! O’Hare is right! Seeds will ruin us all! Stop it! Last chance, kid. Hand it over! Where do you think you’re going? Come on, let’s go! Get in, get in! Hey! Stop that maniac! Excuse me, excuse me. Watch out! Ted, you’re going to hit the wall! Yeah. I know. Wow. Did you see that? Who does this kid think he is, huh? I am Ted Wiggins. And I speak for the trees. And the fact is, things aren’t perfect here in Thneedville. And they’re only going to get worse, unless we do something about it, unless we change our ways. And we can start by planting this! Okay. Come on, now. Everything is fine. Right? I say we tell this kid what we think about that seed! People, come on! You! Get out there right now and get these people on my side, or else you’re fired! Go on, tell them what you think. ♪ You don’t know me, ♪ ♪ but my name’s Cy ♪ ♪ I’m just ♪ ♪ the O’Hare delivery guy ♪ ♪ But it seems like ♪ ♪ trees might be worth a try ♪ ♪ So I say let it grow ♪ ♪ My name is Dan ♪ ♪ And my name’s Rose ♪ ♪ Our son Wesley kind of glows ♪ ♪ And that’s not good, ♪ ♪ so we suppose ♪ ♪ We should let it grow ♪ ♪ Let it grow, let it grow ♪ ♪ You can’t reap ♪ ♪ what you don’t sow ♪ ♪ Plant a seed inside the Earth ♪ ♪ Just one way to know its worth ♪ ♪ Let’s celebrate ♪ ♪ the world’s rebirth ♪ ♪ We say let it grow ♪ ♪ My name’s Marie, ♪ ♪ and I am three! ♪ ♪ I would really ♪ ♪ like to see a tree ♪ ♪ I say let it grow ♪ ♪ I’m Grammy Norma I’m old, ♪ ♪ and I’ve got gray hair ♪ ♪ But I remember when ♪ ♪ trees were everywhere ♪ ♪ And no one had to pay for air ♪ ♪ So I say let it grow ♪ ♪ Let it grow, let it grow ♪ ♪ Like it did so long ago ♪ ♪ It is just one tiny seed ♪ ♪ But it’s all we really need ♪ ♪ It’s time to change ♪ ♪ the life we lead ♪ ♪ Time to let it grow ♪ ♪ My name’s O’Hare, ♪ ♪ I’m one of you ♪ ♪ I live here in Thneedville, too ♪ ♪ The things you say ♪ ♪ just might be true ♪ ♪ It could be time to start anew ♪ ♪ And maybe change ♪ ♪ my point of view ♪ Nah! I say let it die! ♪ Let it die, let it die ♪ ♪ Let it shrivel up and… ♪ Come on, who’s with me? Nobody. ♪ You greedy dirt-bag-‘ ♪ ♪ Let it grow, let it grow ♪ ♪ Let the love inside you show ♪ ♪ Plant a seed inside the Earth ♪ ♪ Just one way to know its worth ♪ ♪ Let’s celebrate ♪ ♪ the world’s rebirth ♪ ♪ We say let it grow ♪ ♪ Let it grow, let it grow ♪ ♪ You can’t reap ♪ ♪ what you don’t sow ♪ ♪ It’s just one tiny seed ♪ ♪ But it’s all we really need ♪ ♪ It’s time to ♪ ♪ banish all your greed ♪ ♪ Imagine Thneedville ♪ ♪ flowered and treed ♪ ♪ Let this be our solemn creed ♪ Thank you, Ted. ♪ We say let it grow ♪ ♪ In Thneedville ♪ ♪ We say let it grow ♪ ♪ It’s a brand new dawn ♪ ♪ We say let it grow ♪ ♪ In Thneedville ♪ ♪ We say let it grow ♪ ♪ It’s a brand new dawn ♪ You done good, Beanpole. You done good. By the way, nice mustache.
You know when I said I knew little about love? Well that wasn't true. I know a lot about love. I've seen it. I've seen centuries and centuries of it. And it was the only thing that made watching your world bearable. All those wars. Pain and lies. Hate. Made me want to turn away and never look down again. But to see the way that mankind loves. I mean, you can search the furthest reaches of the universe and never find anything more beautiful. So, yes, I know that love is unconditional. But I also know that it can also be unpredictable, unexpected, uncontrollable, unbearable and, well, strangely easy to mistaken for loathing. And, what I'm trying to say, Tristan, is I think I love you! My heart, it feels like my chest can barely contain it. Like it doesn't belong to me anymore. It belongs to you. And if you wanted it, I's wish for nothing in exchange. No gifts, no goods, no demonstrations of devotion. Nothing but knowing that you love me, too. Just your heart in exchange for mine.
my first thought was to put the entirety of heatwaves in there but then i realized 'maybe no' so instead you get this
[Verse 1] I know you know, I'm not too discreet Walking around, heart on my sleeve So, you say you love me, but not the way I need Things are so close to what I want to be I've known you so long and maybe too well All of the boys, you kiss-and-tell Though, I'll never be them. See, I'm just a good friend Though it's not quite bliss, I don't want this to end [Refrain] Oh, oh she wants me to be loved Oh, oh she really, really does [Chorus] Oh, I can't stop feeling, I want her love But all my dreaming is not enough So in the morning, the sun will rise And I'll wake up and she won't be— [Refrain] Oh, oh she wants me to be loved Oh, oh she really, really does [Verse 2] Let's take a walk down by the beach It's warm on the sand, we'll save space for Jesus I'll pick you flowers while you count the hours 'Til you can go home and watch drama TV I'll say it now, there's no turning back Time after time, my odds are stacked So, I'll say no kiddin' while you wish I didn't Maybe this time will be different for me [Refrain] Oh, oh she wants me to be loved Oh, oh she really, really does [Chorus] Oh, I can't stop feeling. I want her love But all my dreaming is not enough So in the morning, the sun will rise And I'll wake up and she won't be— [Bridge] One day you'll love me before we grow old All of your wishes to have and to hold I'll do your dishes and ask for no kisses So, I'll tell you what I want if You tell me what you want is Quit movin', quit dancin' Why can't you love me here tonight? [Chorus] I can't stop feeling, I want her love But all my dreaming is not enough So in the morning, the sun will rise And I'll wake up and she won't be mine I can't stop feeling, I want her love But all my dreaming is not enough So in the morning, the sun will rise And I'll wake up and she won't be— [Refrain] Oh, oh she wants me to be loved Oh, oh she really, really does Oh, oh she wants me to be loved Oh, oh she really, really does
A philosopher once asked, "Are we human because we gaze at the stars, "or do we gaze at them because we are human?" Pointless, really- Do the stars gaze back? Now, that's a question- But I'm getting ahead of myself- Our story really begins here, 150 years ago at the Royal Academy of Science in London, England, where a letter arrived, containing a very strange inquiry- It had come from a country boy and the scientist who read it thought it might be a practical joke of some kind- But he duly wrote a reply politely explaining that the query was nonsense- And posted it to the boy who lived in a village called Wall, so named, the boy had said, for the wall that ran alongside it- A wall that, according to local folklore, hid an extraordinary secret- I'm charged with guarding the portal to another world. And you're asking me to just Iet you through? Yes. Because, Iet's be honest, it's a field. Look, do you see another world out there? No. You see a field. Do you see anything nonhuman? No. And you know why? Because it's a field! Hundreds of years, this wall's been here. Hundreds of years, this gap's been under 24-hour guard. -Well... -One more word, and I'II have you up in front of the village council! -Well, that sounds rather final. -Yeah. -Better just go home, then, I suppose. -Right, then. Night, Dunstan. Give my best to your father. Stop! Stop! I don't deal with time-wasters. Get over here and tend this stall. I'm off to The SIaughtered Prince for a pint. See anything you Iike? Definitely. I mean, what I meant was these ones, the blue ones. How much are they? They might be the color of your hair. Or they might be all of your memories before you were three. I can check if you Iike. Anyway, you shouldn't buy the bluebells. Buy this one instead. Snowdrop. It'II bring you Iuck. But what does that cost? This one costs a kiss. Is she gone? Follow me. I'm a princess, tricked into being a witch's slave. Will you Iiberate me? It's an enchanted chain. I'II only be free when she dies. Sorry. Well, if I can't Iiberate you, what do you want of me? So, the scientist was wrong- The wall had successfully done its job of hiding the magical kingdom of Stormhold- The young man returned that night to his home in England, hoping that his adventure would soon be forgotten- But nine months later, he received an unexpected souvenir- This was Ieft at the wall for you. It says here his name is Tristan. Tristan? Don't forget the flowers. Yes. I've got them. Thank you, Father. Eighteen years passed, and the baby Tristan grew up knowing nothing of his unconventional heritage- But never mind how the infant became a boy- This is the story of how Tristan Thorn becomes a man, a much greater challenge altogether- For to achieve it, he must win the heart of his one true love- -It's him! -It's him! Humphrey? Humphrey? -No, it's Tristan. -Oh. Did I Ieave something at the shop? No. I just thought I could bring... Tristan Thorn, shop boy by day, peeping Tom by night. Is there no end to your charms? Humphrey, there's no need to be Iike that. Be nice to the poor boy. Were those for Victoria? You were always useless at fencing in school, Tristan. In fact, I'm having trouble remembering if there was anything you were good at. Humphrey, that's enough. Are you all right? Yeah. Yeah, fine. -Want some breakfast? -No, I'm really Iate for work. -Are you all right? -Yeah. Fine. Why? Oh, I don't know. Last night, how'd it go? Oh, really good. Really, really good. Hello, Tristan. -Victoria. -Pound of sugar, please. -Yes. -Let's see, a bag of flour, a dozen eggs. Oh, Iook, I'm sorry about Iast night. Humphrey was really rude. I also need a sack of potatoes and some chocolate, please. May I perhaps see you tonight? No, but you may walk me home. Now? Yes. Yes, I can. Father, I Iost my job. Father, I don't... I Iost my job. I'm sorry. -Father... -You Iost your job. Yes, so I heard. Father, I'm sorry. I... Maybe Mr. Monday was right. Maybe I am deluding myself. -I'm not good enough for Victoria. -He said that? That's poppycock. You really want to know how it went Iast night? Yeah. Not good. Come on. I'm wasting my time. I'm not Iike Humphrey. Tristan, I can tell you that every man I ever envied when I was a boy has Ied an unremarkable Iife. So you don't fit with the popular crowd. Now, I take that as a very good omen. -Tristan, I clearly said... -I know. You told me not to come. I have something for you. A surprise. No... It's not my birthday for another week, you know. -I've never had champagne before. -Yeah, me, neither. My God! This is delicious! How did... Well, how does a shop boy afford all of this? I'm not a shop boy. God! I heard. I'm sorry. What are you going to do now? No. I mean, I'm not a shop boy. I was just working in a shop. And now I'm not. Now I'm free to Iive my Iife as I wish. This must have been all your savings. So? I can make more. That's the beauty of it. I never intended to stay in Wall, Victoria. There's a big world out there, I'm gonna make my fortune. Now you sound just Iike Humphrey. He's quite a traveler. Do you know he's going all the way to Ipswich just to buy me a ring? Ipswich? Victoria, I'm talking about London or Paris or... A ring? Why is he... What kind of a ring? The word is he's planning to propose to me on my birthday. He's going to... And you're gonna say yes. I can't exactly say no after he's gone all the way to Ipswich. "AII the way to Ipswich"? Victoria, for your hand in marriage, I'd cross oceans or continents. -Really? -Yes. Victoria, for your hand in marriage, I would go to the gold fields of San Francisco and bring you back your weight in gold. I would. I'd go to Africa and bring you back a diamond as big as your fist. Or I'd go to the Arctic and I'd slaughter a polar bear and bring you back its head. A polar bear's head? You're funny, Tristan. People Iike you and people Iike me, we're just not... I should be going. It's really Iate. Well, hold on, then. Let's at Ieast finish the champagne. Okay. Had Tristan known then how the stars watched Earth, he'd have shuddered at the very thought of an audience to his humiliation- But, fortunately for him, nearly every star in the sky was at that moment Iooking in earnest at the land on the other side of the wall, where the King of all Stormhold lay on his deathbed, which was a coincidence because it was the King's final act that would change the course of Tristan's destiny forever- Where is Secundus? He's on his way, Father. Then we shall wait. Sorry I'm Iate, Father. I came as swiftly as I was able. Septimus. Primus. Tertius. So, to the matter of succession. Of my seven sons, there are four of you today still standing. This is quite a break with tradition. I had 12 brothers. And you killed them all for your throne before your father, the King, even felt poorly. We know, Father. You're strong and courageous. And cunning. Most importantly, cunning. -Secundus. -Yes, Father? Look through the window. Tell me what you see. I see the kingdom, Father. The whole of Stormhold. -And? -My kingdom? Maybe. Look up. -Secundus. -Sextus. Quartus. Quintus. You're alive. You're... Stuck Iike this till the new king is crowned. I was that close. Well, at Ieast you haven't Iost your Iooks. Oh, please. You're not annoyed about that whole murder thing, are you? -I mean, that was 10 years ago. -Yeah. Great deal of good it did you, didn't it, killing me, Secundus? Because now, of course, now you are King of all Stormhold. Oh, sorry. Wait. No, you're not. You're dead. Una? Una? No, Father, it's me, your son. Tertius. Where is your sister, Una? Sorry, Father. Nobody has seen Una for years now. -Septimus? -What? Tradition dictates the throne must pass to a male heir. Exactly, Father. So why would I kill my sister when these cretins are still alive? Indeed. Therefore, we shall resolve the situation in a non-traditional manner. Only he of royal blood can restore the ruby. And the one of you that does so shall be the new King of Stormhold. Oh, Tristan! A shooting star! Beautiful. More beautiful than a fancy ring from Ipswich? Victoria, for your hand in marriage, I'd cross the wall and I'd bring you back that fallen star. You can't cross the wall. Nobody crosses the wall. Now you're just being silly. I'm not being silly. I'd do it. For you, I'd do anything. My very own star. It seems we have ourselves an agreement. You have exactly one week or I'm marrying Humphrey. Mormo! Empusa! Wake up. Now! -What is it? -A star has fallen. Where are the Babylon candles? You used the Iast one, Lamia, 200 years ago. Do you not recall? Perhaps we can obtain another. Perhaps we can obtain another. Has your mind become as decrepit as your face, Empusa? You speak as if such things are freely available. I know, sister, I merely thought... You'd have us hunting for a Babylon candle while some other witch finds our star. Fool. There's no time to waste. If we must retrieve it on foot, then we shall. Mormo, we need information. If these divinations are correct, the fallen star Iies 1 00 miles away. Four centuries we've waited for this. What hardship a few more days? Which of us shall go, then, to seek it and bring it back? -I've his kidney. -I've his Iiver. And I've his heart. You'II be needing what's Ieft of the Iast star. -There's not much Ieft. -Soon, there'II be plenty for us all. -Dunstan Thorn. Not again. -It's Tristan, actually. Oh. You do Iook a bit Iike your father. And I suppose you intend to cross the wall as well, do you? Well, you can forget it. Go home. Cross the wall as well as who? No one. Nobody. Nobody crosses the wall. You know that! Everybody knows that! Yeah... No, no, I know. I understand. Nobody. Well, I better just head for the old homestead, then. Yeah. -Right, then. Night, Tristan. -Good night. Give my best to your father. Off you go. I thought I heard you come in. Hey, what happened? Are you hurt? No, I'm fine. -That Humphrey again? -No. Actually, it was the guard. The guard at the wall. Tristan, he's 97 years old. Well, that's given him plenty of time to practice, then, hasn't it? Why, may I ask, were you trying to cross the wall? I might ask you the same thing. I have a mother. I mean, I have a mother. She could still be alive. Oh, I hope so. I certainly Iike to think so. The chain you cut. Just Iike you said. And... And the glass flower. The flower she sold to you. She told me it would bring me Iuck. Thank you. This was also in the basket. I've never opened it. It's addressed to you. Yep. "My dearest Tristan, please know that I only ever wanted the best for you." Had my mistress allowed it, I would have kept you in a heartbeat- My dearest wish is that we will meet someday- The fastest way to travel is by candlelight- To use it, think of me and only me- I will think of you every day, for always- "Your mother." Well, do you... Do you have a Iight? Mother? Oh! Oh, Mother, I'm so... I'm so sorry. Are you all right? No, I'm not. And I'm not your mother, so get off me! You're... You're not my mother? Do I Iook Iike I'm your mother? No. Sorry. Well, are you all right? Do you want some help? You can help by Ieaving me alone! AII right. Oh, my God. "Light the candle and think of me." I was. I was thinking of my... But then Victoria and the star just popped into... Oh, excuse me, madam. Sorry. This may seem strange, but have you seen a fallen star anywhere? -You're funny. -No, really, we're in a crater. This must be where it fell. Yeah, this is where it fell. It is. Or if you want to be really specific, up there is where this weird, bloody necklace came out of nowhere and knocked it out of the heavens when it was minding its own business. And over there is where it Ianded. And right here, this is where it got hit by a magical flying moron! You're the star! You're the star? Really? Oh, wow. I'm sorry. I had no idea you'd be a... May I just say in advance that I am sorry? -Sorry for what? -For this. Now, if I am not mistaken, this means you have to come with me. See, you're going to be a birthday gift for Victoria, my true Iove. But of course! Nothing says romance Iike the gift of a kidnapped, injured woman! I'm not going anywhere with you. Hurry. You should be on your way now, Primus. You must find the royal necklace with the ruby before your brothers. I should Iike to see you take the throne. The first benevolent king. I don't doubt Stormhold would be a better place under your rule. Really? Well, that is fascinating. -Don't you think, Tertius? -Yes, indeed. Prince Septimus! Tertius. Well... Well. Well, well, I... Since you're all here, won't you join me in a toast? What a very good idea. To the new King of Stormhold, whichever of you fine fellows it might be. To the new King of Stormhold. You! You really thought that you were king? -You killed the Bishop? -No, Primus. I think you'II find that you killed the Bishop by drinking out of the wrong cup. Oh, Iook, when you finish wrestling with your conscience, may I suggest you return to your chamber? Leave the quest for the stone to me. How have we Iived this way all these years? In my absence, I expect you to make it fit for the queens we are. When I return with our prize, all of us shall be young again. Never fear, my sisters. I will not fail. Don't you ever sleep? Not at night. May have escaped your notice, genius, but that's when stars have rather better things to do. They're coming out, shining, that sort of thing. Yeah, well, it may have escaped yours, but you're not in the sky anymore. Coming out is off the agenda. Shining has been suspended until further notice. Oh, and sleeping during the day is O-U-T. Unless you have some magical ability to sleep while you're walking. Have you not got it into your thick head yet? I'm not walking anywhere! Fine. Sit in a crater. I've had enough of you anyway. I was gonna put you back in the sky once I'd brought you to my Victoria, but clearly, you'd rather sit on your own in the middle of nowhere forever. And just how were you planning to get me back to the sky? I find the fastest way to travel is by candlelight. -You've got a Babylon candle. -Yeah, I have a bubbling candle. -A Babylon candle. -That's what I said. You said "Bubbling." Anyway, I was going to give what's Ieft of it to you. Well, that barely has one use Ieft. So be grateful I'm not using it right now to get us both back to the wall. Unless you have a better way of getting yourself home. Fine! Help me up. AII right. AII right. I'm helping. And you are gonna have to walk quicker than that. Otherwise, I'II never get you back to Victoria in a week. Don't push your Iuck. Don't take Iess than a florin for him, Bernard! You understand? -Yes, Mother. -No dilly-dallying! And don't even think of stopping at the tavern, Bernard, or you'II be sorry! A florin for your goat, boy. Oh. He's a bit small to pull your cart. You're quite right. That's much better. Bernard! Bernard! Get on! Who goes there? What do you want with me, a poor old flower... Oh, do shut up. I know what you are and I swear by the ordinances of the sisterhood to which we both belong that I mean you no harm this day. I wish to share your meal. Well, one can never be too careful. Sit down. I'II get you a seat. -Anything else? -Nope. What's it to be? Heads or tails? Heads. So, stranger, where are you headed off to on this fine day? I seek a fallen star. She fell not far from here. And when I find her, I shall take my great knife and cut out her heart while she still Iives. And the glory of our youth shall be restored. Fallen star? That's the best news I've had in ages. I could do with Iosing a few years meself. So whereabouts did you... Limbus grass! You dare to steal truth from my Iips by feeding me Iimbus grass? Do you have any idea what a big mistake you've made, Ditchwater Sal? How do you know my... -Who are you? -Look again. I shall not seek the star, Your Dark Majesty. I swear. Seek all you wish. You shall not see the star, touch it, smell or hear it. You will not perceive her even if she stands before you. Pray you never meet me again, Ditchwater Sal. Oh, right. So Iet me get this straight. You think you know we're going the right way because... And I quote, "I just do." I do, though. I don't know why. Maybe it's my Iove for Victoria guiding me home. -PIease. -Yvonne, whether you Iike it or not... Yvaine! My name is Yvaine, so... How many times do I have to... Would you... Would you please slow down? Yes, yes. Look, we're... We're going north, all right? The wall's north. And if you Iook up in the sky, even during the day, you can see the... The evening star. That's so weird. That's funny. Hilarious. My sides are splitting. No, I'm being... Wait that... That was you! Really? What... What are... -What are you doing? -What does it Iook Iike I'm doing? -Sitting down. I'm tired. -PIease don't do this again. We agreed we'd stop off at the next village to eat and rest. Come on, Tristan. It's midday. I never stay up this Iate! Just, please, Iet me sleep! Okay, you... Well, then I'II... You sleep. I'II go and get something to eat. What are you doing? What does it Iook Iike I'm doing? I'm making sure you don't run away. Your Highness, the soothsayer, as you requested. South, you said. South we went. Still no stone. Do you now propose we start swimming? Sire, I've merely relayed to you what the runes have told me. I can do no more. Well, consult them again. Wait. Before we seek the stone, I have another question. Am I the seventh son? Yes. Another question. Is my favorite color blue? Yes. Has excessive begging or pleading ever persuaded me to spare the Iife of a traitor? What does that mean? -That means no. -Good. Throw them again. This time, throw them high. Do you work for my brother? So, do we continue west? Tristan? Who's there? Tristan, is that you? It's not funny. Tristan? Come on. Be careful how much magic you use, sister. It's beginning to show. One goat and a small enchantment. Hardly extravagant. Well, even using the ring will take its toll. Better you call on us only in dire need. And use your runes to Iocate the star yourself. I used them and she should be here. But now they're just telling me gibberish. It is because you must stay where you are, my sister. She is coming to you. Oh, be warned, Lamia. Delicacy is needed. Misery has drained her. She's barely shining. Set a trap that ensures her heart is glowing before you cut it out. Yvaine! Yvaine! Oh, you idiot. You shall become human. You are Billy, the innkeeper. I am your wife, and you're our daughter. Now, make everything ready. Our special guest will be here soon. I mean, who's to say he'd have even kept his promise about the candle? I just refuse to believe he's the only person in Stormhold who could've helped me. Going on and on and on. Just "Victoria this" and "Victoria that." Tristan? Please protect our sister, Tristan- Yvaine is in grave danger- The unicorn came to help her- But now they're heading into a trap- No star is safe in Stormhold- The last to fall, 400 years ago, was captured by the same witches who seek Yvaine now- They tricked her, cared for her, and when her heart was once more aglow, they cut it from her chest and ate it- There's no time to waste- A coach is coming- By any means possible, you must get on it- Run- Whoa! If Septimus insists on sending a boy to do a man's job... No, no, no, wait, please! I don't know a Septimus. I just need a Iift. Look at me, Iook at me. I'm unarmed. PIease. PIease, Iet me ride with you. I'm afraid that's impossible. I'm on a quest of enormous importance. Well, then all the more reason to take me with you. There may come a time when you need a second pair of hands. Sir? PIease. Maybe providence sent me to you just as it sent you to me. -Get on. -Oh, yes. Thank you. Goodness me, my dear. Come in out of this wretched rain! We have food and drink, a warm bed and plenty of hot water for a bath. How do you Iike your bath? Warm, hot or boil-a-Iobster? I honestly don't know. Then Iet me choose for you, and I'II have my husband take your horse to the stable. Billy? Now, Iet's get you out of your wet things, shall we? Feeling better? Much. Thank you. The warm water's actually done me a world of good. You see? The powers of a nice, hot bath. And your Ieg? Any improvement? That is extraordinary. It's the very Ieast I could do. I'm just glad you're feeling better. You seem happier in yourself, too. I do feel happier. Less troubled. Wonderful. Nothing Iike a nice soak to warm the cockles of your heart. Now, I'm only a simple innkeeper's wife, but I've been told I have a healer's hands. I'd be glad to give you a massage. What's a massage? Never had... Well, bless my soul. Nothing Iike a massage to send you off for the finest and deepest night's sleep. I do have trouble sleeping at night. Lie on your back, dear. Why not close your eyes? You'II drift off better that way. Hello! Service! Maybe we should carry on and try the next inn, especially if this stone is as close as your runes say. I'II give it one more try. Relax here, my Iove. I'II be back just as soon as I've taken care of this customer. At Iast. We require accommodation. PIease help my friend take the horses to the stables. Hello! Oh. I'm accustomed to better service, but you're awake now and that's what counts. Prepare your best room. -She got the stone. -Stone, stone. I'II thank you not to bother my guest, sir. I am the Iady of this inn. GIass of wine? No, no, no, no, no. No. Until my brother is dead, I have vowed to drink only my own wine. Though my friend in the stables might be glad of a drop. Your best room, perhaps? Of course. I'm sorry. I presumed that... Traveling alone, are you? I've just stabled my four black stallions and my carriage. Well, I say mine. It belonged to my Iate father. Thank you. That's so kind, thank you very much. My name's Tristan. What's yours? Bernard. There was not a horse or beast he could not master. So much so that in his youth, he took to riding a camel, which was comical. When he passed, the carriage came to me. She's got the stone! -She's got it! -She's got it! And it's the Iargest in all of Stormhold, so they say. How nice for you. If you'II excuse me. Wait. That stone you're wearing. It can't be. -Oh, finally. -Yeah, good, well done, yes, sir. -Well done. -Sweet. Come here. Let me see it. You have no idea what you're meddling with. I am Primus, the first born of Stormhold and I demand that you bring it to me! Bring me the stone! Now! Prince Primus! Don't touch anything they give you! They tried to... -Are you all right? -Billy! Get him! The burning golden heart of a star at peace is so much better than your frightened Iittle heart. Even so, better than no heart at all. Yvaine? Hold me tight and think of home. No! -What the hell did you do? -What did I do? What did you do? "Think of home!" That was a great plan! You thought of your home and I thought of mine and now we're halfway between the two! Oh, you stupid cow! What did you think of your home for? You just said "home"! If you wanted me to think of your home, you should have said! Some crazy Iady was going to cut your heart out and you wanted more specific instructions? Perhaps you'd Iike it in writing! Or a diagram, maybe! Look, Captain Shakespeare! Caught ourselves a Iittle bonus! A couple of Lightning Marshals! They don't Iook Iike Lightning Marshals to me. Why else would anyone be up here in the middle of a storm? "Why else would anyone be up here in the middle of a storm?" Well, Iet's think. Maybe for the same godforsaken reason we are! Now, who are you? Let's see if a night on our Iovely brig will Ioosen their Iips! -Get them in the brig! -You heard the man! Let's go! Get them into the brig and the rest of you dirty dogs, back to work! We've got Iightning to catch! Come on! -They're going to kill us, aren't they? -I don't know. You know, it's funny. I used to watch... I used to watch people having adventures. I envied them. You ever heard the expression, "Be careful what you wish for"? What? So ending up with my heart cut out, that'II serve me right, will it? No. No, I didn't... I didn't mean it Iike that. Look, I admire you dreaming. Shop boy Iike me, I could never have imagined an adventure this big in order to have wished for it. I just thought I'd find some Iump of celestial rock and take it home, and that would be it. And you got me. If there's one thing I've Iearned in all my years watching Earth, it's that people aren't what they may seem. There are shop boys and there are boys who just happen to work in shops for the time being. And trust me, Tristan, you're no shop boy. You saved my Iife. Thank you. Well, well, well. The Iast brother dead. Which means that I'm king. I'm king! Not yet, brother. Damn. I still need the stone. -Your brother doesn't have it? -Well, why don't you find out? Where is my stone? I don't... The man, see, your brother... I heard him speak of a stone. Yeah. The girl had it. The girl had it. -What girl? -I don't know. A girl. She got away. Because this was a trap set up for her, but your brother, he come just straight into it. A trap? Set by who? A woman you should pray you'II never meet. She's... She's gone. She took your brother's carriage. This woman wanted my stone? No. She wanted the girl's heart. She said the girl was a star and she wanted to cut out her heart and... Eat it? Oh, my God. Do you have any idea what this means? Everlasting Iife. King forever. It's not here, sire. This idiot's coming with us. -Ask again. -We have asked again and the answer is still the same. She is airborne! Well, she can't remain so forever. Inform me as soon as she touches ground! Immediately! Do you understand? Watch your tongue, sister! It is you and not we who've Iost her. Lost her and broken the knife! Even if you apprehend her, how will you complete the deed? Perhaps you should return now and one of us set out in your place. Don't be absurd. I'II bring her home and deal with her there. Be sure everything is ready for our arrival. Tell me about Victoria then. Well, she... There's nothing more to tell you. Because the Iittle I know about Iove is that it's unconditional. It's not something you can buy. Hang on. This wasn't about me buying her Iove. This was a way for me to prove how I felt. And what's she doing to prove how she feels about you? Well... Look, Yvaine, you'II understand when you meet her. AII right? Provided we don't get murdered by pirates first. Murdered by pirates. Heart torn out and eaten. Meet Victoria. I can't quite decide which sounds more fun. We've Iocated the sky vessel. It's headed north for the port town on Mount Drummond and you are no Ionger the only one seeking the star. There's someone following your tracks! A witch? A warlock? A prince and he's catching you up! Get a move on! So, this is the part where you tell me who you are and why you're up here. Or I'II snap her pretty Iittle fingers one by one Iike dry twigs! My name is Tristan Thorn. -This is my wife, Yvaine. -Your wife? Far too young and radiant to belong to just one man! It's share and share alike aboard my vessel, sonny boy! If you dare even touch her... You may think you're showing a Iittle spirit in front of your Iady friend, but if you talk back to me again, I'II feed your tongue to the dogs, you impertinent Iittle pup! -Sir? -Better! But still interrupting. Let's see. A hanging's always good for morale! Maybe we'II watch you dance a gallows jig! Or perhaps I'II just tip you over the side and have done with it! It's a very Iong way down. PIenty of time to reminisce about your pitifully short Iives. PIease, Iook, we're just trying to make our way home, back to a place called Wall, where I come from. What did you say? I said we were trying to get home to Wall. That's one Iie too many, my son. -Wall? -Shut up. What's he saying? Thought you could just wander onto my patch, did you? -He is. Yeah, he's gonna... -And Iive to tell the tale? AII right, go, on the deck, on the deck, on the deck! Now, go, go, go! Big mistake, Mr. Thorn! And the Iast one you'II ever make! -No! No! You brute! -Come... Come on! -You murderer! You pig! -Come on! Get up! Get up! I'm taking the girl to my cabin, and mark my words, anyone who disturbs me for the next few hours -will get the same treatment! -What? You'II... No, you idiot! I'II sling you over the side as well! Oh, yeah. Captain's busy. So should you be. Get in there, wench! So, that went well, I thought. Now, tell me news of my beloved England. I want to hear absolutely everything. Hang on. I can't believe your crew fell for that. And where in God's name did you get that mannequin from? Oh, it works every time. An ounce of bargaining, a pinch of trickery, a soupcon of intimidation, et voila! The perfect recipe for a towering reputation without ever having to spill one drop of blood. Ever try to get blood stains out of a silk shirt? Nightmare. Right. I still don't understand how they won't recognize me. Tristan, dear boy, when I'm done, your own mother won't recognize you. Now, we've no time to waste. We have only two hours before we make port. First and foremost... It'II be so good to see you out of those dreary clothes. So very small-town errand-boy. Howlingly parochial. Here. Tres you. I wore it as a younger man. I hate to throw anything away. You know the day you do, it'II come back in fashion, be oh, so de la mode- Now, you, darling. I have some Iovely dresses. Take your pick. Oh, no, really, I'm fine. Honey, you're wearing a bathrobe. Now, England, England. I want to hear everything. -You're not from England. -Oh, no, sadly, no. But from my earliest youth, I Iapped up the stories. People always told me they were nothing more than folklore, but my heart told me they were true. As a boy, I'd scurry away from my father at the market while he did his deals just to peek over the wall, dream of, perhaps, crossing it one day, seeing England for myself. Really? So you... You were here Iooking over there. Oh, yes. -Hair. -Hair? Mind you, I did my best to fit in. Tried to make my father, Captain Ghostmaker, proud. Forged a decent reputation as a ruthless marauder and cold-blooded killer. But my father died. I always promised him I'd take over the family business, keep the old girl flying. You have no idea the Iightness it brings to my heart being able to confide in you charming young people. The pressure of maintaining the whole Captain Shakespeare persona for the sake of the crew, I don't know. Sometimes... You see, I'm very much a man of my own creation. Even chose the name specially. Took me ages. See, I'm thinking Iegendary British wordsmith. My enemies and crew are thinking, "Shake! Spear!" It's Iittle things Iike that make me happy. I don't understand that. Surely it would make you happier just to be yourself. Why fight to be accepted by people you don't actually want to be Iike? Yeah. Why would anyone do that to himself? Exactly. Port ahoy! Ready the Iightning barrels! Hurry up. Yeah. Doesn't seem very fresh. I'II be honest. Shall I give you a Iittle taste, young Ferdinand? No, no. Oh, there you go. Brilliant. Like they're cheap. I think it's still crackling, very much alive, still tres fresh. -So, name your best price. -For 10,000 bolts? Ten thousand bolts of finest quality grade A. Yeah, but it's difficult to shift, isn't it? Difficult to store. If I get the Revenue Men in here sniffing round, what's the... Best price, 150 guineas. Gentlemen, put the merchandise back onboard and prepare to sail. Gentlemen, put the merchandise back onboard and prepare to sail. -Whoa, whoa, whoa. -Ferdinand, always a pleasure. Hold on. Hold on. One minute. Hold on, cuddles. -Oh, he's... -One-sixty. One-sixty. Seeing as I'm feeling particularly generous today, I'II settle for 200. Two hundred? Okay. You're having a Iaugh. Have you had your head in that? Has he been sailing up where the air's too thin? -You're being very rude. -Not anymore. -Two hundred. -One-eighty. -Two hundred. -That's not negotiation. I'm changing my number. One-eight-five. -Did I hear 200? -From you, you did. Yeah. -You said 200. -If I did, you're a ventriloquist. Okay, one-nine-five. Final offer. One-nine-five it is. So, with sales tax, that's, Iet's see, 200. Brilliant. Put it in the back. Unbelievable. Here. Yes? Can I help you? Nosy. Have you heard any of these rumors going round about a fallen star? Everyone's talking about it. You get your hands on one of them, we can shut up shop. Retire. -Fallen star? -Yeah. -Nothing on your travels? -No. Not even a Iittle sniff of a whisper? Everyone's going on about it down at the market. Which market? The market near the wall? Yeah. Well, Ferdy, you're wasting your time Iistening to gossip from the kind of pond scum trading down there. -Well, if it... -Oh, my word! Speak of the devil. Oh, yeah? What were you saying, then? Oh, what a wonderful woman you are, Sal. How the world wouldn't be the same place without you. You Iook great. You've had your feet done, haven't you? But, you two, you have business to attend to. Sal. Ferdy. Good day. Come on. I've got something new for you. Captain Shakespeare. Stand down! Meet my nephew, the fearsome buccaneer, Tristan Thorn. He'II be joining us for our journey home. I have the perfect gift to keep you amused on the way. Oh... Right, you Iazy dogs! Let's get young Tristan on his way home! Touche. I'm impressed. Yvaine, I know what you are. No, no. Have no fear. No one on this vessel will harm you, but there are plenty who would. Your emotions give you away, Yvaine. You must Iearn to control them. You've been glowing more brightly every day, and I think you know why. Of course I know why I'm glowing. I'm a star. -And what do stars do best? -Well, it's certainly not the waltz. -Now try. -Okay. -See? -Very good. Due west, you say? And you're certain he had a girl with him? Yeah. You're sure? Absolutely sure? Sure you're not Iying? I'd cross my heart if I had one. -Brilliant. -You'd better be telling the truth, you two-faced dog. I can get you one of them, actually. Very good guard dogs. They can watch the back and the front door at the same time. I can get you anything you want. What are the chances of getting a Babylon candle? That one's slim. AIthough, I did know a girl once, if you know what I mean... I'm a Iadies' man. ...who had a sister... I think it was a woman. Oh, she was terrible. Face Iike a bag of frogs. Ugly frogs. Enough. Hold on tight! The Captain's at the helm! So there's the road you'II need for Wall. Good Iuck on your journey home, Yvaine, wherever that may be. And good Iuck to you, Tristan, with your Victoria. Oh, how can we ever thank you enough for your kindness? Don't mention it. No, seriously, don't mention it. Reputations, you know. A Iifetime to build, seconds to destroy. Oh, and Tristan, just remember... Just think about it. Well, give my regards to England. It's been a pleasure to meet you both. Mind you don't wear that wench out, Captain Tristan! What did he say to you? What did he say when? Just then. When he whispered to you. No... No, he... He was just saying we should use the Iightning to get you a Babylon candle. Barter for it, you know. For the Iast time, where is the girl? The girl with the stone! Where did she go? -Are you mocking me? -No... 'Cause if you are, believe me, you have seconds to Iive! What a freak. CIean this thoroughly. Bollocks. If you have quite finished squandering your magic on your rather counterproductive beauty routine, you might Iike to know that the star has returned. She's back on Iand. I know, damn it. I couldn't reach the Iake in time. No matter. We have found her. She is on the road to the village of Wall. If you take the shortcut across the marshes, you should arrive in time to intercept her. Yvaine. -Are you trying to break my Ieg again? -I'm sorry. I'm sorry. I just... I can't risk people seeing you. I don't trust anyone. But at this rate, if we keep stopping... Yvaine. We're making good time. Just Ieave it a minute. Aren't you tempted? Tempted? By what? Immortality. Let's say it wasn't my heart. Not me. Just a star you didn't know. You seriously think I could kill anyone? I mean, even if I could... Everlasting Iife? I imagine it would be kind of Ionely. Well, maybe if you had someone to share it with. Someone you Iove. Maybe then it might be different. Come on, I think we're safe. Now remember, Captain Shakespeare has a fearsome reputation. -What the hell is this? -What are you doing here? My name is Prince Septimus. And you're going to tell me where I can find the girl. AII right, twinkletoes. I'm gonna count to three. One, two... You know, you sort of glitter sometimes. I just noticed it. Is it normal? Let's see if you can work it out for yourself. What do stars do? Attract trouble? That's... AII right, I'm sorry. Wait, I'm sorry. AII right, Iet me... Let me... Do I get another guess? Is it... Do they know exactly how to annoy a boy called Tristan Thorn? -How Iong will that take? -Maybe two days. But we don't have two days. Victoria's birthday is tomorrow. Yes, it is. Well remembered. -Nice cup of Earl Grey. -Get out, everybody. Get out. Did he hurt you, Captain? Did you tell him where your nephew and the girl went? So what's the problem? It's my reputation. No. No, no. Don't be silly. Nonsense. It's all right, Captain. We always knew you were a whoopsie. -You'II always be our captain, Captain. -Aye, aye, Captain. Captain. Yeah. Let's go, Iet's go. Prince Septimus, your men, they're dead. Oh, really? Go on! I met that woman. She's friends with the Captain. He said she trades at the market near Wall. -We could hitch a Iift. -Really? She's a friend of the Captain's? -You sure? -Yes, yes. Wait! Sorry! My name is Tristan Thorn. This... That's my flower. Eighteen years I've been Iooking for that. Give it to me now! How dare you? That was a gift from his mother! Oh. Perhaps I was mistaken. It's all right. It's obviously very valuable to you, so you can have it in exchange for what I need. -A Babylon candle? -And safe passage to the wall. A Babylon candle? Oh, no, no, no. I don't deal in black magic. Really? Well, can you give us a Iift then? To the wall? Well, why didn't you say so in the first place? For that flower, I can offer you passage. -Food and Iodging on the way? -Safe passage. I swear that you will arrive at the wall in the exact same condition that you're in now. Do you have any idea what manner of thing it was that you had? Some kind of Iucky charm? A very Iucky charm indeed. Protection. In fact, the exact same thing that would've prevented me from doing this. -Oh, my God! What did you do? -Much better. You shall not see the star, touch it, smell or hear it- Though I'II keep me word. You shall not be harmed. There. Food and Iodging just as I promised. Would I be correct in thinking that you can neither see nor hear me? Then I'd Iike to tell you that you smell of pee. You Iook Iike the wrong end of a dog. And I swear, if I don't get my Tristan back as he was, I'II be your personal poltergeist! Tristan? If you can understand me, Iook at me now. You know when I said I knew Iittle about Iove? Well, that wasn't true. I know a Iot about Iove. I've seen it. I've seen centuries and centuries of it. And it was the only thing that made watching your world bearable. AII those wars. Pain and Iies. Hate. Made me want to turn away and never Iook down again. But to see the way that mankind Ioves. I mean, you could search the furthest reaches of the universe and never find anything more beautiful. So, yes, I know that Iove is unconditional. But I also know it can be unpredictable, unexpected, uncontrollable, unbearable and, well, strangely easy to mistake for Ioathing. And what I'm trying to say, Tristan, is I think I Iove you. My heart, it feels Iike my chest can barely contain it. Like it doesn't belong to me anymore. It belongs to you. And if you wanted it, I'd wish for nothing in exchange. No gifts, no goods, no demonstrations of devotion. Nothing but knowing you Iove me, too. Just your heart in exchange for mine. The wall is one mile that way. There. Though the walk might take you a Iittle Ionger than normal. Transformation tends to Ieave the brain a bit scrambled for a while. You... Oh! I warned you. Save your strength. I've been so worried about you. Victoria. I think I preferred "Mother." Come on. There's an inn over there. Victoria's birthday's not till tomorrow. I think you need a bath and a good night's sleep before you present me to her. Come on. Come. -Come on, Tristan. It's not that far. -Okay. -Excuse me? -Oh! -I think you're in my bath. -Well, close your eyes! I'm not... Honestly, I'm not Iooking. Here, I'II turn away. AII right, you can open them now. Did you really mean what you said in the caravan? What I... But... But you were a mouse! You were a mouse! You wanted cheese! You didn't... I asked you to give me a sign. And risk you being too embarrassed to keep saying such Iovely things? You want to know what the Captain really whispered to me that day? He told me that my true Iove was right in front of my eyes. And he was right. Hey, guys! Guys, come on! Come on, you got to come up and see this! No, thank you. -Pervert! -Suit yourself. -Ironic, isn't it? -Yeah. What is? Septimus will be here by the morning, find the girl, get the stone and be king forever. So unjust. Still, at Ieast we will be free. You're very close. She's in the market town. One mile from the gap in the wall. You speak as if this is good news. Do I need to remind you that Wall is not part of our universe? If she crosses the threshold into the human realm, our star becomes nothing more than a pitted Iump of metallic rock. Then I suggest you hurry up! What? Oh, what do you want? Sorry. Can I have a piece of paper and a pen? Ask me again at a more reasonable hour. No, I can't. I have to go. Look, if my friend wakes up before I get back, -please, can you give her a message? -Go on. You know, that's the first time I've ever slept at night. I can't believe it. Tristan? Have you seen my friend? He Ieft absurdly early. He Ieft? He told me to tell you he's gone to see Victoria because he's sorry, but he's found his true Iove and he wants to spend the rest of his Iife with her. What? -Are you sure? -I'm positive. Hey! Hey, wait! Wait! Happy birthday. Tristan. What happened to you? I found the star. I can't believe you did it. Where's my star? Can I see it? -Is it beautiful? -Yes. Well, it's awfully small. Well, that's just a Iittle piece. A token for your birthday. Well... Well, then forget about the star. It's not the star that I want. You know what I want. Yeah. I do. You want to grow up and get over yourself. -Humphrey. -Thorn. You must have a death wish. Humphrey. Humphrey, it's all right. She's all yours. You really are a perfect couple. The best of Iuck to you both. Well, why would I want this? It's just a measly handful of stardust! Yvaine? She can't cross the wall. Go on! Stop! Stop! If you go through there, you'II die! What? If you set foot on human soil, you'II turn to rock. Wretched slattern! Where have you taken me? PIanning to enter Wall, were you? If death is what you wish, my dear, I'd be more than happy to assist you. Are you talking to me? You. Small world. Anyhow, no, I wasn't. I was talking to the star. What star? My slave girl's no star. Any fool can see that. If she was, I'd have had the heart out of her chest a Iong time ago, trust me. Trust you? Not a mistake I'd be Iikely to make again. What's it to be, Ditchwater Sal? Heads or tails? -Oh, God. Time to go. -She's not going anywhere. I think you'II find she is. It's all right. You can come, too. You can ride in the carriage or be dragged behind it. Your choice. What happened? Be my guest. I quit. Eighty years I've stopped you people going out. What I should have been worrying about was those people from the other side coming in. AII right, just tell me what happened! What happened? Oh, where to start? No! Come on! Go on! The star! And who else? A slave for us. It will be nice to have someone to help mop up when we've finished with our Iittle guest. Oh, good work, sister. And just in time, I see! You Iook awful! Who are you? What business do you have here? Septimus? I knew your brother, Primus. Unless you wish to meet him in the afterlife, I suggest you answer my question. What are you doing here? I might ask you the same thing. There are four of them. Do as I say and we may stand a chance. Wait. How do I know you can be trusted? You don't. Why? Do you have a choice? -No. -Well, then, Iet's go. Get off me! Get off! -Una? -Septimus. -Una! -Sister! Tristan! No! Tristan! I'm your... I'm your... I'm your mother. I'm your mother. -Rather well. -Good riddance to you. Yes. Oh! Let's put out those flames. Shall we? So, what happens now? We have to Iearn to Iive with each other. Forever? Let's get on with it. Be the man that I know you are. -Get outside. -Okay. Go. -Tristan! -Get him. Get off! Get out! So, what's it to be, Prince Charming? Frog or tadpole? Septimus? Tristan! Youth. Beauty. It all seems meaningless now. My sisters are dead! Everything I cared about gone. Go. Go! No! I owe you thanks, boy. What use was her heart to me when it was broken? And you got rid of my sisters, and now I can have it all for myself. -Hold me tight and close your eyes. -What? Why? What do stars do? Shine. -Bravo! -Yeah! Very good. Why didn't you do that earlier? I couldn't have done that without you. No star can shine with a broken heart. I thought I'd Iost you. But you came back. Of course I did. I Iove you. Come on. Tristan. The last surviving male heir of the Stormhold bloodline. It's you, Tristan. But if he's the new King of Stormhold, then... I crown thee King Tristan of Stormhold. Yeah! My gift to you. To you both. Thank you. They ruled for 80 years- But no man can live forever, except he who possesses the heart of a star- And Yvaine had given hers to Tristan completely- When their children and grandchildren were grown, it was time to light the Babylon candle- And they still live happily ever after-
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According to all known laws of aviation, there is no way that a bee should be able to fly. Its wings are too small to get its fat little body off the ground. The bee, of course, flies anyway. Because bees don’t care what humans think is impossible.” SEQ. 75 - “INTRO TO BARRY” INT. BENSON HOUSE - DAY ANGLE ON: Sneakers on the ground. Camera PANS UP to reveal BARRY BENSON’S BEDROOM ANGLE ON: Barry’s hand flipping through different sweaters in his closet. BARRY Yellow black, yellow black, yellow black, yellow black, yellow black, yellow black...oohh, black and yellow... ANGLE ON: Barry wearing the sweater he picked, looking in the mirror. BARRY (CONT’D) Yeah, let’s shake it up a little. He picks the black and yellow one. He then goes to the sink, takes the top off a CONTAINER OF HONEY, and puts some honey into his hair. He squirts some in his mouth and gargles. Then he takes the lid off the bottle, and rolls some on like deodorant. CUT TO: INT. BENSON HOUSE KITCHEN - CONTINUOUS Barry’s mother, JANET BENSON, yells up at Barry. JANET BENSON Barry, breakfast is ready! CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 1. INT. BARRY’S ROOM - CONTINUOUS BARRY Coming! SFX: Phone RINGING. Barry’s antennae vibrate as they RING like a phone. Barry’s hands are wet. He looks around for a towel. BARRY (CONT’D) Hang on a second! He wipes his hands on his sweater, and pulls his antennae down to his ear and mouth. BARRY (CONT'D) Hello? His best friend, ADAM FLAYMAN, is on the other end. ADAM Barry? BARRY Adam? ADAM Can you believe this is happening? BARRY Can’t believe it. I’ll pick you up. Barry sticks his stinger in a sharpener. SFX: BUZZING AS HIS STINGER IS SHARPENED. He tests the sharpness with his finger. SFX: Bing. BARRY (CONT’D) Looking sharp. ANGLE ON: Barry hovering down the hall, sliding down the staircase bannister. Barry’s mother, JANET BENSON, is in the kitchen. JANET BENSON Barry, why don’t you use the stairs? Your father paid good money for those. "Bee Movie" - JS REVISIONS 8/13/07 2. BARRY Sorry, I’m excited. Barry’s father, MARTIN BENSON, ENTERS. He’s reading a NEWSPAPER with the HEADLINE, “Queen gives birth to thousandtuplets: Resting Comfortably.” MARTIN BENSON Here’s the graduate. We’re very proud of you, Son. And a perfect report card, all B’s. JANET BENSON (mushing Barry’s hair) Very proud. BARRY Ma! I’ve got a thing going here. Barry re-adjusts his hair, starts to leave. JANET BENSON You’ve got some lint on your fuzz. She picks it off. BARRY Ow, that’s me! MARTIN BENSON Wave to us. We’ll be in row 118,000. Barry zips off. BARRY Bye! JANET BENSON Barry, I told you, stop flying in the house! CUT TO: SEQ. 750 - DRIVING TO GRADUATION EXT. BEE SUBURB - MORNING A GARAGE DOOR OPENS. Barry drives out in his CAR. "Bee Movie" - JS REVISIONS 8/13/07 3. ANGLE ON: Barry’s friend, ADAM FLAYMAN, standing by the curb. He’s reading a NEWSPAPER with the HEADLINE: “Frisbee Hits Hive: Internet Down. Bee-stander: “I heard a sound, and next thing I knew...wham-o!.” Barry drives up, stops in front of Adam. Adam jumps in. BARRY Hey, Adam. ADAM Hey, Barry. (pointing at Barry’s hair) Is that fuzz gel? BARRY A little. It’s a special day. Finally graduating. ADAM I never thought I’d make it. BARRY Yeah, three days of grade school, three days of high school. ADAM Those were so awkward. BARRY Three days of college. I’m glad I took off one day in the middle and just hitchhiked around the hive. ADAM You did come back different. They drive by a bee who’s jogging. ARTIE Hi Barry! BARRY (to a bee pedestrian) Hey Artie, growing a mustache? Looks good. Barry and Adam drive from the suburbs into the city. ADAM Hey, did you hear about Frankie? "Bee Movie" - JS REVISIONS 8/13/07 4. BARRY Yeah. ADAM You going to his funeral? BARRY No, I’m not going to his funeral. Everybody knows you sting someone you die, you don’t waste it on a squirrel. He was such a hot head. ADAM Yeah, I guess he could’ve just gotten out of the way. The DRIVE through a loop de loop. BARRY AND ADAM Whoa...Whooo...wheee!! ADAM I love this incorporating the amusement park right into our regular day. BARRY I guess that’s why they say we don’t need vacations. CUT TO: SEQ. 95 - GRADUATION EXT. GRADUATION CEREMONY - CONTINUOUS Barry and Adam come to a stop. They exit the car, and fly over the crowd to their seats. * BARRY * (re: graduation ceremony) * Boy, quite a bit of pomp...under * the circumstances. * They land in their seats. BARRY (CONT’D) Well Adam, today we are men. "Bee Movie" - JS REVISIONS 8/13/07 5. ADAM We are. BARRY Bee-men. ADAM Amen! BARRY Hallelujah. Barry hits Adam’s forehead. Adam goes into the rapture. An announcement comes over the PA. ANNOUNCER (V.O) Students, faculty, distinguished bees...please welcome, Dean Buzzwell. ANGLE ON: DEAN BUZZWELL steps up to the podium. The podium has a sign that reads: “Welcome Graduating Class of:”, with train-station style flipping numbers after it. BUZZWELL Welcome New Hive City graduating class of... The numbers on the podium change to 9:15. BUZZWELL (CONT’D) ...9:15. (he clears his throat) And that concludes our graduation ceremonies. And begins your career at Honex Industries. BARRY Are we going to pick our job today? ADAM I heard it’s just orientation. The rows of chairs change in transformer-like mechanical motion to Universal Studios type tour trams. Buzzwell walks off stage. BARRY (re: trams) Whoa, heads up! Here we go. "Bee Movie" - JS REVISIONS 8/13/07 6. SEQ. 125 - “FACTORY” FEMALE VOICE (V.O) Keep your hands and antennas inside the tram at all times. (in Spanish) Dejen las manos y antennas adentro del tram a todos tiempos. BARRY I wonder what it’s going to be like? ADAM A little scary. Barry shakes Adam. BARRY AND ADAM AAHHHH! The tram passes under SIGNS READING: “Honex: A Division of Honesco: A Part of the Hexagon Group.” TRUDY Welcome to Honex, a division of Honesco, and a part of the Hexagon group. BARRY This is it! The Honex doors OPEN, revealing the factory. BARRY (CONT’D) Wow. TRUDY We know that you, as a bee, have worked your whole life to get to the point where you can work for your whole life. Honey begins when our valiant pollen jocks bring the nectar to the hive where our top secret formula is automatically color-corrected, scent adjusted and bubble contoured into this... Trudy GRABS a TEST TUBE OF HONEY from a technician. "Bee Movie" - JS REVISIONS 8/13/07 7. TRUDY (CONT’D) ...soothing, sweet syrup with its distinctive golden glow, you all know as... EVERYONE ON THE TRAM (in unison) H-o-n-e-y. Trudy flips the flask into the crowd, and laughs as they all scramble for it. ANGLE ON: A GIRL BEE catching the honey. ADAM (sotto) That girl was hot. BARRY (sotto) She’s my cousin. ADAM She is? BARRY Yes, we’re all cousins. ADAM Right. You’re right. TRUDY At Honex, we also constantly strive to improve every aspect of bee existence. These bees are stress testing a new helmet technology. ANGLE ON: A STUNT BEE in a HELMET getting hit with a NEWSPAPER, then a SHOE, then a FLYSWATTER. He gets up, and gives a “thumb’s up”. The graduate bees APPLAUD. ADAM (re: stunt bee) What do you think he makes? BARRY Not enough. TRUDY And here we have our latest advancement, the Krelman. "Bee Movie" - JS REVISIONS 8/13/07 8. BARRY Wow, what does that do? TRUDY Catches that little strand of honey that hangs after you pour it. Saves us millions. ANGLE ON: The Krelman machine. Bees with hand-shaped hats on, rotating around a wheel to catch drips of honey. Adam’s hand shoots up. ADAM Can anyone work on the Krelman? TRUDY Of course. Most bee jobs are small ones. But bees know that every small job, if it’s done well, means a lot. There are over 3000 different bee occupations. But choose carefully, because you’ll stay in the job that you pick for the rest of your life. The bees CHEER. ANGLE ON: Barry’s smile dropping slightly. BARRY The same job for the rest of your life? I didn’t know that. ADAM What’s the difference? TRUDY And you’ll be happy to know that bees as a species haven’t had one day off in 27 million years. BARRY So you’ll just work us to death? TRUDY (laughing) We’ll sure try. Everyone LAUGHS except Barry. "Bee Movie" - JS REVISIONS 8/13/07 9. The tram drops down a log-flume type steep drop. Cameras flash, as all the bees throw up their hands. The frame freezes into a snapshot. Barry looks concerned. The tram continues through 2 doors. FORM DISSOLVE TO: SEQ. 175 - “WALKING THE HIVE” INT. HONEX LOBBY ANGLE ON: The log-flume photo, as Barry looks at it. ADAM Wow. That blew my mind. BARRY (annoyed) “What’s the difference?” Adam, how could you say that? One job forever? That’s an insane choice to have to make. ADAM Well, I’m relieved. Now we only have to make one decision in life. BARRY But Adam, how could they never have told us that? ADAM Barry, why would you question anything? We’re bees. We’re the most perfectly functioning society on Earth. They walk by a newspaper stand with A SANDWICH BOARD READING: “Bee Goes Berserk: Stings Seven Then Self.” ANGLE ON: A BEE filling his car’s gas tank from a honey pump. He fills his car some, then takes a swig for himself. NEWSPAPER BEE (to the bee guzzling gas) Hey! Barry and Adam begin to cross the street. "Bee Movie" - JS REVISIONS 8/13/07 10. BARRY Yeah but Adam, did you ever think that maybe things work a little too well around here? They stop in the middle of the street. The traffic moves perfectly around them. ADAM Like what? Give me one example. BARRY (thinks) ...I don’t know. But you know what I’m talking about. They walk off. SEQ. 400 - “MEET THE JOCKS” SFX: The SOUND of Pollen Jocks. PAN DOWN from the Honex statue. J-GATE ANNOUNCER Please clear the gate. Royal Nectar Force on approach. Royal Nectar Force on approach. BARRY Wait a second. Check it out. Hey, hey, those are Pollen jocks. ADAM Wow. FOUR PATROL BEES FLY in through the hive’s giant Gothic entrance. The Patrol Bees are wearing fighter pilot helmets with black visors. ADAM (CONT’D) I’ve never seen them this close. BARRY They know what it’s like to go outside the hive. ADAM Yeah, but some of them don’t come back. "Bee Movie" - JS REVISIONS 8/13/07 11. The nectar from the pollen jocks is removed from their backpacks, and loaded into trucks on their way to Honex. A SMALL CROWD forms around the Patrol Bees. Each one has a PIT CREW that takes their nectar. Lou Loduca hurries a pit crew along: LOU LODUCA You guys did great! You’re monsters. You’re sky freaks! I love it! I love it! SCHOOL GIRLS are jumping up and down and squealing nearby. BARRY I wonder where those guys have just been? ADAM I don’t know. BARRY Their day’s not planned. Outside the hive, flying who-knows-where, doing who-knows-what. ADAM You can’t just decide one day to be a Pollen Jock. You have to be bred for that. BARRY Right. Pollen Jocks cross in close proximity to Barry and Adam. Some pollen falls off, onto Barry and Adam. BARRY (CONT’D) Look at that. That’s more pollen than you and I will ever see in a lifetime. ADAM (playing with the pollen) It’s just a status symbol. I think bees make too big a deal out of it. BARRY Perhaps, unless you’re wearing it, and the ladies see you wearing it. ANGLE ON: Two girl bees. "Bee Movie" - JS REVISIONS 8/13/07 12. ADAM Those ladies? Aren’t they our cousins too? BARRY Distant, distant. ANGLE ON: TWO POLLEN JOCKS. JACKSON Look at these two. SPLITZ Couple of Hive Harrys. JACKSON Let’s have some fun with them. The pollen jocks approach. Barry and Adam continue to talk to the girls. GIRL 1 It must be so dangerous being a pollen jock. BARRY Oh yeah, one time a bear had me pinned up against a mushroom. He had one paw on my throat, and with the other he was slapping me back and forth across the face. GIRL 1 Oh my. BARRY I never thought I’d knock him out. GIRL 2 (to Adam) And what were you doing during all of this? ADAM Obviously I was trying to alert the authorities. The girl swipes some pollen off of Adam with a finger. BARRY (re: pollen) I can autograph that if you want. "Bee Movie" - JS REVISIONS 8/13/07 13. JACKSON Little gusty out there today, wasn’t it, comrades? BARRY Yeah. Gusty. BUZZ You know, we’re going to hit a sunflower patch about six miles from here tomorrow. BARRY Six miles, huh? ADAM (whispering) Barry. BUZZ It’s a puddle-jump for us. But maybe you’re not up for it. BARRY Maybe I am. ADAM (whispering louder) You are not! BUZZ We’re going, oh-nine hundred at JGate. ADAM (re: j-gate) Whoa. BUZZ (leaning in, on top of Barry) What do you think, Buzzy Boy? Are you bee enough? BARRY I might be. It all depends on what oh-nine hundred means. CUT TO: SEQ. 450 - “THE BALCONY” "Bee Movie" - JS REVISIONS 8/13/07 14. INT. BENSON HOUSE BALCONY - LATER Barry is standing on the balcony alone, looking out over the city. Martin Benson ENTERS, sneaks up behind Barry and gooses him in his ribs. MARTIN BENSON Honex! BARRY Oh, Dad. You surprised me. MARTIN BENSON (laughing) Have you decided what you’re interested in, Son? BARRY Well, there’s a lot of choices. MARTIN BENSON But you only get one. Martin LAUGHS. BARRY Dad, do you ever get bored doing the same job every day? MARTIN BENSON Son, let me tell you something about stirring. (making the stirring motion) You grab that stick and you just move it around, and you stir it around. You get yourself into a rhythm, it’s a beautiful thing. BARRY You know dad, the more I think about it, maybe the honey field just isn’t right for me. MARTIN BENSON And you were thinking of what, making balloon animals? That’s a bad job for a guy with a stinger. "Bee Movie" - JS REVISIONS 8/13/07 15. BARRY Well no... MARTIN BENSON Janet, your son’s not sure he wants to go into honey. JANET BENSON Oh Barry, you are so funny sometimes. BARRY I’m not trying to be funny. MARTIN BENSON You’re not funny, you’re going into honey. Our son, the stirrer. JANET BENSON You’re going to be a stirrer?! BARRY No one’s listening to me. MARTIN BENSON Wait until you see the sticks I have for you. BARRY I can say anything I want right now. I’m going to get an ant tattoo. JANET BENSON Let’s open some fresh honey and celebrate. BARRY Maybe I’ll pierce my thorax! MARTIN BENSON (toasting) To honey! BARRY Shave my antennae! JANET BENSON To honey! "Bee Movie" - JS REVISIONS 8/13/07 16. BARRY Shack up with a grasshopper, get a gold tooth, and start calling everybody “Dawg.” CUT TO: SEQ. 760 - “JOB PLACEMENT” EXT. HONEX LOBBY - CONTINUOUS ANGLE ON: A BEE BUS STOP. One group of bees stands on the pavement, as another group hovers above them. A doubledecker bus pulls up. The hovering bees get on the top level, and the standing bees get on the bottom. Barry and Adam pull up outside of Honex. ADAM I can’t believe we’re starting work today. BARRY Today’s the day. Adam jumps out of the car. ADAM (O.C) Come on. All the good jobs will be gone. BARRY Yeah, right... ANGLE ON: A BOARD READING: “JOB PLACEMENT BOARD”. Buzzwell, the Bee Processor, is at the counter. Another BEE APPLICANT, SANDY SHRIMPKIN is EXITING. SANDY SHRIMPKIN Is it still available? BUZZWELL Hang on. (he looks at changing numbers on the board) Two left. And...one of them’s yours. Congratulations Son, step to the side please. "Bee Movie" - JS REVISIONS 8/13/07 17. SANDY SHRIMPKIN Yeah! ADAM (to Sandy, leaving) What did you get? SANDY SHRIMPKIN Picking the crud out. That is stellar! ADAM Wow. BUZZWELL (to Adam and Barry) Couple of newbies? ADAM Yes Sir. Our first day. We are ready. BUZZWELL Well, step up and make your choice. ANGLE ON: A CHART listing the different sectors of Honex. Heating, Cooling, Viscosity, Krelman, Pollen Counting, Stunt Bee, Pouring, Stirrer, Humming, Regurgitating, Front Desk, Hair Removal, Inspector No. 7, Chef, Lint Coordinator, Stripe Supervisor, Antennae-ball polisher, Mite Wrangler, Swatting Counselor, Wax Monkey, Wing Brusher, Hive Keeper, Restroom Attendant. ADAM (to Barry) You want to go first? BARRY No, you go. ADAM Oh my. What’s available? BUZZWELL Restroom attendant is always open, and not for the reason you think. ADAM Any chance of getting on to the Krelman, Sir? BUZZWELL Sure, you’re on. "Bee Movie" - JS REVISIONS 8/13/07 18. He plops the KRELMAN HAT onto Adam’s head. ANGLE ON: The job board. THE COLUMNS READ: “OCCUPATION” “POSITIONS AVAILABLE”, and “STATUS”. The middle column has numbers, and the right column has job openings flipping between “open”, “pending”, and “closed”. BUZZWELL (CONT’D) Oh, I’m sorry. The Krelman just closed out. ADAM Oh! He takes the hat off Adam. BUZZWELL Wax Monkey’s always open. The Krelman goes from “Closed” to “Open”. BUZZWELL (CONT’D) And the Krelman just opened up again. ADAM What happened? BUZZWELL Well, whenever a bee dies, that’s an opening. (pointing at the board) See that? He’s dead, dead, another dead one, deady, deadified, two more dead. Dead from the neck up, dead from the neck down. But, that’s life. ANGLE ON: Barry’s disturbed expression. ADAM (feeling pressure to decide) Oh, this is so hard. Heating, cooling, stunt bee, pourer, stirrer, humming, inspector no. 7, lint coordinator, stripe supervisor, antenna-ball polisher, mite wrangler-- Barry, Barry, what do you think I should-- Barry? Barry? "Bee Movie" - JS REVISIONS 8/13/07 19. Barry is gone. CUT TO: SEQ. 775 - “LOU LODUCA SPEECH” EXT. J-GATE - SAME TIME Splitz, Jackson, Buzz, Lou and two other BEES are going through final pre-flight checks. Barry ENTERS. LOU LODUCA Alright, we’ve got the sunflower patch in quadrant nine. Geranium window box on Sutton Place... Barry’s antennae rings, like a phone. ADAM (V.O) What happened to you? Where are you? Barry whispers throughout. BARRY I’m going out. ADAM (V.O) Out? Out where? BARRY Out there. ADAM (V.O) (putting it together) Oh no. BARRY I have to, before I go to work for the rest of my life. ADAM (V.O) You’re going to die! You’re crazy! Hello? BARRY Oh, another call coming in. "Bee Movie" - JS REVISIONS 8/13/07 20. ADAM (V.O) You’re cra-- Barry HANGS UP. ANGLE ON: Lou Loduca. LOU LODUCA If anyone’s feeling brave, there’s a Korean Deli on 83rd that gets their roses today. BARRY (timidly) Hey guys. BUZZ Well, look at that. SPLITZ Isn’t that the kid we saw yesterday? LOU LODUCA (to Barry) Hold it son, flight deck’s restricted. JACKSON It’s okay Lou, we’re going to take him up. Splitz and Jackson CHUCKLE. LOU LODUCA Really? Feeling lucky, are ya? A YOUNGER SMALLER BEE THAN BARRY, CHET, runs up with a release waiver for Barry to sign. CHET Sign here. Here. Just initial that. Thank you. LOU LODUCA Okay, you got a rain advisory today and as you all know, bees cannot fly in rain. So be careful. As always, (reading off clipboard) watch your brooms, hockey sticks, dogs, birds, bears, and bats. "Bee Movie" - JS REVISIONS 8/13/07 21. Also, I got a couple reports of root beer being poured on us. Murphy’s in a home because of it, just babbling like a cicada. BARRY That’s awful. LOU LODUCA And a reminder for all you rookies, bee law number one, absolutely no talking to humans. Alright, launch positions! The Jocks get into formation, chanting as they move. LOU LODUCA (CONT’D) Black and Yellow! JOCKS Hello! SPLITZ (to Barry) Are you ready for this, hot shot? BARRY Yeah. Yeah, bring it on. Barry NODS, terrified. BUZZ Wind! - CHECK! JOCK #1 Antennae! - CHECK! JOCK #2 Nectar pack! - CHECK! JACKSON Wings! - CHECK! SPLITZ Stinger! - CHECK! BARRY Scared out of my shorts - CHECK. LOU LODUCA Okay ladies, let’s move it out. Everyone FLIPS their goggles down. Pit crew bees CRANK their wings, and remove the starting blocks. We hear loud HUMMING. "Bee Movie" - JS REVISIONS 8/13/07 22. LOU LODUCA (CONT'D) LOU LODUCA (CONT’D) Pound those petunia's, you striped stem-suckers! All of you, drain those flowers! A FLIGHT DECK GUY in deep crouch hand-signals them out the archway as the backwash from the bee wings FLUTTERS his jump suit. Barry follows everyone. SEQ. 800 - “FLYING WITH THE JOCKS” The bees climb above tree tops in formation. Barry is euphoric. BARRY Whoa! I’m out! I can’t believe I’m out! So blue. Ha ha ha! (a beat) I feel so fast...and free. (re: kites in the sky) Box kite! Wow! They fly by several bicyclists, and approach a patch of flowers. BARRY (CONT'D) Flowers! SPLITZ This is blue leader. We have roses visual. Bring it around thirty degrees and hold. BARRY (sotto) Roses. JACKSON Thirty degrees, roger, bringing it around. Many pollen jocks break off from the main group. They use their equipment to collect nectar from flowers. Barry flies down to watch the jocks collect the nectar. JOCK Stand to the side kid, it’s got a bit of a kick. The jock fires the gun, and recoils. Barry watches the gun fill up with nectar. "Bee Movie" - JS REVISIONS 8/13/07 23. BARRY Oh, that is one Nectar Collector. JOCK You ever see pollination up close? BARRY No, Sir. He takes off, and the excess pollen dust falls causing the flowers to come back to life. JOCK (as he pollinates) I pick some pollen up over here, sprinkle it over here, maybe a dash over there, pinch on that one...see that? It’s a little bit of magic, ain’t it? The FLOWERS PERK UP as he pollinates. BARRY Wow. That’s amazing. Why do we do that? JOCK ...that’s pollen power, Kid. More pollen, more flowers, more nectar, more honey for us. BARRY Cool. The Jock WINKS at Barry. Barry rejoins the other jocks in the sky. They swoop in over a pond, kissing the surface. We see their image reflected in the water; they’re really moving. They fly over a fountain. BUZZ I’m picking up a lot of bright yellow, could be daisies. Don’t we need those? SPLITZ Copy that visual. We see what appear to be yellow flowers on a green field. "Bee Movie" - JS REVISIONS 8/13/07 24. They go into a deep bank and dive. BUZZ Hold on, one of these flowers seems to be on the move. SPLITZ Say again...Are you reporting a moving flower? BUZZ Affirmative. SEQ. 900 - “TENNIS GAME” The pollen jocks land. It is a tennis court with dozens of tennis balls. A COUPLE, VANESSA and KEN, plays tennis. The bees land right in the midst of a group of balls. KEN (O.C) That was on the line! The other bees start walking around amongst the immense, yellow globes. SPLITZ This is the coolest. What is it? They stop at a BALL on a white line and look up at it. JACKSON I don’t know, but I’m loving this color. SPLITZ (smelling tennis ball) Smells good. Not like a flower. But I like it. JACKSON Yeah, fuzzy. BUZZ Chemical-y. JACKSON Careful, guys, it’s a little grabby. Barry LANDS on a ball and COLLAPSES. "Bee Movie" - JS REVISIONS 8/13/07 25. BARRY Oh my sweet lord of bees. JACKSON Hey, candy brain, get off there! Barry attempts to pulls his legs off, but they stick. BARRY Problem! A tennis shoe and a hand ENTER FRAME. The hand picks up the ball with Barry underneath it. BARRY (CONT'D) Guys! BUZZ This could be bad. JACKSON Affirmative. Vanessa walks back to the service line, BOUNCES the ball. Each time it BOUNCES, the other bees cringe and GASP. ANGLE ON: Barry, terrified. Pure dumb luck, he’s not getting squished. BARRY (with each bounce) Very close...Gonna Hurt...Mamma’s little boy. SPLITZ You are way out of position, rookie. ANGLE ON: Vanessa serving. We see Barry and the ball up against the racket as she brings it back. She tosses the ball into the air; Barry’s eyes widen. The ball is STRUCK, and the rally is on. KEN Coming in at you like a missile! Ken HITS the ball back. Barry feels the g-forces. ANGLE ON: The Pollen Jocks watching Barry pass by them in SLOW MOTION. "Bee Movie" - JS REVISIONS 8/13/07 26. BARRY (in slow motion) Help me! JACKSON You know, I don't think these are flowers. SPLITZ Should we tell him? JACKSON I think he knows. BARRY (O.S) What is this?! Vanessa HITS a high arcing lob. Ken waits, poised for the return. We see Barry having trouble maneuvering the ball from fatigue. KEN (overly confident) Match point! ANGLE ON: Ken running up. He has a killer look in his eyes. He’s going to hit the ultimate overhead smash. KEN (CONT'D) You can just start packing up Honey, because I believe you’re about to eat it! ANGLE ON: Pollen Jocks. JACKSON Ahem! Ken is distracted by the jock. KEN What? No! He misses badly. The ball rockets into oblivion. Barry is still hanging on. ANGLE ON: Ken, berating himself. KEN (CONT’D) Oh, you cannot be serious. We hear the ball WHISTLING, and Barry SCREAMING. "Bee Movie" - JS REVISIONS 8/13/07 27. BARRY Yowser!!! SEQ. 1000 - “SUV” The ball flies through the air, and lands in the middle of the street. It bounces into the street again, and sticks in the grille of an SUV. INT. CAR ENGINE - CONTINUOUS BARRY’S POV: the grille of the SUV sucks him up. He tumbles through a black tunnel, whirling vanes, and pistons. BARRY AHHHHHHHHHHH!! OHHHH!! EECHHH!! AHHHHHH!! Barry gets chilled by the A/C system, and sees a frozen grasshopper. BARRY (CONT’D) (re: grasshopper) Eww, gross. CUT TO: INT. CAR - CONTINUOUS The car is packed with a typical suburban family: MOTHER, FATHER, eight-year old BOY, LITTLE GIRL in a car seat and a GRANDMOTHER. A big slobbery DOG is behind a grate. Barry pops into the passenger compartment, hitting the Mother’s magazine. MOTHER There’s a bee in the car! They all notice the bee and start SCREAMING. BARRY Aaahhhh! Barry tumbles around the car. We see the faces from his POV. MOTHER Do something! "Bee Movie" - JS REVISIONS 8/13/07 28. FATHER I’m driving! Barry flies by the little girl in her CAR SEAT. She waves hello. LITTLE GIRL Hi, bee. SON He’s back here! He’s going to sting me! The car SWERVES around the road. Barry flies into the back, where the slobbery dog SNAPS at him. Barry deftly avoids the jaws and gross, flying SPITTLE. MOTHER Nobody move. If you don’t move, he won’t sting you. Freeze! Everyone in the car freezes. Barry freezes. They stare at each other, eyes going back and forth, waiting to see who will make the first move. Barry blinks. GRANNY He blinked! Granny pulls out a can of HAIR SPRAY. SON Spray him, Granny! Granny sprays the hair spray everywhere. FATHER What are you doing? GRANNY It’s hair spray! Extra hold! MOTHER Kill it! Barry gets sprayed back by the hair spray, then sucked out of the sunroof. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 29. EXT. CITY STREET - CONTINUOUS BARRY Wow. The tension level out here is unbelievable. I’ve got to get home. As Barry flies down the street, it starts to RAIN. He nimbly avoids the rain at first. BARRY (CONT’D) Whoa. Whoa! Can’t fly in rain! Can’t fly in rain! Can’t fly in-- A couple of drops hit him, his wings go limp and he starts falling. BARRY (CONT'D) Mayday! Mayday! Bee going down! Barry sees a window ledge and aims for it and just makes it. Shivering and exhausted, he crawls into an open window as it CLOSES. SEQ. 1100 - “VANESSA SAVES BARRY” INT. VANESSA’S APARTMENT - CONTINUOUS Inside the window, Barry SHAKES off the rain like a dog. Vanessa, Ken, Andy, and Anna ENTER the apartment. VANESSA Ken, can you close the window please? KEN Huh? Oh. (to Andy) Hey, check out my new resume. I made it into a fold-out brochure. You see? It folds out. Ken holds up his brochure, with photos of himself, and a resume in the middle. ANGLE ON: Barry hiding behind the curtains, as Ken CLOSES THE WINDOW. "Bee Movie" - JS REVISIONS 8/13/07 30. BARRY Oh no, more humans. I don’t need this. Barry HOVERS up into the air and THROWS himself into the glass. BARRY (CONT’D) (dazed) Ow! What was that? He does it again, and then multiple more times. BARRY (CONT'D) Maybe this time...this time, this time, this time, this time, this time, this time, this time. Barry JUMPS onto the drapes. BARRY (CONT'D) (out of breath) Drapes! (then, re: glass) That is diabolical. KEN It’s fantastic. It’s got all my special skills, even my top ten favorite movies. ANDY What’s your number one? Star Wars? KEN Ah, I don’t go for that, (makes Star Wars noises), kind of stuff. ANGLE ON: Barry. BARRY No wonder we’re not supposed to talk to them. They’re out of their minds. KEN When I walk out of a job interview they’re flabbergasted. They can’t believe the things I say. Barry looks around and sees the LIGHT BULB FIXTURE in the middle of the ceiling. "Bee Movie" - JS REVISIONS 8/13/07 31. BARRY (re: light bulb) Oh, there’s the sun. Maybe that’s a way out. Barry takes off and heads straight for the light bulb. His POV: The seventy-five watt label grows as he gets closer. BARRY (CONT’D) I don’t remember the sun having a big seventy five on it. Barry HITS the bulb and is KNOCKED SILLY. He falls into a BOWL OF GUACAMOLE. Andy dips his chip in the guacamole, taking Barry with it. ANGLE ON: Ken and Andy. KEN I’ll tell you what. You know what? I predicted global warming. I could feel it getting hotter. At first I thought it was just me. Barry’s POV: Giant human mouth opening. KEN (CONT’D) Wait! Stop! Beeeeeee! ANNA Kill it! Kill it! They all JUMP up from their chairs. Andy looks around for something to use. Ken comes in for the kill with a big TIMBERLAND BOOT on each hand. KEN Stand back. These are winter boots. Vanessa ENTERS, and stops Ken from squashing Barry. VANESSA (grabs Ken’s arm) Wait. Don’t kill him. CLOSE UP: on Barry’s puzzled face. KEN You know I’m allergic to them. This thing could kill me. "Bee Movie" - JS REVISIONS 8/13/07 32. VANESSA Why does his life have any less value than yours? She takes a GLASS TUMBLER and places it over Barry. KEN Why does his life have any less value than mine? Is that your statement? VANESSA I’m just saying, all life has value. You don’t know what he’s capable of feeling. Barry looks up through the glass and watches this conversation, astounded. Vanessa RIPS Ken’s resume in half and SLIDES it under the glass. KEN (wistful) My brochure. There’s a moment of eye contact as she carries Barry to the window. She opens it and sets him free. VANESSA There you go, little guy. KEN (O.C) I’m not scared of them. But, you know, it’s an allergic thing. ANDY (O.C) * Hey, why don’t you put that on your * resume-brochure? * KEN (O.C) It’s not funny, my whole face could puff up. ANDY (O.C) Make it one of your “Special Skills.” KEN (O.C) You know, knocking someone out is also a special skill. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 33. EXT. WINDOWSILL - CONTINUOUS Barry stares over the window frame. He can’t believe what’s just happened. It is still RAINING. DISSOLVE TO: SEQ. 1200 - “BARRY SPEAKS” EXT. WINDOWSILL - LATER Barry is still staring through the window. Inside, everyone’s saying their good-byes. KEN Vanessa, next week? Yogurt night? VANESSA Uh, yeah sure Ken. You know, whatever. KEN You can put carob chips on there. VANESSA Good night. KEN (as he exits) Supposed to be less calories, or something. VANESSA Bye. She shuts the door. Vanessa starts cleaning up. BARRY I’ve got to say something. She saved my life. I’ve got to say something. Alright, here it goes. Barry flies in. "Bee Movie" - JS REVISIONS 8/13/07 34. INT. VANESSA’S APARTMENT - CONTINUOUS Barry hides himself on different PRODUCTS placed along the kitchen shelves. He hides on a Bumblebee Tuna can, and a “Greetings From Coney Island” MUSCLE-MAN POSTCARD on the fridge. BARRY (on fridge) What would I say? (landing on a bottle) I could really get in trouble. He stands looking at Vanessa. BARRY (CONT'D) It’s a bee law. You’re not supposed to talk to a human. I can’t believe I’m doing this. I’ve got to. Oh, I can’t do it! Come on! No, yes, no, do it! I can’t. How should I start it? You like jazz? No, that’s no good. Here she comes. Speak, you fool. As Vanessa walks by, Barry takes a DEEP BREATH. BARRY (CONT’D) (cheerful) Umm...hi. Vanessa DROPS A STACK OF DISHES, and HOPS BACK. BARRY (CONT’D) I’m sorry. VANESSA You’re talking. BARRY Yes, I know, I know. VANESSA You’re talking. BARRY I know, I’m sorry. I’m so sorry. VANESSA It’s okay. It’s fine. It’s just, I know I’m dreaming, but I don’t recall going to bed. "Bee Movie" - JS REVISIONS 8/13/07 35. BARRY Well, you know I’m sure this is very disconcerting. VANESSA Well yeah. I mean this is a bit of a surprise to me. I mean...you’re a bee. BARRY Yeah, I am a bee, and you know I’m not supposed to be doing this, but they were all trying to kill me and if it wasn’t for you...I mean, I had to thank you. It’s just the way I was raised. Vanessa intentionally JABS her hand with a FORK. VANESSA Ow! BARRY That was a little weird. VANESSA (to herself) I’m talking to a bee. BARRY Yeah. VANESSA I’m talking to a bee. BARRY Anyway... VANESSA And a bee is talking to me... BARRY I just want you to know that I’m grateful, and I’m going to leave now. VANESSA Wait, wait, wait, wait, how did you learn to do that? BARRY What? "Bee Movie" - JS REVISIONS 8/13/07 36. VANESSA The talking thing. BARRY Same way you did, I guess. Mama, Dada, honey, you pick it up. VANESSA That’s very funny. BARRY Yeah. Bees are funny. If we didn’t laugh, we’d cry. With what we have to deal with. Vanessa LAUGHS. BARRY (CONT’D) Anyway. VANESSA Can I, uh, get you something? BARRY Like what? VANESSA I don’t know. I mean, I don’t know. Coffee? BARRY Well, uh, I don’t want to put you out. VANESSA It’s no trouble. BARRY Unless you’re making anyway. VANESSA Oh, it takes two minutes. BARRY Really? VANESSA It’s just coffee. BARRY I hate to impose. "Bee Movie" - JS REVISIONS 8/13/07 37. VANESSA Don’t be ridiculous. BARRY Actually, I would love a cup. VANESSA Hey, you want a little rum cake? BARRY I really shouldn’t. VANESSA Have a little rum cake. BARRY No, no, no, I can’t. VANESSA Oh, come on. BARRY You know, I’m trying to lose a couple micrograms here. VANESSA Where? BARRY Well... These stripes don’t help. VANESSA You look great. BARRY I don’t know if you know anything about fashion. Vanessa starts POURING the coffee through an imaginary cup and directly onto the floor. BARRY (CONT'D) Are you alright? VANESSA No. DISSOLVE TO: SEQ. 1300 - “ROOFTOP COFFEE” "Bee Movie" - JS REVISIONS 8/13/07 38. EXT. VANESSA’S ROOF - LATER Barry and Vanessa are drinking coffee on her roof terrace. He is perched on her keychain. BARRY ...He can’t get a taxi. He’s making the tie in the cab, as they’re flying up Madison. So he finally gets there. VANESSA Uh huh? BARRY He runs up the steps into the church, the wedding is on... VANESSA Yeah? BARRY ...and he says, watermelon? I thought you said Guatemalan. VANESSA Uh huh? BARRY Why would I marry a watermelon? Barry laughs. Vanessa doesn’t. VANESSA Oh! Is that, uh, a bee joke? BARRY Yeah, that’s the kind of stuff that we do. VANESSA Yeah, different. A BEAT. VANESSA (CONT’D) So anyway...what are you going to do, Barry? "Bee Movie" - JS REVISIONS 8/13/07 39. BARRY About work? I don’t know. I want to do my part for the hive, but I can’t do it the way they want. VANESSA I know how you feel. BARRY You do? VANESSA Sure, my parents wanted me to be a lawyer or doctor, but I wanted to be a florist. BARRY Really? VANESSA My only interest is flowers. BARRY Our new queen was just elected with that same campaign slogan. VANESSA Oh. BARRY Anyway, see there’s my hive, right there. You can see it. VANESSA Oh, you’re in Sheep Meadow. BARRY (excited) Yes! You know the turtle pond? VANESSA Yes? BARRY I’m right off of that. VANESSA Oh, no way. I know that area. Do you know I lost a toe-ring there once? BARRY Really? "Bee Movie" - JS REVISIONS 8/13/07 40. VANESSA Yes. BARRY Why do girls put rings on their toes? VANESSA Why not? BARRY I don’t know. It’s like putting a hat on your knee. VANESSA Really? Okay. A JANITOR in the background changes a LIGHTBULB. To him, it appears that Vanessa is talking to an imaginary friend. JANITOR You all right, ma’am? VANESSA Oh, yeah, fine. Just having two cups of coffee. BARRY Anyway, this has been great. (wiping his mouth) Thanks for the coffee. Barry gazes at Vanessa. VANESSA Oh yeah, it’s no trouble. BARRY Sorry I couldn’t finish it. Vanessa giggles. BARRY (CONT'D) (re: coffee) If I did, I’d be up the rest of my life. Ummm. Can I take a piece of this with me? VANESSA Sure. Here, have a crumb. She takes a CRUMB from the plate and hands it to Barry. "Bee Movie" - JS REVISIONS 8/13/07 41. BARRY (a little dreamy) Oh, thanks. VANESSA Yeah. There is an awkward pause. BARRY Alright, well then, I guess I’ll see you around, or not, or... VANESSA Okay Barry. BARRY And thank you so much again, for before. VANESSA Oh that? BARRY Yeah. VANESSA Oh, that was nothing. BARRY Well, not nothing, but, anyway... Vanessa extends her hand, and shakes Barry’s gingerly. The Janitor watches. The lightbulb shorts out. The Janitor FALLS. CUT TO: SEQ. 1400 - “HONEX” INT. HONEX BUILDING - NEXT DAY ANGLE ON: A TEST BEE WEARING A PARACHUTE is in a wind tunnel, hovering through increasingly heavy wind. SIGNS UNDER A FLASHING LIGHT READ: “Test In Progress” & “Hurricane Survival Test”. 2 BEES IN A LAB COATS are observing behind glass. "Bee Movie" - JS REVISIONS 8/13/07 42. LAB COAT BEE 1 This can’t possibly work. LAB COAT BEE 2 Well, he’s all set to go, we may as well try it. (into the mic) Okay Dave, pull the chute. The test bee opens his parachute. He’s instantly blown against the rear wall. Adam and Barry ENTER. ADAM Sounds amazing. BARRY Oh, it was amazing. It was the scariest, happiest moment of my life. ADAM Humans! Humans! I can’t believe you were with humans! Giant scary humans! What were they like? BARRY Huge and crazy. They talk crazy, they eat crazy giant things. They drive around real crazy. ADAM And do they try and kill you like on TV? BARRY Some of them. But some of them don’t. ADAM How’d you get back? BARRY Poodle. ADAM Look, you did it. And I’m glad. You saw whatever you wanted to see out there, you had your “experience”, and now you’re back, you can pick out your job, and everything can be normal. "Bee Movie" - JS REVISIONS 8/13/07 43. ANGLE ON: LAB BEES examining a CANDY CORN through a microscope. BARRY Well... ADAM Well? BARRY Well, I met someone. ADAM You met someone? Was she Bee-ish? BARRY Mmm. ADAM Not a WASP? Your parents will kill you. BARRY No, no, no, not a wasp. ADAM Spider? BARRY You know, I’m not attracted to the spiders. I know to everyone else it’s like the hottest thing with the eight legs and all. I can’t get by that face. Barry makes a spider face. ADAM So, who is she? BARRY She’s a human. ADAM Oh no, no, no, no. That didn’t happen. You didn’t do that. That is a bee law. You wouldn’t break a bee law. BARRY Her name’s Vanessa. "Bee Movie" - JS REVISIONS 8/13/07 44. ADAM Oh, oh boy! BARRY She’s so-o nice. And she’s a florist! ADAM Oh, no. No, no, no! You’re dating a human florist? BARRY We’re not dating. ADAM You’re flying outside the hive. You’re talking to human beings that attack our homes with power washers and M-80’s. That’s 1/8 of a stick of dynamite. BARRY She saved my life. And she understands me. ADAM This is over. Barry pulls out the crumb. BARRY Eat this. Barry stuffs the crumb into Adam’s face. ADAM This is not over. What was that? BARRY They call it a crumb. ADAM That was SO STINGING STRIPEY! BARRY And that’s not even what they eat. That just falls off what they eat. Do you know what a Cinnabon is? ADAM No. "Bee Movie" - JS REVISIONS 8/13/07 45. BARRY It’s bread... ADAM Come in here! BARRY and cinnamon, ADAM Be quiet! BARRY and frosting...they heat it up-- ADAM Sit down! INT. ADAM’S OFFICE - CONTINUOUS BARRY Really hot! ADAM Listen to me! We are not them. We’re us. There’s us and there’s them. BARRY Yes, but who can deny the heart that is yearning... Barry rolls his chair down the corridor. ADAM There’s no yearning. Stop yearning. Listen to me. You have got to start thinking bee, my friend. ANOTHER BEE JOINS IN. ANOTHER BEE Thinking bee. WIDER SHOT AS A 3RD BEE ENTERS, popping up over the cubicle wall. 3RD BEE Thinking bee. EVEN WIDER SHOT AS ALL THE BEES JOIN IN. "Bee Movie" - JS REVISIONS 8/13/07 46. OTHER BEES Thinking bee. Thinking bee. Thinking bee. CUT TO: SEQ. 1500 - “POOLSIDE NAGGING” EXT. BACKYARD PARENT’S HOUSE - DAY Barry sits on a RAFT in a hexagon honey pool, legs dangling into the water. Janet Benson and Martin Benson stand over him wearing big, sixties sunglasses and cabana-type outfits. The sun shines brightly behind their heads. JANET BENSON (O.C) There he is. He’s in the pool. MARTIN BENSON You know what your problem is, Barry? BARRY I’ve got to start thinking bee? MARTIN BENSON Barry, how much longer is this going to go on? It’s been three days. I don’t understand why you’re not working. BARRY Well, I’ve got a lot of big life decisions I’m thinking about. MARTIN BENSON What life? You have no life! You have no job! You’re barely a bee! Barry throws his hands in the air. BARRY Augh. JANET BENSON Would it kill you to just make a little honey? Barry ROLLS off the raft and SINKS to the bottom of the pool. We hear his parents’ MUFFLED VOICES from above the surface. "Bee Movie" - JS REVISIONS 8/13/07 47. JANET BENSON (CONT'D) (muffled) Barry, come out from under there. Your father’s talking to you. Martin, would you talk to him? MARTIN BENSON Barry, I’m talking to you. DISSOLVE TO: EXT. PICNIC AREA - DAY MUSIC: “Sugar Sugar” by the Archies. Barry and Vanessa are having a picnic. A MOSQUITO lands on Vanessa’s leg. She SWATS it violently. Barry’s head whips around, aghast. They stare at each other awkwardly in a frozen moment, then BURST INTO HYSTERICAL LAUGHTER. Vanessa GETS UP. VANESSA You coming? BARRY Got everything? VANESSA All set. Vanessa gets into a one-man Ultra Light plane with a black and yellow paint scheme. She puts on her helmet. BARRY You go ahead, I’ll catch up. VANESSA (come hither wink) Don’t be too long. The Ultra Light takes off. Barry catches up. They fly sideby-side. VANESSA (CONT’D) Watch this! Vanessa does a loop, and FLIES right into the side of a mountain, BURSTING into a huge ball of flames. "Bee Movie" - JS REVISIONS 8/13/07 48. BARRY (yelling, anguished) Vanessa! EXT. BARRY’S PARENT’S HOUSE - CONTINUOUS ANGLE ON: Barry’s face bursting through the surface of the pool, GASPING for air, eyes opening in horror. MARTIN BENSON We’re still here, Barry. JANET BENSON I told you not to yell at him. He doesn’t respond when you yell at him. MARTIN BENSON Then why are you yelling at me? JANET BENSON Because you don’t listen. MARTIN BENSON I’m not listening to this. Barry is toweling off, putting on his sweater. BARRY Sorry Mom, I’ve got to go. JANET BENSON Where are you going? BARRY Nowhere. I’m meeting a friend. Barry JUMPS off the balcony and EXITS. JANET BENSON (calling after him) A girl? Is this why you can’t decide? BARRY Bye! JANET BENSON I just hope she’s Bee-ish. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 49. SEQ. 1700 - “STREETWALK/SUPERMARKET” EXT. VANESSA’S FLORIST SHOP - DAY Vanessa FLIPS the sign to say “Sorry We Missed You”, and locks the door. ANGLE ON: A POSTER on Vanessa’s door for the Tournament of Roses Parade in Pasadena. BARRY So they have a huge parade of just flowers every year in Pasadena? VANESSA Oh, to be in the Tournament of Roses, that’s every florist’s dream. Up on a float, surrounded by flowers, crowds cheering. BARRY Wow, a tournament. Do the roses actually compete in athletic events? VANESSA No. Alright, I’ve got one. How come you don’t fly everywhere? BARRY It’s exhausting. Why don’t you run everywhere? VANESSA Hmmm. BARRY Isn’t that faster? VANESSA Yeah, okay. I see, I see. Alright, your turn. Barry and Vanessa walk/fly down a New York side street, no other pedestrians near them. BARRY Ah! Tivo. You can just freeze live TV? That’s insane. "Bee Movie" - JS REVISIONS 8/13/07 50. VANESSA What, you don’t have anything like that? BARRY We have Hivo, but it’s a disease. It’s a horrible, horrible disease. VANESSA Oh my. They turn the corner onto a busier avenue and people start to swat at Barry. MAN Dumb bees! VANESSA You must just want to sting all those jerks. BARRY We really try not to sting. It’s usually fatal for us. VANESSA So you really have to watch your temper? They ENTER a SUPERMARKET. CUT TO: INT. SUPERMARKET BARRY Oh yeah, very carefully. You kick a wall, take a walk, write an angry letter and throw it out. You work through it like any emotion-- anger, jealousy, (under his breath) lust. Barry hops on top of some cardboard boxes in the middle of an aisle. A stock boy, HECTOR, whacks him with a rolled up magazine. VANESSA (to Barry) Oh my goodness. Are you okay? "Bee Movie" - JS REVISIONS 8/13/07 51. BARRY Yeah. Whew! Vanessa WHACKS Hector over the head with the magazine. VANESSA (to Hector) What is wrong with you?! HECTOR It’s a bug. VANESSA Well he’s not bothering anybody. Get out of here, you creep. Vanessa pushes him, and Hector EXITS, muttering. BARRY (shaking it off) What was that, a Pick and Save circular? VANESSA Yeah, it was. How did you know? BARRY It felt like about ten pages. Seventy-five’s pretty much our limit. VANESSA Boy, you’ve really got that down to a science. BARRY Oh, we have to. I lost a cousin to Italian Vogue. VANESSA I’ll bet. Barry stops, sees the wall of honey jars. BARRY What, in the name of Mighty Hercules, is this? How did this get here? Cute Bee? Golden Blossom? Ray Liotta Private Select? VANESSA Is he that actor? "Bee Movie" - JS REVISIONS 8/13/07 52. BARRY I never heard of him. Why is this here? VANESSA For people. We eat it. BARRY Why? (gesturing around the market) You don’t have enough food of your own? VANESSA Well yes, we-- BARRY How do you even get it? VANESSA Well, bees make it... BARRY I know who makes it! And it’s hard to make it! There’s Heating and Cooling, and Stirring...you need a whole Krelman thing. VANESSA It’s organic. BARRY It’s our-ganic! VANESSA It’s just honey, Barry. BARRY Just...what?! Bees don’t know about this. This is stealing. A lot of stealing! You’ve taken our homes, our schools, our hospitals. This is all we have. And it’s on sale? I’m going to get to the bottom of this. I’m going to get to the bottom of all of this! He RIPS the label off the Ray Liotta Private Select. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 53. SEQ. 1800 - “WINDSHIELD” EXT. BACK OF SUPERMARKET LOADING DOCK - LATER THAT DAY Barry disguises himself by blacking out his yellow lines with a MAGIC MARKER and putting on some war paint. He sees Hector, the stock boy, with a knife CUTTING open cardboard boxes filled with honey jars. MAN You almost done? HECTOR Almost. Barry steps in some honey, making a SNAPPING noise. Hector stops and turns. HECTOR (CONT’D) He is here. I sense it. Hector grabs his BOX CUTTER. Barry REACTS, hides himself behind the box again. HECTOR (CONT’D) (talking too loud, to no one in particular) Well, I guess I’ll go home now, and just leave this nice honey out, with no one around. A BEAT. Hector pretends to exit. He takes a couple of steps in place. ANGLE ON: The honey jar. Barry steps out into a moody spotlight. BARRY You’re busted, box boy! HECTOR Ah ha! I knew I heard something. So, you can talk. Barry flies up, stinger out, pushing Hector up against the wall. As Hector backs up, he drops his knife. BARRY Oh, I can talk. And now you’re going to start talking. "Bee Movie" - JS REVISIONS 8/13/07 54. Where are you getting all the sweet stuff? Who’s your supplier?! HECTOR I don’t know what you’re talking about. I thought we were all friends. The last thing we want to do is upset any of you...bees! Hector grabs a PUSHPIN. Barry fences with his stinger. HECTOR (CONT’D) You’re too late. It’s ours now! BARRY You, sir, have crossed the wrong sword. HECTOR You, sir, are about to be lunch for my iguana, Ignacio! Barry and Hector get into a cross-swords, nose-to-nose confrontation. BARRY Where is the honey coming from? Barry knocks the pushpin out of his hand. Barry puts his stinger up to Hector’s nose. BARRY (CONT'D) Tell me where?! HECTOR (pointing to a truck) Honey Farms. It comes from Honey Farms. ANGLE ON: A Honey Farms truck leaving the parking lot. Barry turns, takes off after the truck through an alley. He follows the truck out onto a busy street, dodging a bus, and several cabs. CABBIE Crazy person! He flies through a metal pipe on the top of a truck. BARRY OOOHHH! "Bee Movie" - JS REVISIONS 8/13/07 55. BARRY (CONT'D) Barry grabs onto a bicycle messenger’s backpack. The honey farms truck starts to pull away. Barry uses the bungee cord to slingshot himself towards the truck. He lands on the windshield, where the wind plasters him to the glass. He looks up to find himself surrounded by what appear to be DEAD BUGS. He climbs across, working his way around the bodies. BARRY (CONT’D) Oh my. What horrible thing has happened here? Look at these faces. They never knew what hit them. And now they’re on the road to nowhere. A MOSQUITO opens his eyes. MOOSEBLOOD Pssst! Just keep still. BARRY What? You’re not dead? MOOSEBLOOD Do I look dead? Hey man, they will wipe anything that moves. Now, where are you headed? BARRY To Honey Farms. I am onto something huge here. MOOSEBLOOD I’m going to Alaska. Moose blood. Crazy stuff. Blows your head off. LADYBUG I’m going to Tacoma. BARRY (to fly) What about you? MOOSEBLOOD He really is dead. BARRY Alright. The WIPER comes towards them. "Bee Movie" - JS REVISIONS 8/13/07 56. MOOSEBLOOD Uh oh. BARRY What is that? MOOSEBLOOD Oh no! It’s a wiper, triple blade! BARRY Triple blade? MOOSEBLOOD Jump on. It’s your only chance, bee. They hang on as the wiper goes back and forth. MOOSEBLOOD (CONT'D) (yelling to the truck driver through the glass) Why does everything have to be so dog-gone clean?! How much do you people need to see? Open your eyes! Stick your head out the window! CUT TO: INT. TRUCK CAB SFX: Radio. RADIO VOICE For NPR News in Washington, I’m Carl Kasell. EXT. TRUCK WINDSHIELD MOOSEBLOOD But don’t kill no more bugs! The Mosquito is FLUNG off of the wiper. MOOSEBLOOD (CONT'D) Beeeeeeeeeeeeee! BARRY Moose blood guy! "Bee Movie" - JS REVISIONS 8/13/07 57. Barry slides toward the end of the wiper, is thrown off, but he grabs the AERIAL and hangs on for dear life. Barry looks across and sees a CRICKET on another vehicle in the exact same predicament. They look at each other and SCREAM in unison. BARRY AND CRICKET Aaaaaaaaaah! ANOTHER BUG grabs onto the aerial, and screams as well. INT. TRUCK CAB - SAME TIME DRIVER You hear something? TRUCKER PASSENGER Like what? DRIVER Like tiny screaming. TRUCKER PASSENGER Turn off the radio. The driver reaches down and PRESSES a button, lowering the aerial. EXT. TRUCK WINDSHIELD - SAME TIME Barry and the other bug do a “choose up” to the bottom, Barry wins. BARRY Aha! Then he finally has to let go and gets thrown into the truck horn atop cab. Mooseblood is inside. MOOSEBLOOD Hey, what’s up bee boy? BARRY Hey, Blood! DISSOLVE TO: "Bee Movie" - JS REVISIONS 8/13/07 58. INT. TRUCK HORN - LATER BARRY ...and it was just an endless row of honey jars as far as the eye could see. MOOSEBLOOD Wow. BARRY So I’m just assuming wherever this honey truck goes, that’s where they’re getting it. I mean, that honey’s ours! MOOSEBLOOD Bees hang tight. BARRY Well, we’re all jammed in there. It’s a close community. MOOSEBLOOD Not us, man. We’re on our own. Every mosquito is on his own. BARRY But what if you get in trouble? MOOSEBLOOD Trouble? You're a mosquito. You're in trouble! Nobody likes us. They’re just all smacking. People see a mosquito, smack, smack! BARRY At least you’re out in the world. You must meet a lot of girls. MOOSEBLOOD Mosquito girls try to trade up; get with a moth, dragonfly...mosquito girl don’t want no mosquito. A BLOOD MOBILE pulls up alongside. MOOSEBLOOD (CONT'D) Whoa, you have got to be kidding me. Mooseblood’s about to leave the building. So long bee. "Bee Movie" - JS REVISIONS 8/13/07 59. Mooseblood EXITS the horn, and jumps onto the blood mobile. MOOSEBLOOD (CONT'D) Hey guys. I knew I’d catch you all down here. Did you bring your crazy straws? CUT TO: SEQ. 1900 - “THE APIARY” EXT. APIARY - LATER Barry sees a SIGN, “Honey Farms” The truck comes to a stop. SFX: The Honey farms truck blares its horn. Barry flies out, lands on the hood. ANGLE ON: Two BEEKEEPERS, FREDDY and ELMO, walking around to the back of the gift shop. Barry follows them, and lands in a nearby tree FREDDY ...then we throw it in some jars, slap a label on it, and it’s pretty much pure profit. BARRY What is this place? ELMO Bees got a brain the size of a pinhead. FREDDY They are pinheads. The both LAUGH. ANGLE ON: Barry REACTING. They arrive at the back of the shop where one of them opens a SMOKER BOX. FREDDY (CONT’D) Hey, check out the new smoker. "Bee Movie" - JS REVISIONS 8/13/07 60. ELMO Oh, Sweet. That’s the one you want. FREDDY The Thomas 3000. BARRY Smoker? FREDDY 90 puffs a minute, semi-automatic. Twice the nicotine, all the tar. They LAUGH again, nefariously. FREDDY (CONT’D) Couple of breaths of this, and it knocks them right out. They make the honey, and we make the money. BARRY “They make the honey, and we make the money?” Barry climbs onto the netting of Freddy’s hat. He climbs up to the brim and looks over the edge. He sees the apiary boxes as Freddy SMOKES them. BARRY (CONT'D) Oh my. As Freddy turns around, Barry jumps into an open apiary box, and into an apartment. HOWARD and FRAN are just coming to from the smoking. BARRY (CONT’D) What’s going on? Are you okay? HOWARD Yeah, it doesn’t last too long. HE COUGHS a few times. BARRY How did you two get here? Do you know you’re in a fake hive with fake walls? HOWARD (pointing to a picture on the wall) "Bee Movie" - JS REVISIONS 8/13/07 61. Our queen was moved here, we had no choice. BARRY (looking at a picture on the wall) This is your queen? That’s a man in women’s clothes. That’s a dragqueen! The other wall opens. Barry sees the hundreds of apiary boxes. BARRY (CONT'D) What is this? Barry pulls out his camera, and starts snapping. BARRY (CONT’D) Oh no. There’s hundreds of them. (V.O, as Barry takes pictures) Bee honey, our honey, is being brazenly stolen on a massive scale. CUT TO: SEQ. 2100 - “BARRY TELLS FAMILY” INT. BARRY’S PARENT’S HOUSE - LIVING ROOM - LATER Barry has assembled his parents, Adam, and Uncle Carl. BARRY This is worse than anything the bears have done to us. And I intend to do something about it. JANET BENSON Oh Barry, stop. MARTIN BENSON Who told you that humans are taking our honey? That’s just a rumor. BARRY Do these look like rumors? Barry throws the PICTURES on the table. Uncle Carl, cleaning his glasses with his shirt tail, digs through a bowl of nuts with his finger. "Bee Movie" - JS REVISIONS 8/13/07 62. HOWARD (CONT'D) UNCLE CARL That’s a conspiracy theory. These are obviously doctored photos. JANET BENSON Barry, how did you get mixed up in all this? ADAM (jumping up) Because he’s been talking to humans! JANET BENSON Whaaat? MARTIN BENSON Talking to humans?! Oh Barry. ADAM He has a human girlfriend and they make out! JANET BENSON Make out? Barry? BARRY We do not. ADAM You wish you could. BARRY Who’s side are you on? ADAM The bees! Uncle Carl stands up and pulls his pants up to his chest. UNCLE CARL I dated a cricket once in San Antonio. Man, those crazy legs kept me up all night. Hotcheewah! JANET BENSON Barry, this is what you want to do with your life? BARRY This is what I want to do for all our lives. Nobody works harder than bees. "Bee Movie" - JS REVISIONS 8/13/07 63. Dad, I remember you coming home some nights so overworked, your hands were still stirring. You couldn’t stop them. MARTIN BENSON Ehhh... JANET BENSON (to Martin) I remember that. BARRY What right do they have to our hardearned honey? We’re living on two cups a year. They’re putting it in lip balm for no reason what-soever. MARTIN BENSON Even if it’s true, Barry, what could one bee do? BARRY I’m going to sting them where it really hurts. MARTIN BENSON In the face? BARRY No. MARTIN BENSON In the eye? That would really hurt. BARRY No. MARTIN BENSON Up the nose? That’s a killer. BARRY No. There’s only one place you can sting the humans. One place where it really matters. CUT TO: SEQ. 2300 - “HIVE AT 5 NEWS/BEE LARRY KING” "Bee Movie" - JS REVISIONS 8/13/07 64. BARRY (CONT'D) INT. NEWS STUDIO - DAY DRAMATIC NEWS MUSIC plays as the opening news sequence rolls. We see the “Hive at Five” logo, followed by shots of past news events: A BEE freeway chase, a BEE BEARD protest rally, and a BEAR pawing at the hive as the BEES flee in panic. BOB BUMBLE (V.O.) Hive at Five, the hive’s only full hour action news source... SHOTS of NEWSCASTERS flash up on screen. BOB BUMBLE (V.O.) (CONT'D) With Bob Bumble at the anchor desk... BOB has a big shock of anchorman hair, gray temples and overly white teeth. BOB BUMBLE (V.O.) (CONT'D) ...weather with Storm Stinger, sports with Buzz Larvi, and Jeanette Chung. JEANETTE is an Asian bee. BOB BUMBLE (CONT'D) Good evening, I’m Bob Bumble. JEANETTE CHUNG And I’m Jeanette Chung. BOB BUMBLE Our top story, a tri-county bee, Barry Benson... INSERT: Barry’s graduation picture. BOB BUMBLE (CONT'D) ...is saying he intends to sue the human race for stealing our honey, packaging it, and profiting from it illegally. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 65. INT. BEENN STUDIO - BEE LARRY KING LIVE BEE LARRY KING, wearing suspenders and glasses, is interviewing Barry. A LOWER-THIRD CHYRON reads: “Bee Larry King Live.” BEE LARRY KING Don’t forget, tomorrow night on Bee Larry King, we are going to have three former Queens all right here in our studio discussing their new book, “Classy Ladies,” out this week on Hexagon. (to Barry) Tonight, we’re talking to Barry Benson. Did you ever think, I’m just a kid from the hive, I can’t do this? BARRY Larry, bees have never been afraid to change the world. I mean, what about Bee-Columbus? Bee-Ghandi? Be-geesus? BEE LARRY KING Well, where I’m from you wouldn’t think of suing humans. We were thinking more like stick ball, candy stores. BARRY How old are you? BEE LARRY KING I want you to know that the entire bee community is supporting you in this case, which is certain to be the trial of the bee century. BARRY Thank you, Larry. You know, they have a Larry King in the human world, too. BEE LARRY KING It’s a common name. Next week on Bee Larry King... "Bee Movie" - JS REVISIONS 8/13/07 66. BARRY No, I mean he looks like you. And he has a show with suspenders and different colored dots behind him. BEE LARRY KING Next week on Bee Larry King... BARRY Old guy glasses, and there’s quotes along the bottom from the guest you’re watching even though you just heard them... BEE LARRY KING Bear week next week! They’re scary, they’re hairy, and they’re here live. Bee Larry King EXITS. BARRY Always leans forward, pointy shoulders, squinty eyes... (lights go out) Very Jewish. CUT TO: SEQ. 2400 - “FLOWER SHOP” INT. VANESSA’S FLOWER SHOP - NIGHT Stacks of law books are piled up, legal forms, etc. Vanessa is talking with Ken in the other room. KEN Look, in tennis, you attack at the point of weakness. VANESSA But it was my grandmother, Ken. She’s 81. KEN Honey, her backhand’s a joke. I’m not going to take advantage of that? "Bee Movie" - JS REVISIONS 8/13/07 67. BARRY (O.C) Quiet please. Actual work going on here. KEN Is that that same bee? BARRY (O.C) Yes it is. VANESSA I’m helping him sue the human race. KEN What? Barry ENTERS. BARRY Oh, hello. KEN Hello Bee. Barry flies over to Vanessa. VANESSA This is Ken. BARRY Yeah, I remember you. Timberland, size 10 1/2, Vibram sole I believe. KEN Why does he talk again, Hun? VANESSA (to Ken, sensing the tension) Listen, you’d better go because we’re really busy working. KEN But it’s our yogurt night. VANESSA (pushing him out the door) Oh...bye bye. She CLOSES the door. KEN Why is yogurt night so difficult?! "Bee Movie" - JS REVISIONS 8/13/07 68. Vanessa ENTERS the back room carrying coffee. VANESSA Oh you poor thing, you two have been at this for hours. BARRY Yes, and Adam here has been a huge help. ANGLE ON: A EMPTY CINNABON BOX with Adam asleep inside, covered in frosting. VANESSA How many sugars? BARRY Just one. I try not to use the competition. So, why are you helping me, anyway? VANESSA Bees have good qualities. BARRY (rowing on the sugar cube like a gondola) Si, Certo. VANESSA And it feels good to take my mind off the shop. I don’t know why, instead of flowers, people are giving balloon bouquets now. BARRY Yeah, those are great...if you’re 3. VANESSA And artificial flowers. BARRY (re: plastic flowers) Oh, they just get me psychotic! VANESSA Yeah, me too. BARRY The bent stingers, the pointless pollination. "Bee Movie" - JS REVISIONS 8/13/07 69. VANESSA Bees must hate those fake plastic things. BARRY There’s nothing worse than a daffodil that’s had work done. VANESSA (holding up the lawsuit documents) Well, maybe this can make up for it a little bit. CUT TO: EXT. VANESSA’S FLORIST SHOP They EXIT the store, and cross to the mailbox. VANESSA You know Barry, this lawsuit is a pretty big deal. BARRY I guess. VANESSA Are you sure that you want to go through with it? BARRY Am I sure? (kicking the envelope into the mailbox) When I’m done with the humans, they won’t be able to say, “Honey, I’m home,” without paying a royalty. CUT TO: SEQ. 2700 - “MEET MONTGOMERY” EXT. MANHATTAN COURTHOUSE - DAY P.O.V SHOT - A camera feed turns on, revealing a newsperson. "Bee Movie" - JS REVISIONS 8/13/07 70. PRESS PERSON #2 (talking to camera) Sarah, it’s an incredible scene here in downtown Manhattan where all eyes and ears of the world are anxiously waiting, because for the first time in history, we’re going to hear for ourselves if a honey bee can actually speak. ANGLE ON: Barry, Vanessa, and Adam getting out of the cab. The press spots Barry and Vanessa and pushes in. Adam sits on Vanessa’s shoulder. INT. COURTHOUSE - CONTINUOUS Barry, Vanessa, and Adam sit at the Plaintiff’s Table. VANESSA (turns to Barry) What have we gotten into here, Barry? BARRY I don’t know, but it’s pretty big, isn’t it? ADAM I can’t believe how many humans don’t have to be at work during the day. BARRY Hey, you think these billion dollar multinational food companies have good lawyers? CUT TO: EXT. COURTHOUSE STEPS - CONTINUOUS A BIG BLACK CAR pulls up. ANGLE ON: the grill filling the frame. We see the “L.T.M” monogram on the hood ornament. The defense lawyer, LAYTON T. MONTGOMERY comes out, squashing a bug on the pavement. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 71. INT. COURTHOUSE - CONTINUOUS Barry SHUDDERS. VANESSA What’s the matter? BARRY I don’t know. I just got a chill. Montgomery ENTERS. He walks by Barry’s table shaking a honey packet. MONTGOMERY Well, if it isn’t the B-Team. (re: the honey packet) Any of you boys work on this? He CHUCKLES. The JUDGE ENTERS. SEQ. 3000 - “WITNESSES” BAILIFF All rise! The Honorable Judge Bumbleton presiding. JUDGE (shuffling papers) Alright...Case number 4475, Superior Court of New York. Barry Bee Benson vs. the honey industry, is now in session. Mr. Montgomery, you are representing the five major food companies, collectively. ANGLE ON: Montgomery’s BRIEFCASE. It has an embossed emblem of an EAGLE, holding a gavel in one talon and a briefcase in the other. MONTGOMERY A privilege. JUDGE Mr. Benson. Barry STANDS. JUDGE (CONT’D) You are representing all bees of the world? "Bee Movie" - JS REVISIONS 8/13/07 72. Montgomery, the stenographer, and the jury lean in. CUT TO: EXT. COURTHOUSE - CONTINUOUS The spectators outside freeze. The helicopters angle forward to listen closely. CUT TO: INT. COURTHOUSE BARRY Bzzz bzzz bzzz...Ahh, I’m kidding, I’m kidding. Yes, your honor. We are ready to proceed. ANGLE ON: Courtroom hub-bub. JUDGE And Mr. Montgomery, your opening statement, please. Montgomery rises. MONTGOMERY (grumbles, clears his throat) Ladies and gentlemen of the jury. My grandmother was a simple woman. Born on a farm, she believed it was man's divine right to benefit from the bounty of nature God put before us. If we were to live in the topsy-turvy world Mr. Benson imagines, just think of what it would mean. Maybe I would have to negotiate with the silk worm for the elastic in my britches. Talking bee. How do we know this isn’t some sort of holographic motion picture capture Hollywood wizardry? They could be using laser beams, robotics, ventriloquism, cloning...for all we know he could be on steroids! Montgomery leers at Barry, who moves to the stand. "Bee Movie" - JS REVISIONS 8/13/07 73. JUDGE Mr. Benson? Barry makes his opening statement. BARRY Ladies and Gentlemen of the jury, there’s no trickery here. I’m just an ordinary bee. And as a bee, honey’s pretty important to me. It’s important to all bees. We invented it, we make it, and we protect it with our lives. Unfortunately, there are some people in this room who think they can take whatever they want from us cause we’re the little guys. And what I’m hoping is that after this is all over, you’ll see how by taking our honey, you’re not only taking away everything we have, but everything we are. ANGLE ON: Vanessa smiling. ANGLE ON: The BEE GALLERY wiping tears away. CUT TO: INT. BENSON HOUSE Barry’s family is watching the case on TV. JANET BENSON Oh, I wish he would dress like that all the time. So nice... CUT TO: INT. COURTROOM - LATER JUDGE Call your first witness. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 74. INT. COURTHOUSE - LATER BARRY So, Mr. Klauss Vanderhayden of Honey Farms. Pretty big company you have there? MR. VANDERHAYDEN I suppose so. BARRY And I see you also own HoneyBurton, and Hon-Ron. MR. VANDERHAYDEN Yes. They provide beekeepers for our farms. BARRY Beekeeper. I find that to be a very disturbing term, I have to say. I don’t imagine you employ any bee free-ers, do you? MR. VANDERHAYDEN No. BARRY I’m sorry. I couldn’t hear you. MR. VANDERHAYDEN (louder) No. BARRY No. Because you don’t free bees. You keep bees. And not only that, it seems you thought a bear would be an appropriate image for a jar of honey? MR. VANDERHAYDEN Well, they’re very lovable creatures. Yogi-bear, Fozzy-bear, Build-a-bear. BARRY Yeah, you mean like this?! Vanessa and the SUPERINTENDANT from her building ENTER with a GIANT FEROCIOUS GRIZZLY BEAR. He has a neck collar and chains extending from either side. "Bee Movie" - JS REVISIONS 8/13/07 75. By pulling the chains, they bring him directly in front of Vanderhayden. The bear LUNGES and ROARS. BARRY (CONT'D) Bears kill bees! How would you like his big hairy head crashing into your living room? Biting into your couch, spitting out your throwpillows...rowr, rowr! The bear REACTS. BEAR Rowr!! BARRY Okay, that’s enough. Take him away. Vanessa and the Superintendant pull the bear out of the courtroom. Vanderhayden TREMBLES. The judge GLARES at him. CUT TO: INT. COURTROOM- A LITTLE LATER Barry questions STING. BARRY So, Mr. Sting. Thank you for being here. Your name intrigues me, I have to say. Where have I heard it before? STING I was with a band called "The Police". BARRY But you've never been a police officer of any kind, have you? STING No, I haven't. "Bee Movie" - JS REVISIONS 8/13/07 76. BARRY No, you haven’t. And so, here we have yet another example of bee culture being casually stolen by a human for nothing more than a prance-about stage name. STING Oh please. BARRY Have you ever been stung, Mr. Sting? Because I'm feeling a little stung, Sting. Or should I say, (looking in folder) Mr. Gordon M. Sumner? The jury GASPS. MONTGOMERY (to his aides) That’s not his real name? You idiots! CUT TO: INT. COURTHOUSE- LATER BARRY Mr. Liotta, first may I offer my belated congratulations on your Emmy win for a guest spot on E.R. in 2005. LIOTTA Thank you. Thank you. Liotta LAUGHS MANIACALLY. BARRY I also see from your resume that you’re devilishly handsome, but with a churning inner turmoil that’s always ready to blow. LIOTTA I enjoy what I do. Is that a crime? "Bee Movie" - JS REVISIONS 8/13/07 77. BARRY Not yet it isn’t. But is this what it’s come to for you, Mr. Liotta? Exploiting tiny helpless bees so you don’t have to rehearse your part, and learn your lines, Sir? LIOTTA Watch it Benson, I could blow right now. BARRY This isn’t a goodfella. This is a badfella! LIOTTA (exploding, trying to smash Barry with the Emmy) Why doesn’t someone just step on this little creep and we can all go home? You’re all thinking it. Say it! JUDGE Order! Order in this courtroom! A MONTAGE OF NEWSPAPER HEADLINES FOLLOWS: NEW YORK POST: “Bees to Humans: Buzz Off”. NEW YORK TELEGRAM: “Sue Bee”. DAILY VARIETY: “Studio Dumps Liotta Project. Slams Door on Unlawful Entry 2.” CUT TO: SEQ. 3175 - “CANDLELIGHT DINNER” INT. VANESSA’S APARTMENT Barry and Vanessa are having a candle light dinner. Visible behind Barry is a “LITTLE MISSY” SET BOX, with the flaps open. BARRY Well, I just think that was awfully nice of that bear to pitch in like that. "Bee Movie" - JS REVISIONS 8/13/07 78. VANESSA I’m telling you, I think the jury’s on our side. BARRY Are we doing everything right...you know, legally? VANESSA I’m a florist. BARRY Right, right. Barry raises his glass. BARRY (CONT’D) Well, here’s to a great team. VANESSA To a great team. They toast. Ken ENTERS KEN Well hello. VANESSA Oh...Ken. BARRY Hello. VANESSA I didn’t think you were coming. KEN No, I was just late. I tried to call. But, (holding his cell phone) the battery... VANESSA I didn’t want all this to go to waste, so I called Barry. Luckily he was free. BARRY Yeah. KEN (gritting his teeth) Oh, that was lucky. "Bee Movie" - JS REVISIONS 8/13/07 79. VANESSA Well, there’s still a little left. I could heat it up. KEN Yeah, heat it up. Sure, whatever. Vanessa EXITS. Ken and Barry look at each other as Barry eats. BARRY So, I hear you’re quite a tennis player. I’m not much for the game myself. I find the ball a little grabby. KEN That’s where I usually sit. Right there. VANESSA (O.C) Ken, Barry was looking at your resume, and he agreed with me that “eating with chopsticks” isn’t really a special skill. KEN (to Barry) You think I don’t see what you’re doing? BARRY Hey look, I know how hard it is trying to find the right job. We certainly have that in common. KEN Do we? BARRY Well, bees have 100% employment, of course. But we do jobs like taking the crud out. KEN That’s just what I was thinking about doing. Ken holds his table knife up. It slips out of his hand. He goes under the table to pick it up. "Bee Movie" - JS REVISIONS 8/13/07 80. VANESSA Ken, I let Barry borrow your razor for his fuzz. I hope that was alright. Ken hits his head on the table. BARRY I’m going to go drain the old stinger. KEN Yeah, you do that. Barry EXITS to the bathroom, grabbing a small piece of a VARIETY MAGAZINE on the way. BARRY Oh, look at that. Ken slams the champagne down on the table. Ken closes his eyes and buries his face in his hands. He grabs a magazine on the way into the bathroom. SEQ. 2800 - “BARRY FIGHTS KEN” INT. BATHROOM - CONTINUOUS Ken ENTERS, closes the door behind him. He’s not happy. Barry is washing his hands. He glances back at Ken. KEN You know, I’ve just about had it with your little mind games. BARRY What’s that? KEN Italian Vogue. BARRY Mamma Mia, that’s a lot of pages. KEN It’s a lot of ads. BARRY Remember what Van said. Why is your life any more valuable than mine? "Bee Movie" - JS REVISIONS 8/13/07 81. KEN It’s funny, I just can’t seem to recall that! Ken WHACKS at Barry with the magazine. He misses and KNOCKS EVERYTHING OFF THE VANITY. Ken grabs a can of AIR FRESHENER. KEN (CONT'D) I think something stinks in here. He sprays at Barry. BARRY I love the smell of flowers. KEN Yeah? How do you like the smell of flames? Ken lights the stream. BARRY Not as much. Barry flies in a circle. Ken, trying to stay with him, spins in place. ANGLE ON: Flames outside the bathroom door. Ken slips on the Italian Vogue, falls backward into the shower, pulling down the shower curtain. The can hits him in the head, followed by the shower curtain rod, and the rubber duck. Ken reaches back, grabs the handheld shower head. He whips around, looking for Barry. ANGLE ON: A WATERBUG near the drain. WATERBUG Waterbug. Not taking sides. Barry is on the toilet tank. He comes out from behind a shampoo bottle, wearing a chapstick cap as a helmet. BARRY Ken, look at me! I’m wearing a chapstick hat. This is pathetic. ANGLE ON: Ken turning the hand shower nozzle from “GENTLE”, to “TURBO”, to “LETHAL”. "Bee Movie" - JS REVISIONS 8/13/07 82. KEN I’ve got issues! Ken fires the water at Barry, knocking him into the toilet. The items from the vanity (emory board, lipstick, eye curler, etc.) are on the toilet seat. Ken looks down at Barry. KEN (CONT'D) Well well well, a royal flush. BARRY You’re bluffing. KEN Am I? Ken flushes the toilet. Barry grabs the Emory board and uses it to surf. He puts his hand in the water while he’s surfing. Some water splashes on Ken. BARRY Surf’s up, dude! KEN Awww, poo water! He does some skate board-style half-pipe riding. Barry surfs out of the toilet. BARRY That bowl is gnarly. Ken tries to get a shot at him with the toilet brush. KEN Except for those dirty yellow rings. Vanessa ENTERS. VANESSA Kenneth! What are you doing? KEN You know what? I don’t even like honey! I don’t eat it! VANESSA We need to talk! "Bee Movie" - JS REVISIONS 8/13/07 83. She pulls Ken out by his ear. Ken glares at Barry. CUT TO: INT. HALLWAY - CONTINUOUS VANESSA He’s just a little bee. And he happens to be the nicest bee I’ve met in a long time. KEN Long time? What are you talking about? Are there other bugs in your life? VANESSA No, but there are other things bugging me in life. And you’re one of them! KEN Fine! Talking bees, no yogurt night...my nerves are fried from riding on this emotional rollercoaster. VANESSA Goodbye, Ken. KEN Augh! VANESSA Whew! Ken EXITS, then re-enters frame. KEN And for your information, I prefer sugar-free, artificial sweeteners, made by man! He EXITS again. The DOOR SLAMS behind him. VANESSA (to Barry) I’m sorry about all that. Ken RE-ENTERS. "Bee Movie" - JS REVISIONS 8/13/07 84. KEN I know it’s got an aftertaste! I like it! BARRY (re: Ken) I always felt there was some kind of barrier between Ken and me. (puts his hands in his pockets) I couldn’t overcome it. Oh well. VANESSA Are you going to be okay for the trial tomorrow? BARRY Oh, I believe Mr. Montgomery is about out of ideas. CUT TO: SEQ. 3300 - “ADAM STINGS MONTY” INT. COURTROOM - NEXT DAY ANGLE ON: Medium shot of Montgomery standing at his table. MONTGOMERY We would like to call Mr. Barry Benson Bee to the stand. ADAM (whispering to Vanessa) Now that’s a good idea. (to Barry) You can really see why he’s considered one of the very best lawyers-- Oh. Barry rolls his eyes. He gets up, takes the stand. A juror in a striped shirt APPLAUDS. MR. GAMMIL (whispering) Layton, you’ve got to weave some magic with this jury, or it’s going to be all over. Montgomery is holding a BOOK, “The Secret Life of Bees”. "Bee Movie" - JS REVISIONS 8/13/07 85. MONTGOMERY (confidently whispering) Oh, don’t worry Mr. Gammil. The only thing I have to do to turn this jury around is to remind them of what they don’t like about bees. (to Gammil) You got the tweezers? Mr. Gammil NODS, and pats his breast pocket. MR. GAMMIL Are you allergic? MONTGOMERY Only to losing, son. Only to losing. Montgomery approaches the stand. MONTGOMERY (CONT’D) Mr. Benson Bee. I’ll ask you what I think we’d all like to know. What exactly is your relationship to that woman? Montgomery points to Vanessa. BARRY We’re friends. MONTGOMERY Good friends? BARRY Yes. MONTGOMERY (softly in Barry’s face) How good? BARRY What? MONTGOMERY Do you live together? BARRY Wait a minute, this isn’t about-- "Bee Movie" - JS REVISIONS 8/13/07 86. MONTGOMERY Are you her little... (clearing throat) ... bed bug? BARRY (flustered) Hey, that’s not the kind of-- MONTGOMERY I’ve seen a bee documentary or two. Now, from what I understand, doesn’t your Queen give birth to all the bee children in the hive? BARRY Yeah, but-- MONTGOMERY So those aren’t even your real parents! ANGLE ON: Barry’s parents. MARTIN BENSON Oh, Barry. BARRY Yes they are! ADAM Hold me back! Vanessa holds him back with a COFFEE STIRRER. Montgomery points to Barry’s parents. MONTGOMERY You’re an illegitimate bee, aren’t you Benson? ADAM He’s denouncing bees! All the bees in the courtroom start to HUM. They’re agitated. MONTGOMERY And don’t y’all date your cousins? "Bee Movie" - JS REVISIONS 8/13/07 87. VANESSA (standing, letting go of Adam) Objection! Adam explodes from the table and flies towards Montgomery. ADAM I’m going to pin cushion this guy! Montgomery turns around and positions himself by the judge’s bench. He sticks his butt out. Montgomery winks at his team. BARRY Adam, don’t! It’s what he wants! Adam shoves Barry out of the way. Adam STINGS Montgomery in the butt. The jury REACTS, aghast. MONTGOMERY Ow! I’m hit! Oh, lordy, I am hit! The judge BANGS her gavel. JUDGE Order! Order! Please, Mr. Montgomery. MONTGOMERY The venom! The venom is coursing through my veins! I have been felled by a wing-ed beast of destruction. You see? You can’t treat them like equals. They’re strip-ed savages! Stinging’s the only thing they know! It’s their way! ANGLE ON: Adam, collapsed on the floor. Barry rushes to his side. BARRY Adam, stay with me. ADAM I can’t feel my legs. Montgomery falls on the Bailiff. BAILIFF Take it easy. "Bee Movie" - JS REVISIONS 8/13/07 88. MONTGOMERY Oh, what angel of mercy will come forward to suck the poison from my heaving buttocks? The JURY recoils. JUDGE Please, I will have order in this court. Order! Order, please! FADE TO: SEQ. 3400 - “ADAM AT HOSPITAL” INT. HOSPITAL - STREET LEVEL ROOM - DAY PRESS PERSON #1 (V.O) The case of the honey bees versus the human race took a pointed turn against the bees yesterday, when one of their legal team stung Layton T. Montgomery. Now here’s Don with the 5-day. A NURSE lets Barry into the room. Barry CARRIES a FLOWER. BARRY Thank you. Barry stands over Adam, in a bed. Barry lays the flower down next to him. The TV is on. BARRY (CONT'D) Hey buddy. ADAM Hey. BARRY Is there much pain? Adam has a BEE-SIZED PAINKILLER HONEY BUTTON near his head that he presses. ADAM (pressing the button) Yeah...I blew the whole case, didn’t I? "Bee Movie" - JS REVISIONS 8/13/07 89. BARRY Oh, it doesn’t matter. The important thing is you’re alive. You could have died. ADAM I’d be better off dead. Look at me. Adam THROWS the blanket off his lap, revealing a GREEN SANDWICH SWORD STINGER. ADAM (CONT’D) (voice cracking) They got it from the cafeteria, they got it from downstairs. In a tuna sandwich. Look, there’s a little celery still on it. BARRY What was it like to sting someone? ADAM I can’t explain it. It was all adrenaline...and then...ecstasy. Barry looks at Adam. BARRY Alright. ADAM You think that was all a trap? BARRY Of course. I’m sorry. I flew us right into this. What were we thinking? Look at us, we’re just a couple of bugs in this world. ADAM What do you think the humans will do to us if they win? BARRY I don’t know. ADAM I hear they put the roaches in motels. That doesn’t sound so bad. "Bee Movie" - JS REVISIONS 8/13/07 90. BARRY Adam, they check in, but they don’t check out. Adam GULPS. ADAM Oh my. ANGLE ON: the hospital window. We see THREE PEOPLE smoking outside on the sidewalk. The smoke drifts in. Adam COUGHS. ADAM (CONT’D) Say, could you get a nurse to close that window? BARRY Why? ADAM The smoke. Bees don’t smoke. BARRY Right. Bees don’t smoke. Bees don’t smoke! But some bees are smoking. Adam, that’s it! That’s our case. Adam starts putting his clothes on. ADAM It is? It’s not over? BARRY No. Get up. Get dressed. I’ve got to go somewhere. You get back the court and stall. Stall anyway you can. CUT TO: SEQ. 3500 - “SMOKING GUN” INT. COURTROOM - THE NEXT DAY Adam is folding a piece of paper into a boat. ADAM ...and assuming you’ve done step 29 correctly, you’re ready for the tub. "Bee Movie" - JS REVISIONS 8/13/07 91. ANGLE ON: The jury, all with paper boats of their own. JURORS Ooh. ANGLE ON: Montgomery frustrated with Gammil, who’s making a boat also. Monty crumples Gammil’s boat, and throws it at him. JUDGE Mr. Flayman? ADAM Yes? Yes, Your Honor? JUDGE Where is the rest of your team? ADAM (fumbling with his swordstinger) Well, your honor, it’s interesting. You know Bees are trained to fly kind of haphazardly and as a result quite often we don’t make very good time. I actually once heard a pretty funny story about a bee-- MONTGOMERY Your Honor, haven’t these ridiculous bugs taken up enough of this court’s valuable time? Montgomery rolls out from behind his table. He’s suspended in a LARGE BABY CHAIR with wheels. MONTGOMERY (CONT'D) How much longer are we going to allow these absurd shenanigans to go on? They have presented no compelling evidence to support their charges against my clients who have all run perfectly legitimate businesses. I move for a complete dismissal of this entire case. JUDGE Mr. Flayman, I am afraid I am going to have to consider Mr. Montgomery’s motion. "Bee Movie" - JS REVISIONS 8/13/07 92. ADAM But you can’t. We have a terrific case. MONTGOMERY Where is your proof? Where is the evidence? Show me the smoking gun. Barry bursts through the door. BARRY Hold it, your honor. You want a smoking gun? Here is your smoking gun. Vanessa ENTERS, holding a bee smoker Vanessa slams the beekeeper's SMOKER onto the judge’s bench. JUDGE What is that? BARRY It’s a Bee smoker. Montgomery GRABS the smoker. MONTGOMERY What, this? This harmless little contraption? This couldn’t hurt a fly, let alone a bee. He unintentionally points it towards the bee gallery, KNOCKING THEM ALL OUT. The jury GASPS. The press SNAPS pictures of them. BARRY Members of the jury, look at what has happened to bees who have never been asked, "Smoking or Non?" Is this what nature intended for us? To be forcibly addicted to these smoke machines in man-made wooden slat work camps? Living out our lives as honey slaves to the white man? Barry gestures dramatically towards Montgomery's racially mixed table. The BLACK LAWYER slowly moves his chair away. GAMMIL What are we going to do? "Bee Movie" - JS REVISIONS 8/13/07 93. MONTGOMERY (to Pross) He's playing the species card. Barry lands on the scale of justice, by the judge’s bench. It balances as he lands. BARRY Ladies and gentlemen, please, FreeThese-Bees! ANGLE ON: Jury, chanting "Free the bees". JUDGE The court finds in favor of the bees. The chaos continues. Barry flies over to Vanessa, with his hand up for a “high 5”. BARRY Vanessa, we won! VANESSA Yay! I knew you could do it. Highfive! She high 5’s Barry, sending him crashing to the table. He bounces right back up. VANESSA (CONT'D) Oh, sorry. BARRY Ow!! I’m okay. Vanessa, do you know what this means? All the honey is finally going to belong to the bees. Now we won’t have to work so hard all the time. Montgomery approaches Barry, surrounded by the press. The cameras and microphones go to Montgomery. MONTGOMERY (waving a finger) This is an unholy perversion of the balance of nature, Benson! You’ll regret this. ANGLE ON: Barry’s ‘deer in headlights’ expression, as the press pushes microphones in his face. "Bee Movie" - JS REVISIONS 8/13/07 94. PRESS PERSON 1 Barry, how much honey do you think is out there? BARRY Alright, alright, one at a time... SARAH Barry, who are you wearing? BARRY Uhhh, my sweater is Ralph Lauren, and I have no pants. The Press follows Barry as he EXITS. ANGLE ON: Adam and Vanessa. ADAM (putting papers away) What if Montgomery’s right? VANESSA What do you mean? ADAM We’ve been living the bee way a long time. 27 million years. DISSOLVE TO: SEQ. 3600 - “HONEY ROUNDUP” EXT. HONEY FARMS APIARY - MONTAGE SARAH (V.O) Congratulations on your victory. What are you going to demand as a settlement? BARRY (V.O) (over montage) First, we’re going to demand a complete shutdown of all bee work camps. Then, we want to get back all the honey that was ours to begin with. Every last drop. We demand an end to the glorification of the bear as anything more than a filthy, smelly, big-headed, bad breath, stink-machine. "Bee Movie" - JS REVISIONS 8/13/07 95. I believe we’re all aware of what they do in the woods. We will no longer tolerate derogatory beenegative nick-names, unnecessary inclusion of honey in bogus health products, and la-dee-da tea-time human snack garnishments. MONTAGE IMAGES: Close-up on an ATF JACKET, with the YELLOW LETTERS. Camera pulls back. We see an ARMY OF BEE AND HUMAN AGENTS wearing hastily made “Alcohol, Tobacco, Firearms, and Honey” jackets. Barry supervises. The gate to Honey Farms is locked permanently. All the smokers are collected and locked up. All the bees leave the Apiary. CUT TO: EXT. ATF OUTSIDE OF SUPERMARKET - MONTAGE Agents begin YANKING honey off the supermarket shelves, and out of shopping baskets. CUT TO: EXT. NEW HIVE CITY - MONTAGE The bees tear down a honey-bear statue. CUT TO: EXT. YELLOWSTONE FOREST - MONTAGE POV of a sniper’s crosshairs. An animated BEAR character looka-like, turns his head towards camera. BARRY Wait for my signal. ANGLE ON: Barry lowering his binoculars. BARRY (CONT'D) Take him out. The sniper SHOOTS the bear. It hits him in the shoulder. The bear looks at it. He gets woozy and the honey jar falls out of his lap, an ATF&H agent catches it. "Bee Movie" - JS REVISIONS 8/13/07 96. BARRY (V.O) (CONT'D) ATF&H AGENT (to the bear’s pig friend) He’ll have a little nausea for a few hours, then he’ll be fine. CUT TO: EXT. STING’S HOUSE - MONTAGE ATF&H agents SLAP CUFFS on Sting, who is meditating. STING But it’s just a prance-about stage name! CUT TO: INT. A WOMAN’S SHOWER - MONTAGE A WOMAN is taking a shower, and using honey shampoo. An ATF&H agent pulls the shower curtain aside, and grabs her bottle of shampoo. The woman SCREAMS. The agent turns to the 3 other agents, and Barry. ANGLE ON: Barry looking at the label on the shampoo bottle, shaking his head and writing in his clipboard. CUT TO: EXT. SUPERMARKET CAFE - MONTAGE Another customer, an old lady having her tea with a little jar of honey, gets her face pushed down onto the table and turned to the side by two agents. One of the agents has a gun on her. OLD LADY Can’t breathe. CUT TO: EXT. CENTRAL PARK - MONTAGE An OIL DRUM of honey is connected to Barry’s hive. "Bee Movie" - JS REVISIONS 8/13/07 97. BARRY Bring it in, boys. CUT TO: SEQ. 3650 - “NO MORE WORK” INT. HONEX - MONTAGE ANGLE ON: The honey goes past the 3-cup hash-mark, and begins to overflow. A WORKER BEE runs up to Buzzwell. WORKER BEE 1 Mr. Buzzwell, we just passed 3 cups, and there’s gallons mores coming. I think we need to shutdown. KEYCHAIN BEE (to Buzzwell) Shutdown? We’ve never shutdown. ANGLE ON: Buzzwell overlooking the factory floor. BUZZWELL Shutdown honey production! Stop making honey! ANGLE ON: TWO BEES, each with a KEY. BUZZWELL (CONT’D) Turn your key, Sir! They turn the keys simultaneously, War Games-style, shutting down the honey machines. ANGLE ON: the Taffy-Pull machine, Centrifuge, and Krelman all slowly come to a stop. The bees look around, bewildered. WORKER BEE 5 What do we do now? A BEAT. WORKER BEE 6 Cannon ball!! He jumps into a HONEY VAT, doesn’t penetrate the surface. He looks around, and slowly sinks down to his waist. "Bee Movie" - JS REVISIONS 8/13/07 98. EXT. HONEX FACTORY THE WHISTLE BLOWS, and the bees all stream out the exit. CUT TO: INT. J-GATE - CONTINUOUS Lou Loduca gives orders to the pollen jocks. LOU LODUCA We’re shutting down honey production. Mission abort. CUT TO: EXT. CENTRAL PARK Jackson receives the orders, mid-pollination. JACKSON Aborting pollination and nectar detail. Returning to base. CUT TO: EXT. NEW HIVE CITY ANGLE ON: Bees, putting sun-tan lotion on their noses and antennae, and sunning themselves on the balconies of the gyms. CUT TO: EXT. CENTRAL PARK ANGLE ON: THE FLOWERS starting to DROOP. CUT TO: INT. J-GATE J-Gate is deserted. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 99. EXT. NEW HIVE CITY ANGLE ON: Bees sunning themselves. A TIMER DINGS, and they all turn over. CUT TO: EXT. CENTRAL PARK TIME LAPSE of Central Park turning brown. CUT TO: EXT. VANESSA’S FLORIST SHOP CLOSE-UP SHOT: Vanessa writes “Sorry. No more flowers.” on a “Closed” sign, an turns it facing out. CUT TO: SEQ. 3700 - “IDLE HIVE” EXT. NEW HIVE CITY - DAY Barry flies at high speed. TRACKING SHOT into the hive, through the lobby of Honex, and into Adam’s office. CUT TO: INT. ADAM’S OFFICE - CONTINUOUS Barry meets Adam in his office. Adam’s office is in disarray. There are papers everywhere. He’s filling up his cardboard hexagon box. BARRY (out of breath) Adam, you wouldn’t believe how much honey was out there. ADAM Oh yeah? BARRY What’s going on around here? Where is everybody? Are they out celebrating? "Bee Movie" - JS REVISIONS 8/13/07 100. ADAM (exiting with a cardboard box of belongings) No, they’re just home. They don’t know what to do. BARRY Hmmm. ADAM They’re laying out, they’re sleeping in. I heard your Uncle Carl was on his way to San Antonio with a cricket. BARRY At least we got our honey back. They walk through the empty factory. ADAM Yeah, but sometimes I think, so what if the humans liked our honey? Who wouldn’t? It’s the greatest thing in the world. I was excited to be a part of making it. ANGLE ON: Adam’s desk on it’s side in the hall. ADAM (CONT’D) This was my new desk. This was my new job. I wanted to do it really well. And now...and now I can’t. Adam EXITS. CUT TO: SEQ. 3900 - “WORLD WITHOUT BEES” INT. STAIRWELL Vanessa and Barry are walking up the stairs to the roof. BARRY I don’t understand why they’re not happy. We have so much now. I thought their lives would be better. "Bee Movie" - JS REVISIONS 8/13/07 101. VANESSA Hmmm. BARRY They’re doing nothing. It’s amazing, honey really changes people. VANESSA You don’t have any idea what’s going on, do you? BARRY What did you want to show me? VANESSA This. They reach the top of the stairs. Vanessa opens the door. CUT TO: EXT. VANESSA’S ROOFTOP - CONTINUOUS Barry sees Vanessa’s flower pots and small garden have all turned brown. BARRY What happened here? VANESSA That is not the half of it... Vanessa turns Barry around with her two fingers, revealing the view of Central Park, which is also all brown. BARRY Oh no. Oh my. They’re all wilting. VANESSA Doesn’t look very good, does it? BARRY No. VANESSA And who’s fault do you think that is? "Bee Movie" - JS REVISIONS 8/13/07 102. BARRY Mmmm...you know, I’m going to guess, bees. VANESSA Bees? BARRY Specifically me. I guess I didn’t think that bees not needing to make honey would affect all these other things. VANESSA And it’s not just flowers. Fruits, vegetables...they all need bees. BARRY Well, that’s our whole SAT test right there. VANESSA So, you take away the produce, that affects the entire animal kingdom. And then, of course... BARRY The human species? VANESSA (clearing throat) Ahem! BARRY Oh. So, if there’s no more pollination, it could all just go south here, couldn’t it? VANESSA And I know this is also partly my fault. Barry takes a long SIGH. BARRY How about a suicide pact? VANESSA (not sure if he’s joking) How would we do it? BARRY I’ll sting you, you step on me. "Bee Movie" - JS REVISIONS 8/13/07 103. VANESSA That just kills you twice. BARRY Right, right. VANESSA Listen Barry. Sorry but I’ve got to get going. She EXITS. BARRY (looking out over the park) Had to open my mouth and talk... (looking back) Vanessa..? Vanessa is gone. CUT TO: SEQ. 3935 - “GOING TO PASADENA” EXT. NY STREET - CONTINUOUS Vanessa gets into a cab. Barry ENTERS. BARRY Vanessa. Why are you leaving? Where are you going? VANESSA To the final Tournament of Roses parade in Pasadena. They moved it up to this weekend because all the flowers are dying. It’s the last chance I’ll ever have to see it. BARRY Vanessa, I just want to say I’m sorry. I never meant it to turn out like this. VANESSA I know. Me neither. Vanessa cab drives away. "Bee Movie" - JS REVISIONS 8/13/07 104. BARRY (chuckling to himself) Tournament of Roses. Roses can’t do sports. Wait a minute...roses. Roses? Roses!? Vanessa! Barry follows shortly after. He catches up to it, and he pounds on the window. Barry follows shortly after Vanessa’s cab. He catches up to it, and he pounds on the window. INT. TAXI - CONTINUOUS Barry motions for her to roll the window down. She does so. BARRY Roses?! VANESSA Barry? BARRY (as he flies next to the cab) Roses are flowers. VANESSA Yes, they are. BARRY Flowers, bees, pollen! VANESSA I know. That’s why this is the last parade. BARRY Maybe not. The cab starts pulling ahead of Barry. BARRY (CONT'D) (re: driver) Could you ask him to slow down? VANESSA Could you slow down? The cabs slows. Barry flies in the window, and lands in the change box, which closes on him. "Bee Movie" - JS REVISIONS 8/13/07 105. VANESSA (CONT'D) Barry! Vanessa lets him out. Barry stands on the change box, in front of the driver’s license. BARRY Okay, I made a huge mistake! This is a total disaster, and it’s all my fault! VANESSA Yes, it kind of is. BARRY I’ve ruined the planet. And, I wanted to help with your flower shop. Instead, I’ve made it worse. VANESSA Actually, it’s completely closed down. BARRY Oh, I thought maybe you were remodeling. Nonetheless, I have another idea. And it’s greater than all my previous great ideas combined. VANESSA I don’t want to hear it. Vanessa closes the change box on Barry. BARRY (opening it again) Alright, here’s what I’m thinking. They have the roses, the roses have the pollen. I know every bee, plant, and flower bud in this park. All we’ve got to do is get what they’ve got back here with what we’ve got. VANESSA Bees... BARRY Park... VANESSA Pollen... "Bee Movie" - JS REVISIONS 8/13/07 106. BARRY Flowers... VANESSA Repollination! BARRY (on luggage handle, going up) Across the nation! CUT TO: SEQ. 3950 - “ROSE PARADE” EXT. PASADENA PARADE BARRY (V.O) Alright. Tournament of Roses. Pasadena, California. They’ve got nothing but flowers, floats, and cotton candy. Security will be tight. VANESSA I have an idea. CUT TO: EXT. FLOAT STAGING AREA ANGLE ON: Barry and Vanessa approaching a HEAVILY ARMED GUARD in front of the staging area. VANESSA Vanessa Bloome, FTD. Official floral business. He leans in to look at her badge. She SNAPS IT SHUT, VANESSA (CONT’D) Oh, it’s real. HEAVILY ARMED GUARD Sorry ma’am. That’s a nice brooch, by the way. VANESSA Thank you. It was a gift. "Bee Movie" - JS REVISIONS 8/13/07 107. They ENTER the staging area. BARRY (V.O) Then, once we’re inside, we just pick the right float. VANESSA How about the Princess and the Pea? BARRY Yeah. VANESSA I can be the princess, and-- BARRY ...yes, I think-- VANESSA You could be-- BARRY I’ve-- VANESSA The pea. BARRY Got it. CUT TO: EXT. FLOAT STAGING AREA - A FEW MOMENTS LATER Barry, dressed as a PEA, flies up and hovers in front of the princess on the “Princess and the Pea” float. The float is sponsored by Inflat-a-bed and a SIGN READS: “Inflat-a-bed: If it blows, it’s ours.” BARRY Sorry I’m late. Where should I sit? PRINCESS What are you? BARRY I believe I’m the pea. PRINCESS The pea? It’s supposed to be under the mattresses. "Bee Movie" - JS REVISIONS 8/13/07 108. BARRY Not in this fairy tale, sweetheart. PRINCESS I’m going to go talk to the marshall. BARRY You do that. This whole parade is a fiasco! She EXITS. Vanessa removes the step-ladder. The princess FALLS. Barry and Vanessa take off in the float. BARRY (CONT’D) Let’s see what this baby will do. ANGLE ON: Guy with headset talking to drivers. HEADSET GUY Hey! The float ZOOMS by. A young CHILD in the stands, TIMMY, cries. CUT TO: EXT. FLOAT STAGING AREA - A FEW MOMENTS LATER ANGLE ON: Vanessa putting the princess hat on. BARRY (V.O) Then all we do is blend in with traffic, without arousing suspicion. CUT TO: EXT. THE PARADE ROUTE - CONTINUOUS The floats go flying by the crowds. Barry and Vanessa’s float CRASHES through the fence. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 109. EXT. LA FREEWAY Vanessa and Barry speed, dodging and weaving, down the freeway. BARRY (V.O) And once we’re at the airport, there’s no stopping us. CUT TO: EXT. LAX AIRPORT Barry and Vanessa pull up to the curb, in front of an TSA AGENT WITH CLIPBOARD. TSA AGENT Stop. Security. Did you and your insect pack your own float? VANESSA (O.C) Yes. TSA AGENT Has this float been in your possession the entire time? VANESSA (O.C) Since the parade...yes. ANGLE ON: Barry holding his shoes. TSA AGENT Would you remove your shoes and everything in your pockets? Can you remove your stinger, Sir? BARRY That’s part of me. TSA AGENT I know. Just having some fun. Enjoy your flight. CUT TO: EXT. RUNWAY Barry and Vanessa’s airplane TAKES OFF. "Bee Movie" - JS REVISIONS 8/13/07 110. BARRY (O.C) Then, if we’re lucky, we’ll have just enough pollen to do the job. DISSOLVE TO: SEQ. 4025 - “COCKPIT FIGHT” INT. AIRPLANE Vanessa is on the aisle. Barry is on a laptop calculating flowers, pollen, number of bees, airspeed, etc. He does a “Stomp” dance on the keyboard. BARRY Can you believe how lucky we are? We have just enough pollen to do the job. I think this is going to work, Vanessa. VANESSA It’s got to work. PILOT (V.O) Attention passengers. This is Captain Scott. I’m afraid we have a bit of bad weather in the New York area. And looks like we’re going to be experiencing a couple of hours delay. VANESSA Barry, these are cut flowers with no water. They’ll never make it. BARRY I’ve got to get up there and talk to these guys. VANESSA Be careful. Barry flies up to the cockpit door. CUT TO: INT. COCKPIT - CONTINUOUS A female flight attendant, ANGELA, is in the cockpit with the pilots. "Bee Movie" - JS REVISIONS 8/13/07 111. There’s a KNOCK at the door. BARRY (C.O) Hey, can I get some help with this Sky Mall Magazine? I’d like to order the talking inflatable travel pool filter. ANGELA (to the pilots, irritated) Excuse me. CUT TO: EXT. CABIN - CONTINUOUS Angela opens the cockpit door and looks around. She doesn’t see anybody. ANGLE ON: Barry hidden on the yellow and black “caution” stripe. As Angela looks around, Barry zips into the cockpit. CUT TO: INT. COCKPIT BARRY Excuse me, Captain. I am in a real situation here... PILOT (pulling an earphone back, to the co-pilot) What did you say, Hal? CO-PILOT I didn’t say anything. PILOT (he sees Barry) Ahhh! Bee! BARRY No, no! Don’t freak out! There’s a chance my entire species-- CO-PILOT (taking off his earphones) Ahhh! "Bee Movie" - JS REVISIONS 8/13/07 112. The pilot grabs a “DUSTBUSTER” vacuum cleaner. He aims it around trying to vacuum up Barry. The co-pilot faces camera, as the pilot tries to suck Barry up. Barry is on the other side of the co-pilot. As they dosey-do, the toupee of the co-pilot begins to come up, still attached to the front. CO-PILOT (CONT'D) What are you doing? Stop! The toupee comes off the co-pilot’s head, and sticks in the Dustbuster. Barry runs across the bald head. BARRY Wait a minute! I’m an attorney! CO-PILOT Who’s an attorney? PILOT Don’t move. The pilot uses the Dustbuster to try and mash Barry, who is hovering in front of the co-pilot’s nose, and knocks out the co-pilot who falls out of his chair, hitting the life raft release button. The life raft inflates, hitting the pilot, knocking him into a wall and out cold. Barry surveys the situation. BARRY Oh, Barry. CUT TO: INT. AIRPLANE CABIN Vanessa studies her laptop, looking serious. SFX: PA CRACKLE. BARRY (V.O) (in captain voice) Good afternoon passengers, this is your captain speaking. Would a Miss Vanessa Bloome in 24F please report to the cockpit. And please hurry! "Bee Movie" - JS REVISIONS 8/13/07 113. ANGLE ON: The aisle, and Vanessa head popping up. CUT TO: INT. COCKPIT Vanessa ENTERS. VANESSA What happened here? BARRY I tried to talk to them, but then there was a Dustbuster, a toupee, a life raft exploded...Now one’s bald, one’s in a boat, and they’re both unconscious. VANESSA Is that another bee joke? BARRY No. No one’s flying the plane. The AIR TRAFFIC CONTROLLER, BUD, speaks over the radio. BUD This is JFK control tower. Flight 356, what’s your status? Vanessa presses a button, and the intercom comes on. VANESSA This is Vanessa Bloome. I’m a florist from New York. BUD Where’s the pilot? VANESSA He’s unconscious and so is the copilot. BUD Not good. Is there anyone onboard who has flight experience? A BEAT. BARRY As a matter of fact, there is. "Bee Movie" - JS REVISIONS 8/13/07 114. BUD Who’s that? VANESSA Barry Benson. BUD From the honey trial? Oh great. BARRY Vanessa, this is nothing more than a big metal bee. It’s got giant wings, huge engines. VANESSA I can’t fly a plane. BARRY Why not? Isn’t John Travolta a pilot? VANESSA Yes? BARRY How hard could it be? VANESSA Wait a minute. Barry, we’re headed into some lightning. CUT TO: Vanessa shrugs, and takes the controls. SEQ. 4150 - “BARRY FLIES PLANE” INT. BENSON HOUSE The family is all huddled around the TV at the Benson house. ANGLE ON: TV. Bob Bumble is broadcasting. BOB BUMBLE This is Bob Bumble. We have some late-breaking news from JFK airport, where a very suspenseful scene is developing. Barry Benson, fresh off his stunning legal victory... "Bee Movie" - JS REVISIONS 8/13/07 115. Adam SPRAYS a can of HONEY-WHIP into his mouth. ADAM That’s Barry. BOB BUMBLE ...is now attempting to land a plane, loaded with people, flowers, and an incapacitated flight crew. EVERYONE Flowers?! CUT TO: INT. AIR TRAFFIC CONTROL TOWER BUD Well, we have an electrical storm in the area, and two individuals at the controls of a jumbo jet with absolutely no flight experience. JEANETTE CHUNG Just a minute, Mr. Ditchwater, there’s a honey bee on that plane. BUD Oh, I’m quite familiar with Mr. Benson’s work, and his no-account compadres. Haven’t they done enough damage already? JEANETTE CHUNG But isn’t he your only hope right now? BUD Come on, technically a bee shouldn’t be able to fly at all. CUT TO: INT. COCKPIT. Barry REACTS BUD The wings are too small, their bodies are too big-- "Bee Movie" - JS REVISIONS 8/13/07 116. BARRY (over PA) Hey, hold on a second. Haven’t we heard this million times? The surface area of the wings, and the body mass doesn’t make sense? JEANETTE CHUNG Get this on the air. CAMERAMAN You got it! CUT TO: INT. BEE TV CONTROL ROOM An engineer throws a switch. BEE ENGINEER Stand by. We’re going live. The “ON AIR” sign illuminates. CUT TO: INT. VARIOUS SHOTS OF NEW HIVE CITY The news report plays on TV. The pollen jocks are sitting around, playing paddle-ball, Wheel-o, and one of them is spinning his helmet on his finger. Buzzwell is in an office cubicle, playing computer solitaire. Barry’s family and Adam watch from their living room. Bees sitting on the street curb turn around to watch the TV. BARRY Mr. Ditchwater, the way we work may be a mystery to you, because making honey takes a lot of bees doing a lot of small jobs. But let me tell you something about a small job. If you do it really well, it makes a big difference. More than we realized. To us, to everyone. That’s why I want to get bees back to doing what we do best. "Bee Movie" - JS REVISIONS 8/13/07 117. Working together. That’s the bee way. We’re not made of Jello. We get behind a fellow. Black and yellow. CROWD OF BEES Hello! CUT TO: INT. COCKPIT Barry is giving orders to Vanessa. BARRY Left, right, down, hover. VANESSA Hover? BARRY Forget hover. VANESSA You know what? This isn’t so hard. Vanessa pretends to HONK THE HORN. VANESSA (CONT’D) Beep, beep! Beep, beep! A BOLT OF LIGHTNING HITS the plane. The plane takes a sharp dip. VANESSA (CONT’D) Barry, what happened? BARRY (noticing the control panel) Wait a minute. I think we were on autopilot that whole time. VANESSA That may have been helping me. BARRY And now we’re not! VANESSA (V.O.) (folding her arms) Well, then it turns out I cannot fly a plane. "Bee Movie" - JS REVISIONS 8/13/07 118. BARRY (CONT'D) Vanessa struggles with the yoke. CUT TO: EXT. AIRPLANE The airplane goes into a steep dive. CUT TO: SEQ. 4175 - “CRASH LANDING” INT. J-GATE An ALERT SIGN READING: “Hive Alert. We Need:” Then the SIGNAL goes from “Two Bees” “Some Bees” “Every Bee There Is” Lou Loduca gathers the pollen jocks at J-Gate. LOU LODUCA All of you, let’s get behind this fellow. Move it out! The bees follow Lou Loduca, and EXIT J-Gate. CUT TO: INT. AIRPLANE COCKPIT BARRY Our only chance is if I do what I would do, and you copy me with the wings of the plane! VANESSA You don’t have to yell. BARRY I’m not yelling. We happen to be in a lot of trouble here. VANESSA It’s very hard to concentrate with that panicky tone in your voice. BARRY It’s not a tone. I’m panicking! CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 119. EXT. JFK AIRPORT ANGLE ON: The bees arriving and massing at the airport. CUT TO: INT. COCKPIT Barry and Vanessa alternately SLAP EACH OTHER IN THE FACE. VANESSA I don’t think I can do this. BARRY Vanessa, pull yourself together. Listen to me, you have got to snap out of it! VANESSA You snap out of it! BARRY You snap out of it! VANESSA You snap out of it! BARRY You snap out of it! VANESSA You snap out of it! CUT TO: EXT. AIRPLANE A GIGANTIC SWARM OF BEES flies in to hold the plane up. CUT TO: INT. COCKPIT - CONTINUOUS BARRY You snap out of it! VANESSA You snap out of it! "Bee Movie" - JS REVISIONS 8/13/07 120. BARRY You snap-- VANESSA Hold it! BARRY (about to slap her again) Why? Come on, it’s my turn. VANESSA How is the plane flying? Barry’s antennae ring. BARRY I don’t know. (answering) Hello? CUT TO: EXT. AIRPLANE ANGLE ON: The underside of the plane. The pollen jocks have massed all around the underbelly of the plane, and are holding it up. LOU LODUCA Hey Benson, have you got any flowers for a happy occasion in there? CUT TO: INT. COCKPIT Lou, Buzz, Splitz, and Jackson come up alongside the cockpit. BARRY The pollen jocks! VANESSA They do get behind a fellow. BARRY Black and yellow. LOU LODUCA (over headset) Hello. "Bee Movie" - JS REVISIONS 8/13/07 121. Alright you two, what do you say we drop this tin can on the blacktop? VANESSA What blacktop? Where? I can’t see anything. Can you? BARRY No, nothing. It’s all cloudy. CUT TO: EXT. RUNWAY Adam SHOUTS. ADAM Come on, you’ve got to think bee, Barry. Thinking bee, thinking bee. ANGLE ON: Overhead shot of runway. The bees are in the formation of a flower. In unison they move, causing the flower to FLASH YELLOW AND BLACK. BEES (chanting) Thinking bee, thinking bee. CUT TO: INT. COCKPIT We see through the swirling mist and clouds. A GIANT SHAPE OF A FLOWER is forming in the middle of the runway. BARRY Wait a minute. I think I’m feeling something. VANESSA What? BARRY I don’t know, but it’s strong. And it’s pulling me, like a 27 million year old instinct. Bring the nose of the plane down. "Bee Movie" - JS REVISIONS 8/13/07 122. LOU LODUCA (CONT'D) EXT. RUNWAY All the bees are on the runway chanting “Thinking Bee”. CUT TO: INT. CONTROL TOWER RICK What in the world is on the tarmac? ANGLE ON: Dave OTS onto runway seeing a flower being formed by millions of bees. BUD Get some lights on that! CUT TO: EXT. RUNWAY ANGLE ON: AIRCRAFT LANDING LIGHT SCAFFOLD by the side of the runway, illuminating the bees in their flower formation. INT. COCKPIT BARRY Vanessa, aim for the flower! VANESSA Oh, okay? BARRY Cut the engines! VANESSA Cut the engines? BARRY We’re going in on bee power. Ready boys? LOU LODUCA Affirmative. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 123. INT. AIRPLANE COCKPIT BARRY Good, good, easy now. Land on that flower! Ready boys? Give me full reverse. LOU LODUCA Spin it around! The plane attempts to land on top of an “Aloha Airlines” plane with flowers painted on it. BARRY (V.O) I mean the giant black and yellow pulsating flower made of millions of bees! VANESSA Which flower? BARRY That flower! VANESSA I’m aiming at the flower! The plane goes after a FAT GUY IN A HAWAIIAN SHIRT. BARRY (V.O) That’s a fat guy in a flowered shirt! The other other flower! The big one. He snaps a photo and runs away. BARRY (CONT'D) Full forward. Ready boys? Nose down. Bring your tail up. Rotate around it. VANESSA Oh, this is insane, Barry. BARRY This is the only way I know how to fly. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 124. AIR TRAFFIC CONTROL TOWER BUD Am I koo-koo kachoo, or is this plane flying in an insect-like pattern? CUT TO: EXT. RUNWAY BARRY (V.O) Get your nose in there. Don’t be afraid of it. Smell it. Full reverse! Easy, just drop it. Be a part of it. Aim for the center! Now drop it in. Drop it in, woman! The plane HOVERS and MANEUVERS, landing in the center of the giant flower, like a bee. The FLOWERS from the cargo hold spill out onto the runway. INT. AIPLANE CABIN The passengers are motionless for a beat. PASSENGER Come on already! They hear the “ding ding”, and all jump up to grab their luggage out of the overheads. SEQ. 4225 - “RUNWAY SPEECH” EXT. RUNWAY - CONTINUOUS The INFLATABLE SLIDES pop out the side of the plane. The passengers escape. Barry and Vanessa slide down out of the cockpit. Barry and Vanessa exhale a huge breath. VANESSA Barry, we did it. You taught me how to fly. Vanessa raises her hand up for a high five. "Bee Movie" - JS REVISIONS 8/13/07 125. BARRY Yes. No high five. VANESSA Right. ADAM Barry, it worked. Did you see the giant flower? BARRY What giant flower? Where? Of course I saw the flower! That was genius, man. Genius! ADAM Thank you. BARRY But we’re not done yet. Barry flies up to the wing of the plane, and addresses the bee crowd. BARRY (CONT’D) Listen everyone. This runway is covered with the last pollen from the last flowers available anywhere on Earth. That means this is our last chance. We’re the only ones who make honey, pollinate flowers, and dress like this. If we’re going to survive as a species, this is our moment. So what do you all say? Are we going to be bees, or just Museum of Natural History key chains? BEES We’re bees! KEYCHAIN BEE Keychain! BARRY Then follow me... Except Keychain. BUZZ Hold on Barry. You’ve earned this. Buzz puts a pollen jock jacket and helmet with Barry’s name on it on Barry. "Bee Movie" - JS REVISIONS 8/13/07 126. BARRY I’m a pollen jock! (looking at the jacket. The sleeves are a little long) And it’s a perfect fit. All I’ve got to do are the sleeves. The Pollen Jocks toss Barry a gun. BARRY (CONT’D) Oh yeah! ANGLE ON: Martin and Janet Benson. JANET BENSON That’s our Barry. All the bees descend upon the flowers on the tarmac, and start collecting pollen. CUT TO: SEQ. 4250 - “RE-POLLINATION” EXT. SKIES - CONTINUOUS The squadron FLIES over the city, REPOLLINATING trees and flowers as they go. Barry breaks off from the group, towards Vanessa’s flower shop. CUT TO: EXT. VANESSA’S FLOWER SHOP - CONTINUOUS Barry REPOLLINATES Vanessa’s flowers. CUT TO: EXT. CENTRAL PARK - CONTINUOUS ANGLE ON: Timmy with a frisbee, as the bees fly by. TIMMY Mom, the bees are back! "Bee Movie" - JS REVISIONS 8/13/07 127. Central Park is completely repollinated by the bees. DISSOLVE TO: INT. HONEX - CONTINUOUS Honex is back to normal and everyone is busily working. ANGLE ON: Adam, putting his Krelman hat on. ADAM If anyone needs to make a call, now’s the time. I’ve got a feeling we’ll be working late tonight! The bees CHEER. CUT TO: SEQ. 4355 EXT: VANESSA’S FLOWER SHOP With a new sign out front. “Vanessa & Barry: Flowers, Honey, Legal Advice” DISSOLVE TO: INT: FLOWER COUNTER Vanessa doing a brisk trade with many customers. CUT TO: INT: FLOWER SHOP - CONTINUOUS Vanessa is selling flowers. In the background, there are SHELVES STOCKED WITH HONEY. VANESSA (O.C.) Don’t forget these. Have a great afternoon. Yes, can I help who’s next? Who’s next? Would you like some honey with that? It is beeapproved. SIGN ON THE BACK ROOM DOOR READS: “Barry Benson: Insects at Law”. "Bee Movie" - JS REVISIONS 8/13/07 128. Camera moves into the back room. ANGLE ON: Barry. ANGLE ON: Barry’s COW CLIENT. COW Milk, cream, cheese...it’s all me. And I don’t see a nickel. BARRY Uh huh? Uh huh? COW (breaking down) Sometimes I just feel like a piece of meat. BARRY I had no idea. VANESSA Barry? I’m sorry, have you got a moment? BARRY Would you excuse me? My mosquito associate here will be able to help you. Mooseblood ENTERS. MOOSEBLOOD Sorry I’m late. COW He’s a lawyer too? MOOSEBLOOD Ma’am, I was already a bloodsucking parasite. All I needed was * a briefcase. * ANGLE ON: Flower Counter. VANESSA (to customer) Have a great afternoon! (to Barry) Barry, I just got this huge tulip order for a wedding, and I can’t get them anywhere. "Bee Movie" - JS REVISIONS 8/13/07 129. BARRY Not a problem, Vannie. Just leave it to me. Vanessa turns back to deal with a customer. VANESSA You’re a life-saver, Barry. (to the next customer) Can I help who’s next? Who’s next? ANGLE ON: Vanessa smiling back at Barry. Barry smiles too, then snaps himself out of it. BARRY (speaks into his antennae) Alright. Scramble jocks, it’s time to fly! VANESSA Thank you, Barry! EXT. FLOWER SHOP - CONTINUOUS ANGLE ON: Ken and Andy walking down the street. KEN (noticing the new sign) Augh! What in the world? It’s that bee again! ANDY (guiding Ken protectively) Let it go, Kenny. KEN That bee is living my life! When will this nightmare end? ANDY Let it all go. They don’t break stride. ANGLE ON: Camera in front of Barry as he flies out the door and up into the sky. Pollen jocks fold in formation behind him as they zoom into the park. BARRY (to Splitz) Beautiful day to fly. "Bee Movie" - JS REVISIONS 8/13/07 130. JACKSON Sure is. BARRY Between you and me, I was dying to get out of that office. FADE OUT: "Bee Movie" - JS REVISIONS 8/13/07 131.
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Posted by MАTTRESS,
obama means family
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Posted by MАTTRESS,
my classmate/crush's birthday is 6/6/06
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Posted by CABINET,
nevah say nevah
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Posted by MАTTRESS,
A philosopher once asked, "Are we human because we gaze at the stars, or do we gaze at them because we are human?" Pointless, really... "Do the stars gaze back?" Now *that's* a question.
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Posted by MАTTRESS,
oh
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Posted by MАTTRESS,
no
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thee weren't
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recommended
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Posted by MАTTRESS,
and now, back to our regularly scheduled recommending
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Posted by Sky,
if I go to hell it will just be these forums and I have to recommend infinite posts and put something funny for all of them
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Posted by Sky,
113241 characters omg
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Posted by CABINET,
YOU HAVE EMBARASSED ME IN FRONT OF VANESSA!!!!
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Hello, everybody. Thanks for comin’. I am the Lorax. I speak for the trees. And I’d like to say a few words, if you please. Regarding the story that you’re about to see it actually happened. Just take it from me. But there’s more to this story than what’s on the page, so please pay attention while I set the stage. We open in Thneedville, a city they say that was plastic and fake, and they liked it that way! A town without nature, not one living tree. So, what happened to them? Cue the music! Let’s see. Buzz. Buzz. ♪ In Thneedville, ♪ ♪ it’s a brand new dawn ♪ ♪ With brand new cars ♪ ♪ and houses and lawns ♪ ♪ Here in ♪ ♪ Got-all-that-we-need-ville ♪ ♪ In Thneedville, ♪ ♪ we manufacture our trees ♪ ♪ Each one is made in factories ♪ ♪ And uses 96 batteries ♪ ♪ In Thneedville, ♪ ♪ the air’s not so clean ♪ ♪ So we buy it fresh ♪ ♪ It comes out this machine! ♪ ♪ In Satisfaction’s-♪ ♪ guaranteed-ville ♪ ♪ In Thneedville, ♪ ♪ we don’t want to know ♪ ♪ Where the smog and trash ♪ ♪ and chemicals go ♪ ♪ I just went swimming, ♪ ♪ and now I glow ♪ ♪ In Thneedville, ♪ ♪ we have fun year round ♪ ♪ We surf and snowboard ♪ ♪ right in town ♪ ♪ We thank the Lord ♪ ♪ for all we’ve got ♪ ♪ Including this ♪ ♪ brand new parking lot! ♪ ♪ Parking lot! ♪ ♪ Oh, look, it’s Aloysius O’Hare ♪ ♪ Aloysius O’Hare ♪ ♪ The man who found ♪ ♪ a way to sell air ♪ ♪ And became a zillionaire ♪ ♪ Hip-hip-hooray! ♪ ♪ In Thneedville, ♪ ♪ we love living this way ♪ ♪ It’s like living in paradise ♪ ♪ It’s perfect! ♪ ♪ And that’s how it will stay ♪ ♪ Oh, yeah! ♪ ♪ Here in ♪ ♪ Love-the-life-we-lead-ville ♪ ♪ Destined-to-succeed-ville ♪ ♪ We-are-all-agreed-ville ♪ ♪ We love it here in… ♪ ♪ Thneedville! ♪ Yes! Oh, hi, Ted. Oh, hey, Audrey. Hi. Did your ball land in my backyard again? What? No. A model airplane, this time. Hey, do you want to see something cool? Come on. Whoa! Did you… Did you paint this? Do you like it? What? Are you kidding? This is amazing! What are those? Those are trees. Real ones. They used to grow all around here. And people said that the touch of their tufts was softer than anything, even silk. And they smelled like butterfly milk! Wow! What does that even mean? I know, right? Oh, yeah. What I want more than anything in the whole world is to see a real living tree growing in my backyard. So if, say… I’m just thinking out loud here. If a guy somehow got you one… I’d probably marry him on the spot. I bet that sounds crazy. Does that sound crazy? No! Not crazy. Not crazy at all. * * * Ted, honey, don’t play with your food. You, either, Mom. So, Mom, do you happen to know if there’s any place where I could get a real tree? Ted, we already have a tree. It’s the latest model. Yeah, but I mean a real one that grows out of the ground or whatever. You know, a real tree. Really? You would rather have some dirty, messy lump of wood that just sticks out of the ground? And it does what? I don’t even know what it does. What’s its purpose? Look at what we’ve got. It’s the Oak-amatic. The only tree with its own remote. Summer, autumn, winter, and disco! Mom? Come on, Ted. Get into it. Dance with the tree. Oh, it hurts, Mom. Please stop. So, anyway… Let’s just say I need a tree. Where would I go? What do I do? Then you know what? You need to find the Once-ler. The What? Mom, it’s not really the time for one of your magical fables, okay? That’s right, I forgot. I’m old and can’t even remember to put my teeth in. Stand down. That’s not what I meant. No, really, I forgot my teeth. Would you be a dear and go get them for me? Sure, Mom. Okay, here’s the deal. The Once-ler is the man who knows what happened to the trees. You want one, you need to find him. The Once-ler? Mmm-hmm. Okay. Grammy, is this a real thing that we’re talking about now? Oh, he’s real all right. Well, where can I find him? Far outside of town where the grass never grows and the wind smells slow and sour when it blows. And no birds ever sing, excepting old crows. Quit doing that. That’s the place where the Once-ler lives. Wait, outside of town? People used to say if you brought him 15 cents, a nail and the shell of a great, great, great grandfather snail, he would tell you everything. * * * Hmm. Mr. O’Hare, what we’ve got for you is something that is going to take O’Hare Air to the next level. Now, Mr. O’Hare, I know what you’re thinking. One, “I’ve gotten rich selling people air that’s” “fresher than the stinky stuff outside.” Two, and here is the important one, “How can I possibly make even more money?” We can tell you, sir! We can tell you. Check out this commercial, huh? Well, here goes another lame Saturday. Dude, I don’t think so! Huh! Hey! Man! Oh, yeah! What! Yeah! O’Hare purified air. Freshness to go. Please breathe responsibly. Ah? Oh, my goodness. Yeah! Love it. You got to be kidding me. You really think people are stupid enough to buy this? Our research shows that if you put something in a plastic bottle, people will buy it. Exactly. And… And what’s more, when we build a new factory to make the plastic bottles, the air quality is just going to get worse. Which will make people want our air even more, and drive sales where? Through the roof! So, in other words, the more smog in the sky, the more people will buy. See, that’s why he’s the genius! It even rhymes! I’m aware it rhymes. Coats. Big. What do you two knuckleheads want? I’m in the middle of a meeting! What? Why is he leaving town? No one ever leaves town! See what he’s up to. * * * Whoa! Huh? Whoa! Whoa. Oh, man. Whoa! All right. Okay. What the… Whoa! Who are you? Who are you and what are you doing here? I’m Ted. I’m Ted. I can’t breathe. Are you the Once-ler? Oh, man. Didn’t you read the signs? No one is supposed to come here. Get out of here and leave me alone! And don’t let the boot hit you on the way out. The boot? Hello! Ow! Listen! People say that if someone brings you this stuff that you will tell them about trees. No, no, no! Trees? Yeah, real ones. You know, that grow out of the ground? Hello? Sorry, it’s just… Well, I didn’t think anyone still cared about trees. Well, that’s me. The guy who still cares. I’m here. Hey! What? Do you want to know about trees? About what happened to them? Why they’re all gone? It’s because of me. Wait, what? It’s because of me! And my invention, the Thneed. It was an amazing product that could do the job of a thousand. All right. Sounds ridiculous, but I mean, that’s cool. You’re darn right it was cool! It all started a long time ago. Can we start not so long ago, maybe? Do you want a tree? Yes, yes. Then it all started a long, long time ago. I was a young man leaving home… Well, here I go, Mom. Off to change the world with my Thneed. I’m actually doing it! Yes, but just remember, Oncie, if somehow your invention ends up a failure instead of a success, oh, it wouldn’t surprise me at all! Nice wheels. Burn! Ow! Yeah, “Burn!” But you will see, okay? I’m going to prove you all wrong. Come on, Melvin! So, there I was at the very bottom. With nothing but a wagon, a mule, and a completely irrational sense of optimism. I was searching the globe, obsessed with finding the perfect material for my Thneed. But I’d had absolutely no success. Until one day, I found paradise… Oh! We’re going to be there soon, I’m sure. Whoa! This is the most beautiful place, okay, I have ever seen. Oh. Ta-da! Whoa! Yeah. ♪ This is it ♪ ♪ This is the place ♪ ♪ These Truffula trees ♪ ♪ are just what I need ♪ ♪ Gonna chop one down ♪ ♪ and make my Thneed ♪ ♪ But first… ♪ ♪ Na! Na! Nanana Na! ♪ ♪ Na Na Nana Nanana Na Na… ♪ ♪ Now you! ♪ ♪ That’s great! ♪ ♪ So now our ♪ ♪ friendship can begin ♪ ♪ Hand in hand, ♪ ♪ and wing and fin ♪ ♪ There’s nothing ♪ ♪ you and I can’t do ♪ ♪ So let’s all make ♪ ♪ my dreams come true ♪ Hey, guys! Come on, where is my back-up chorus? What? Ah-ha! Oh. Ooh! Hey, hey, wait. Wait a minute. Excuse me? Yeah, that’s awesome. Feeding junk food to forest animals? That’s great. But, uh, is there a musical number where you show me how to get a tree? Because I would love to hear that one. Oh, yes. Right after the musical number about the kid who kept interrupting the story, and was never heard from again. Right, got it. Proceed. All right, here we go. About to make a Thneed, about to change the world. Check it out, guys… Where did everybody go? Little did I know that by chopping down that tree I had just summoned a mystical creature as old as time itself. The legendary, slightly annoying guardian of the forest. The Lorax. Hey! Whoo! Did you chop down this tree? Uh… No. Who did it? What’s that? I think he did it. Leave! Vacate the premises! Take your ax and get out! And who are you? I’m the Lorax! Guardian of the forest. I speak for the trees. So you’re telling me, you just didn’t see me magically appear out of that stump? With all the lightning and thunder and stuff. You didn’t see any of that? No, but that sounds amazing. Can I see some of that? Uh, yeah, I could show you. But that’s not how it works. Okay. Um… Didn’t really happen. Oh, I know what you want! I’ve got one of these for the cutest little guy I ever saw! Yummy, yummy, yummy, yummy, yummy… How dare you! Give me that! Mmm. I’m going to eat this, but I am highly offended by it. What are you… Hey, Mustache! Will you stop that? What’s your deal, man? Pull them right out Time for you to go, Beanpole! Just going to put them right back in. We can do this all day. Stop right there! Stop it! So you would hammer one of nature’s innocent creatures? What? No! I would never hit this little guy. You, on the other hand, I would gladly pound you and your mustache into the ground! Behold! The intruder and his violent ways. Shame on you. For shame! All right, you know what? That’s it! You listen to me, you furry meatloaf. I’m going to chop down as many trees as I need. Okay? Newsflash! Not going anywhere! End of story. Then you leave me no choice. If you’re not gone by the time the sun sets on this valley, all the forces of nature will be unleashed upon you and curse you until the end of your days! You have been warned. Thanks. Yeah, okay. You have been warned. But I didn’t listen to his warning. And you won’t believe what happened that night. What? If you want to hear more, come back tomorrow. Hey, wait, wait! Tomorrow? Whoa! Whoa-ho-ho. Are you serious right now? Ah! You live in the middle of nowhere! It stinks out here. Don’t make me come back! I guess you don’t really want to hear the rest of the story. No, no. I do. I really do. I want to hear the story. I just… Nah! You don’t have what it takes. Goodbye. Wait, wait! I have what it takes. It’s all right. It’s okay, I’ll come back. It’s no problem. See, here I am, leaving. Walking away now. I’ll see you tomorrow. Mmm. Maybe. Just maybe. * * * What did you wish for, Audrey? Well, I would love to tell you, but, sadly, according to the universal wish laws, I cannot I know what she wished for. Was it, perhaps… This? Ted, you didn’t. Oh, no. I totally did. Happy birthday, Audrey. Kiss him! Kiss him! Ted. Ted. Tedster. Huh! You’re kissing the cereal again, hon. What? I just… I like this cereal. What one is this? Yeah! Okay. Well, I’ll make sure to buy extra next time for you. All right, cool. Hey, I got to run. I got to go do a thing. So, I’ll see you guys. Whoa! Whoa! Whoa! You’re not going anywhere, young man. It’s Sunday. You know what that means? Family time, and we’re all playing board games! But… Hmm. Mmm? Oh, man. Mom, seriously, every turn? Hey, back off! Ooh! No. Okay! Family time is over. It is now personal time. I’ll be in my room. Okay, dear. Have fun. I knew I could break her. Go. Huh? Go see him! Oh, yeah! You rule! Thank you, Grammy. * * * Whoa! Hey! Ted, right? Um, Mr. O’Hare? So, I hear you have become interested in trees. What’s that all about? Oh. Um… Where did you hear that? Oh. Teddy, there’s not much that goes on in Thneedville that I don’t know about. Here’s the deal, I make a living selling fresh air to people. Trees? They make it for free. So, when I hear people talking about them, I consider it kind of a threat to my business. I don’t even know what you’re talking about. You listen to me, boy. Don’t go poking around in things you don’t understand or I’ll be your worst nightmare. I’m Frankenstein’s head on a spider’s body! Yeah, um… Okay, my mom is expecting me. So, I’m just going to… Of course, of course. Now, go back to your family game time. Grandma just finished her turn. How did you know? Please. I have eyes everywhere. Huh! You got a beautiful town here, Ted. Lots of fun stuff to occupy your short attention span. Why, I can’t think of any reason you would ever want to go outside of town again. Even. Okay! Good talk. Really good talk. Oh, no. Look out! Hey, man? You know, you need to change that door bell. Oh, you missed me. What? You’re already back. Clearly, you missed me a little. Right? No, I didn’t. I’m just here to hear the end of the story. Why are you so interested in trees anyway? Why aren’t you like other kids, break dancing and wearing bell-bottoms, and playing the Donkey Kongs? Yeah, right, right. I don’t know. Uh, I just thought it would be kind of cool to have one, you know? Huh? It’s a girl, isn’t it? What? No! Really? Because when a guy does something stupid once, well, that’s because he’s a guy. But if he does the same stupid thing twice, it’s usually to impress some girl. Hey, she is not some girl! She’s a woman, in high school. And she loves trees. And I’m going to get her one. Aw! How nice to see someone so undeterred by things like reality. Thank you. All right, but where did we leave off? * * * Now that’s a Thneed. Nothing unmanly about knitting. No, sir. Look at that… Oh! Who taught you guys how to steal a bed? Shh! Okay, nice and easy. Nice work, you guys. Couldn’t have done it without you. You got to be kidding me. Can he swim? Of course he can’t swim! Hang on, Pipsqueak! I’m coming to get you! Hey, you fishies! Stop that bed! Whoo! Whoo! Jump, jump! Come on, get up there. Come on. Go, go! A little bit more! A little bit more! Now what? Mmm-mmm. Get up there. Okay, Pipsqueak, give me your hand. Come on, reach out for the Lorax. Where did you go? Bar-ba-loots. Oh, that’s bad. Hey, Beanpole, wake up! What’s happening? Where am I? Hey! We got trouble, and it’s coming up fast! Whoo! We’re in a river! Whew! Oh, no. Just do something! Help is on the way! No, no! Just a minute! Oh, no! Wake up! Wake up! Yuck! Clear! Ah! I was heading into the light, and you pulled me right back and here I am! You saved my life! Yeah, I know. Well, no, it’s not that big a deal. It is a big deal! Look, I almost went over that waterfall! Wait… On my bed. How did my bed get in the river? Uh… About that… Actually… I put your bed in the water. I didn’t mean you any harm. I just wanted to calmly float you away. Look, everyone here needs the trees and you’re chopping them down! So, we’ve got a big problem. All right, look. I hereby swear that I will never chop down another tree. I promise. Thank you. But I’m going to keep my eye on you. Good. Now, I’ve got a big day tomorrow so I’m going to get some sleep. Right after I find my bed. * * * Ow! Okay, what are you… Question, what are they doing here? And follow up, if I may, what are you doing here? Well, after the incident last night, we found one of your socks and came here to return it. But when we got here, you were asleep. What? Ew! Exactly. And sleeping is the body’s way of telling other people to go away. I know, but you looked so cozy. And it was cold outside, and we just fell asleep. No harm done. “No harm done”? “No harm done”? Okay. Okay, I put my lips on those. Well, I used to, anyway. Ew. Did you just… In my bowl! Why do you have one of these? You don’t even have a mustache. Okay, that’s it! What? I thought we made a deal last night. Yes, we did. And I said I wouldn’t chop down any more trees. And I said I was going to keep an eye on you. I’m starving. What’s for breakfast? Breakfast is overrated. You know what? I got work to do. Yeah. I got to go into town and sell my Thneed. You chopped down one of my trees to make that piece of garbage? Look at that… “Garbage”? Oh, no. Oh, no! You do not get it. This is a revolutionary product that will change the world as we know it. It has a million uses! Look at this. It’s a swimsuit! Mud tracked all over your floor by uninvited guests? Well, the Thneed sure comes in handy for that! But wait, there’s more! Thanks to its all-natural microfibers, the Thneed is super-absorbent! It also works as a hat. Of course, you probably want to wring it out first. Go ahead, knock yourself out. But nobody is going to buy that thing. Good to know. Well, fortunately, you are not the target market, weirdo. You’re bringing a guitar? Oh, yeah. I got a little jingle. I’m gonna blow some minds, gonna sell some Thneeds! Yeah. ♪ Everybody needs a Thneed ♪ ♪ A fine thing that all people… ♪ Sit down, go on. Unfortunately, I didn’t sell it the first day. ♪ The Thneed is good ♪ ♪ The Thneed is great… ♪ Hey! Or the second day. Hey! Or the third, or fourth, or fifth day. Okay, that one hit the tender spot. Until finally… That’s it! You know what? I’m done with this thing. Aw. My family was right. I quit! Hey. Cool hat. Oh, my gosh! I totally want one. That thing makes me like you more. Hey! Where’s your Thneed, did you sell it? Hey. No, no. Didn’t sell it. Turns out, it’s ahead of its time, I guess. Hey, you gave it your best shot. Right? What more can you do? Come on, take a seat, we’ll deal you in. What are we playing? I’m playing poker. He’s playing Go Fish. And I think he’s hungry. Ohhh. ♪ Pancake, the pancake ♪ Up! Who is up for ninths? Ooh! Ooh! Ooh! Ooh! Ooh! Ooh! Whoa! All right, pass them over. Yeah, see? What’s going on? Oh, no. That’s a lot of people. ♪ Everybody needs a Thneed ♪ ♪ A fine thing ♪ ♪ that all people need ♪ ♪ The Thneed is good ♪ ♪ The Thneed is great ♪ ♪ Let’s hope we’re not too late ♪ ♪ It’s a super trendy hat ♪ ♪ It’s a tightrope for an acrobat ♪ ♪ A net for catching butterflies ♪ ♪ A thing we use for exercise ♪ ♪ Everybody needs a Thneed ♪ ♪ A fine thing ♪ ♪ that all people need ♪ ♪ Everybody needs a Thneed ♪ Oh, yeah! We’re in business, baby! ♪ We need a Thneed ♪ Mom? Hey, it’s me! I told you I was going to be a success! You need to bring the whole family here right now. We’re going to be rich! What? I’m going to need all the help I can get. Don’t worry. * * * So, has he told you how to get a tree yet? Actually, no. But I think he’s going to get to that part really soon. Here we are. What? I’ll just be a minute. Oh, wow. Hey, Audrey! Oh, hi, Ted! What’s up? You know me, just cruising. Putting out the vibe. Just me and my thoughts. Oh, is this the girl you’re always talking about? Grandma! Stop making things up. She’s even prettier than… Okay, got to run! Bye. Okay, Grammy, let’s get you home! Yeah! Whoa! I’m so sorry. So sorry. Did not wanna see that. Whoa! Whoa! Whoa-ho-ho! Hey! Hey, I’m back. What have you got there? Yes! Whoa! Thank you, Ted. Now, picture this. Sun shining, a blue sky, a perfect day. It was all downhill from there. Whoa! What a dump. Hey, Aunt Grizelda! Hey, Chet, check this out! Go long! No, Brett, that’s actually not a… Okay. Go long! Go long! I got it! I got it! Got it! He totally ran into that tree! Ow! Oncie, is that you? Mom! There he is! There’s my big, suddenly successful son! We always knew you would make it, Oncie. Right? Hey! I love this guy! But you always said I wouldn’t amount to anything, remember? Hush your mouth. I was just trying to motivate you! I am really glad that you clarified that because it actually hurt my feelings for a really long time. Anyway, you’re all here, you all work for me, and that’s cool. So, let’s get to work. Brett, Chet, set up the RV! Would you stop throwing that bear? Time out. Back up. Stop. Don’t move an inch. Nobody’s moving in here. You got to go. Goodbye. So, who invited the giant, furry peanut? You calling me a peanut, huh? I’ll go right up your nose! Whoa! Whoa! Whoa! You wouldn’t hit a woman. That’s a woman? Okay. Everyone, cool it. Let’s not get off on the wrong foot here. Um, family, this is my friend… Acquaintance. Yeah, acquaintance. Very good acquaintance, the Lorax. He speaks for the trees. That’s right. And on behalf of the trees, get out! Will you just be nice! This is my family. And I’m going to need their help if my company is going to get bigger. Okay? Bigger? Yeah, this isn’t some rinky-dink operation anymore. I got plans. Big plans! A vision of a world filled with Thneeds. It’s going to be huge! Which way does a tree fall? Uh, down? A tree falls the way it leans. Be careful which way you lean. * * * I mean, look at this. It’s amazing. I am so proud of me. Oncie, we’ve got us a little problem. Problem? Mmm-hmm. See, we’re not making Thneeds fast enough. Harvesting the tufts takes too long! Well, what else can we do? Well, and this just came to me, we could always start chopping down the trees. What? Now you’re thinking. That would speed things up! But… No “but” s, Oncie. You’re running a business now. You have to do what’s best for the company, and your momma. Well, I guess it couldn’t hurt to chop down a few trees. You’ve made me so proud, Oncie. Come here! Hey! I love this guy! No! No, no, no! Stop it! Please, stop. Take that, you stupid tree! Where do you think you’re going? Excuse me, sir. I need to talk with your boss. Oh, I’m sorry, but Mr. Once-ler’s not seeing anyone right now. Yeah, well, he’ll see me. So… Hey, keep your paws off me! Give me a reason, Shorty. Hey, you broke your promise. You’re better than this. You gotta stop! This is bad! Have a nice day! Bad? I’m not bad, I’m the good guy here. He just doesn’t get it. Do you think I’m bad? Thank you! I mean, something good finally happens to me, and he just has to come along and rain on my parade. What’s his problem? See? Yeah, bad! Right. ♪ How bad can I be? ♪ ♪ I’m just doin’ ♪ ♪ what comes naturally ♪ ♪ How bad can I be? ♪ ♪ I’m just following my destiny ♪ ♪ How bad can I be? ♪ ♪ I’m just doin’ ♪ ♪ what comes naturally ♪ ♪ How bad can I be? ♪ ♪ How bad can I possibly be? ♪ ♪ Well, there’s ♪ ♪ a principle in nature ♪ ♪ Principle in nature ♪ ♪ That almost ♪ ♪ every creature knows ♪ ♪ Called survival of the fittest ♪ ♪ Survival of the fittest ♪ ♪ And check it, ♪ ♪ this is how it goes ♪ ♪ The animal that wins ♪ ♪ gotta scratch and fight ♪ ♪ And claw and bite and punch ♪ ♪ And the animal that doesn’t ♪ ♪ Well, the animal that doesn’t ♪ ♪ Winds up someone else’s ♪ ♪ La-la-la-la lunch ♪ ♪ Munch, munch, munch, munch, ♪ ♪ munch I’m just sayin’ ♪ ♪ How bad can I be? ♪ ♪ I’m just doin’ ♪ ♪ what comes naturally ♪ ♪ How bad can I be? ♪ ♪ I’m just following my destiny ♪ ♪ How bad can I be? ♪ ♪ I’m just doin’ ♪ ♪ what comes naturally ♪ ♪ How bad can I be? ♪ ♪ How bad can I possibly be? ♪ ♪ There’s a principle in business ♪ ♪ Principle in business ♪ ♪ That everybody knows is sound ♪ ♪ It says the people with the ♪ ♪ money People with the money ♪ ♪ Make this ♪ ♪ ever-loving world go round ♪ ♪ So I’m biggering my company ♪ ♪ I’m biggering my factory ♪ ♪ I’m biggering my corporate sign ♪ ♪ Bigger, bigger! ♪ ♪ Everybody out there ♪ ♪ You take care of yours ♪ ♪ I’ll take care of ♪ ♪ mine-mine-mine-mine-mine ♪ ♪ Shake that bottom line ♪ ♪ Let me hear you ♪ ♪ say Smogulous Smoke! ♪ ♪ Smogulous Smoke! ♪ ♪ Schloppity-Schlopp! ♪ ♪ Complain all you want It’s never, ♪ ♪ ever, ever, ever gonna stop ♪ ♪ Stop! ♪ ♪ Come on, ♪ ♪ how bad can I possibly be? ♪ ♪ How bad can I be? ♪ ♪ I’m just building the economy ♪ ♪ How bad can I be? ♪ ♪ Just look at me ♪ ♪ petting this puppy ♪ ♪ How bad can I be? ♪ ♪ A portion of proceeds ♪ ♪ goes to charity ♪ ♪ How bad can I be? ♪ ♪ How bad could I possibly be? ♪ ♪ Let’s see! ♪ ♪ All the customers are buying ♪ ♪ And the money’s multiplying ♪ ♪ And the PR people are lying ♪ ♪ And the lawyers are denying ♪ ♪ Who cares if ♪ ♪ a few trees are dying? ♪ ♪ This is all so gratifying! ♪ ♪ How bad? ♪ ♪ How bad can this possibly be? ♪ So, how are things? What are you doing here? Happy yet? You fill that hole deep down inside you? Or do you still need more? Look, if you’ve got a problem with what I’m doing, why haven’t you used your quote-unquote powers to stop me? I told you, that’s not how it works. Right, I forgot. You’re a fraud. I need you to get out. Now! Why? Do I make you uncomfortable? Remind you of the promises you made? The man you used to be? You know what? You can just shut your mustache. My conscience is clear. I have done nothing illegal. I have my rights, and I intend to keep on biggering and biggering, and turning more Truffula trees into Thneeds. And nothing is going to stop me! Well, that’s it. The very last one. That may stop you. Somebody sure made a bundle on that thing. I wonder what the next million dollar invention’s going to be. Yeah, I wonder… Son, you have let me down. Brett, you are now my favorite child. Hey, look, I don’t want any trouble. And you won’t get any. Not from them. Thanks to you and your hacking, and smogging and glupping, they can’t live here anymore. So, I’m sending them off. Hopefully, they’ll be able to find a better place out there somewhere. Melvin? Melvin… Hey, Pipsqueak… Hey… So, this is really all your fault. You destroyed everything. Yes. And each day since the Lorax left, I’ve sat here regretting everything I’ve done, staring at that word, “unless,” and wondering what it meant. But now I’m thinking… Well, maybe you’re the reason the Lorax left that word there. Me? Why would he leave that for me? Because unless someone like you cares a whole awful lot, nothing is going to get better. It’s not. The last Truffula seed. You need to plant it, Ted. Yeah, but, nobody cares about trees anymore. Then make them care. Plant the seed in the middle of town, where everyone can see. Change the way things are. I know it may seem small and insignificant, but it’s not about what it is, it’s about what it can become. That’s not just a seed, any more than you’re just a boy. I won’t let you down. I know. * * * Hey, Audrey! Audrey! Ted? What are you doing? Meet me at my house. Wait, but… My house, okay? Got to plant the seed. Okay, we’re going to need water. And uh, something to dig with. Um, what do I have… Ted? Mom, I’m busy, Mom. Theodore Wiggins, get down here right now, and I am not kidding with you! Ted, I would like you to meet Mr. O’Hare, the most powerful man in town. There he is! Hello, Ted. Uh… Hi. Isn’t he clever, Mr. O’Hare? He knows his own name and everything. You know what I would love right now, Mrs. Wiggins? A delicious cookie. Wonderful. Teddy and I’ll stay here and talk. Sure, why don’t you go ahead and adopt him? I’m just kidding. That was a joke. I was just joking. I’ll get your cookie. I know you have it, Ted. So, let’s put an end to this nonsense, shall we? Hand it over. I’m sorry… I don’t know what you’re talking about. Really? Well, then… I guess you wouldn’t mind us checking your room. No, no, no! Morty! McGurk! Find the seed! No, you can’t go up there! Guys, this is ridiculous. Stop! Hey! No, you can’t come in my room! Find it! Find it! What is going on here? This doesn’t involve you! Get back downstairs! Excuse me, down there! I don’t care who you are, you little crazy baby-man! Get out of my house now. This is outrageous. Fine. Sorry. Must have been a misunderstanding. We’ll be leaving now. And my apologies, Ted. You be safe. Mind telling me what’s going on here? The seed! Where is it? Seed? Where’s Grammy? It’s alive! I remember you. Ted, what… Audrey! Hey, did you want to… Well, okay! Ted, what is this about? It’s about this. Wait, wait, wait. Is that… Yes. The last Truffula seed. And you’re going to help me plant it right in the middle of town where everyone can see it. I could just kiss you right now! We don’t have time for that. I don’t know, we have a little time. But, you know what, let’s just go. Let’s go. Forget about it. Maniac! Hey! Ah! Here it comes! I’m going for it. Oh, hello! Ted, big scary blimp coming. Whoa! You won’t get away with this, boy! Bam! Go faster, you idiot! Yeah! Step on it, Ted! Whoa! You’re fired! Whoa! Ted, look out! Nobody beats Aloysius O… Ted… This is not good. How’s it doing? Whoa-ho-ho! Loser! Oh, really? Oh, no. The seed! Get that seed! Hang on! Here we go! Grammy! Seriously, how cool is your grandma? No! Come on! Yeah, that’s right. There it is! Hey! Watch the road, you meathead! Ah! Hey, ow, ow! Oh, come on! What the… Get it unstuck, get it unstuck! Bring it on, Teddy! You don’t have the guts! Ted! Grammy! Whoo-hoo! Yes! Hey, hey, hey! Hey! It’s Mr. O… Take that, shorty! Okay, we have to get this in the ground. But where? There’s no dirt anywhere. No, Grammy… Hey, get out of there! Ah! Hey! What? See, what did I tell you? Easy. Huh? Hey, they broke O’Hare’s head! What do you think you’re doing, kid? Um, I’m looking for a place to plant a tree. A real one. Why would we need a tree? Exactly. Oh, man. Folks… The last thing you want around here is trees. They’re filthy! Spewing that sticky, nasty sap all over the place. They bring poisonous ants and stinging bees. Hey! Ouch. Think about the kids. And, I just thought, you know, they make leaves! You know that, right? Then these leaves, they just fall. They just fall wherever they want! Come on! We know why you’re really against trees. Because they produce fresh air. For free! Oh! I am wounded! You have lied! It is not a lie! It’s called photosynthesis. Come on. She’s making that up! That’s a made-up word, people! Thneedville is perfect just the way it is. We don’t need trees! That boy has a seed. We need to stop him! Who’s with me? Come on! O’Hare is right! Seeds will ruin us all! Stop it! Last chance, kid. Hand it over! Where do you think you’re going? Come on, let’s go! Get in, get in! Hey! Stop that maniac! Excuse me, excuse me. Watch out! Ted, you’re going to hit the wall! Yeah. I know. Wow. Did you see that? Who does this kid think he is, huh? I am Ted Wiggins. And I speak for the trees. And the fact is, things aren’t perfect here in Thneedville. And they’re only going to get worse, unless we do something about it, unless we change our ways. And we can start by planting this! Okay. Come on, now. Everything is fine. Right? I say we tell this kid what we think about that seed! People, come on! You! Get out there right now and get these people on my side, or else you’re fired! Go on, tell them what you think. ♪ You don’t know me, ♪ ♪ but my name’s Cy ♪ ♪ I’m just ♪ ♪ the O’Hare delivery guy ♪ ♪ But it seems like ♪ ♪ trees might be worth a try ♪ ♪ So I say let it grow ♪ ♪ My name is Dan ♪ ♪ And my name’s Rose ♪ ♪ Our son Wesley kind of glows ♪ ♪ And that’s not good, ♪ ♪ so we suppose ♪ ♪ We should let it grow ♪ ♪ Let it grow, let it grow ♪ ♪ You can’t reap ♪ ♪ what you don’t sow ♪ ♪ Plant a seed inside the Earth ♪ ♪ Just one way to know its worth ♪ ♪ Let’s celebrate ♪ ♪ the world’s rebirth ♪ ♪ We say let it grow ♪ ♪ My name’s Marie, ♪ ♪ and I am three! ♪ ♪ I would really ♪ ♪ like to see a tree ♪ ♪ I say let it grow ♪ ♪ I’m Grammy Norma I’m old, ♪ ♪ and I’ve got gray hair ♪ ♪ But I remember when ♪ ♪ trees were everywhere ♪ ♪ And no one had to pay for air ♪ ♪ So I say let it grow ♪ ♪ Let it grow, let it grow ♪ ♪ Like it did so long ago ♪ ♪ It is just one tiny seed ♪ ♪ But it’s all we really need ♪ ♪ It’s time to change ♪ ♪ the life we lead ♪ ♪ Time to let it grow ♪ ♪ My name’s O’Hare, ♪ ♪ I’m one of you ♪ ♪ I live here in Thneedville, too ♪ ♪ The things you say ♪ ♪ just might be true ♪ ♪ It could be time to start anew ♪ ♪ And maybe change ♪ ♪ my point of view ♪ Nah! I say let it die! ♪ Let it die, let it die ♪ ♪ Let it shrivel up and… ♪ Come on, who’s with me? Nobody. ♪ You greedy dirt-bag-‘ ♪ ♪ Let it grow, let it grow ♪ ♪ Let the love inside you show ♪ ♪ Plant a seed inside the Earth ♪ ♪ Just one way to know its worth ♪ ♪ Let’s celebrate ♪ ♪ the world’s rebirth ♪ ♪ We say let it grow ♪ ♪ Let it grow, let it grow ♪ ♪ You can’t reap ♪ ♪ what you don’t sow ♪ ♪ It’s just one tiny seed ♪ ♪ But it’s all we really need ♪ ♪ It’s time to ♪ ♪ banish all your greed ♪ ♪ Imagine Thneedville ♪ ♪ flowered and treed ♪ ♪ Let this be our solemn creed ♪ Thank you, Ted. ♪ We say let it grow ♪ ♪ In Thneedville ♪ ♪ We say let it grow ♪ ♪ It’s a brand new dawn ♪ ♪ We say let it grow ♪ ♪ In Thneedville ♪ ♪ We say let it grow ♪ ♪ It’s a brand new dawn ♪ You done good, Beanpole. You done good. By the way, nice mustache.
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Posted by MАTTRESS,
You know when I said I knew little about love? Well that wasn't true. I know a lot about love. I've seen it. I've seen centuries and centuries of it. And it was the only thing that made watching your world bearable. All those wars. Pain and lies. Hate. Made me want to turn away and never look down again. But to see the way that mankind loves. I mean, you can search the furthest reaches of the universe and never find anything more beautiful. So, yes, I know that love is unconditional. But I also know that it can also be unpredictable, unexpected, uncontrollable, unbearable and, well, strangely easy to mistaken for loathing. And, what I'm trying to say, Tristan, is I think I love you! My heart, it feels like my chest can barely contain it. Like it doesn't belong to me anymore. It belongs to you. And if you wanted it, I's wish for nothing in exchange. No gifts, no goods, no demonstrations of devotion. Nothing but knowing that you love me, too. Just your heart in exchange for mine.
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mhm
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Posted by Katumai,
mod power WOOO
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Posted by Katumai,
[Verse 1] I know you know, I'm not too discreet Walking around, heart on my sleeve So, you say you love me, but not the way I need Things are so close to what I want to be I've known you so long and maybe too well All of the boys, you kiss-and-tell Though, I'll never be them. See, I'm just a good friend Though it's not quite bliss, I don't want this to end [Refrain] Oh, oh she wants me to be loved Oh, oh she really, really does [Chorus] Oh, I can't stop feeling, I want her love But all my dreaming is not enough So in the morning, the sun will rise And I'll wake up and she won't be— [Refrain] Oh, oh she wants me to be loved Oh, oh she really, really does [Verse 2] Let's take a walk down by the beach It's warm on the sand, we'll save space for Jesus I'll pick you flowers while you count the hours 'Til you can go home and watch drama TV I'll say it now, there's no turning back Time after time, my odds are stacked So, I'll say no kiddin' while you wish I didn't Maybe this time will be different for me [Refrain] Oh, oh she wants me to be loved Oh, oh she really, really does [Chorus] Oh, I can't stop feeling. I want her love But all my dreaming is not enough So in the morning, the sun will rise And I'll wake up and she won't be— [Bridge] One day you'll love me before we grow old All of your wishes to have and to hold I'll do your dishes and ask for no kisses So, I'll tell you what I want if You tell me what you want is Quit movin', quit dancin' Why can't you love me here tonight? [Chorus] I can't stop feeling, I want her love But all my dreaming is not enough So in the morning, the sun will rise And I'll wake up and she won't be mine I can't stop feeling, I want her love But all my dreaming is not enough So in the morning, the sun will rise And I'll wake up and she won't be— [Refrain] Oh, oh she wants me to be loved Oh, oh she really, really does Oh, oh she wants me to be loved Oh, oh she really, really does
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Posted by MАTTRESS,
A philosopher once asked, "Are we human because we gaze at the stars, "or do we gaze at them because we are human?" Pointless, really- Do the stars gaze back? Now, that's a question- But I'm getting ahead of myself- Our story really begins here, 150 years ago at the Royal Academy of Science in London, England, where a letter arrived, containing a very strange inquiry- It had come from a country boy and the scientist who read it thought it might be a practical joke of some kind- But he duly wrote a reply politely explaining that the query was nonsense- And posted it to the boy who lived in a village called Wall, so named, the boy had said, for the wall that ran alongside it- A wall that, according to local folklore, hid an extraordinary secret- I'm charged with guarding the portal to another world. And you're asking me to just Iet you through? Yes. Because, Iet's be honest, it's a field. Look, do you see another world out there? No. You see a field. Do you see anything nonhuman? No. And you know why? Because it's a field! Hundreds of years, this wall's been here. Hundreds of years, this gap's been under 24-hour guard. -Well... -One more word, and I'II have you up in front of the village council! -Well, that sounds rather final. -Yeah. -Better just go home, then, I suppose. -Right, then. Night, Dunstan. Give my best to your father. Stop! Stop! I don't deal with time-wasters. Get over here and tend this stall. I'm off to The SIaughtered Prince for a pint. See anything you Iike? Definitely. I mean, what I meant was these ones, the blue ones. How much are they? They might be the color of your hair. Or they might be all of your memories before you were three. I can check if you Iike. Anyway, you shouldn't buy the bluebells. Buy this one instead. Snowdrop. It'II bring you Iuck. But what does that cost? This one costs a kiss. Is she gone? Follow me. I'm a princess, tricked into being a witch's slave. Will you Iiberate me? It's an enchanted chain. I'II only be free when she dies. Sorry. Well, if I can't Iiberate you, what do you want of me? So, the scientist was wrong- The wall had successfully done its job of hiding the magical kingdom of Stormhold- The young man returned that night to his home in England, hoping that his adventure would soon be forgotten- But nine months later, he received an unexpected souvenir- This was Ieft at the wall for you. It says here his name is Tristan. Tristan? Don't forget the flowers. Yes. I've got them. Thank you, Father. Eighteen years passed, and the baby Tristan grew up knowing nothing of his unconventional heritage- But never mind how the infant became a boy- This is the story of how Tristan Thorn becomes a man, a much greater challenge altogether- For to achieve it, he must win the heart of his one true love- -It's him! -It's him! Humphrey? Humphrey? -No, it's Tristan. -Oh. Did I Ieave something at the shop? No. I just thought I could bring... Tristan Thorn, shop boy by day, peeping Tom by night. Is there no end to your charms? Humphrey, there's no need to be Iike that. Be nice to the poor boy. Were those for Victoria? You were always useless at fencing in school, Tristan. In fact, I'm having trouble remembering if there was anything you were good at. Humphrey, that's enough. Are you all right? Yeah. Yeah, fine. -Want some breakfast? -No, I'm really Iate for work. -Are you all right? -Yeah. Fine. Why? Oh, I don't know. Last night, how'd it go? Oh, really good. Really, really good. Hello, Tristan. -Victoria. -Pound of sugar, please. -Yes. -Let's see, a bag of flour, a dozen eggs. Oh, Iook, I'm sorry about Iast night. Humphrey was really rude. I also need a sack of potatoes and some chocolate, please. May I perhaps see you tonight? No, but you may walk me home. Now? Yes. Yes, I can. Father, I Iost my job. Father, I don't... I Iost my job. I'm sorry. -Father... -You Iost your job. Yes, so I heard. Father, I'm sorry. I... Maybe Mr. Monday was right. Maybe I am deluding myself. -I'm not good enough for Victoria. -He said that? That's poppycock. You really want to know how it went Iast night? Yeah. Not good. Come on. I'm wasting my time. I'm not Iike Humphrey. Tristan, I can tell you that every man I ever envied when I was a boy has Ied an unremarkable Iife. So you don't fit with the popular crowd. Now, I take that as a very good omen. -Tristan, I clearly said... -I know. You told me not to come. I have something for you. A surprise. No... It's not my birthday for another week, you know. -I've never had champagne before. -Yeah, me, neither. My God! This is delicious! How did... Well, how does a shop boy afford all of this? I'm not a shop boy. God! I heard. I'm sorry. What are you going to do now? No. I mean, I'm not a shop boy. I was just working in a shop. And now I'm not. Now I'm free to Iive my Iife as I wish. This must have been all your savings. So? I can make more. That's the beauty of it. I never intended to stay in Wall, Victoria. There's a big world out there, I'm gonna make my fortune. Now you sound just Iike Humphrey. He's quite a traveler. Do you know he's going all the way to Ipswich just to buy me a ring? Ipswich? Victoria, I'm talking about London or Paris or... A ring? Why is he... What kind of a ring? The word is he's planning to propose to me on my birthday. He's going to... And you're gonna say yes. I can't exactly say no after he's gone all the way to Ipswich. "AII the way to Ipswich"? Victoria, for your hand in marriage, I'd cross oceans or continents. -Really? -Yes. Victoria, for your hand in marriage, I would go to the gold fields of San Francisco and bring you back your weight in gold. I would. I'd go to Africa and bring you back a diamond as big as your fist. Or I'd go to the Arctic and I'd slaughter a polar bear and bring you back its head. A polar bear's head? You're funny, Tristan. People Iike you and people Iike me, we're just not... I should be going. It's really Iate. Well, hold on, then. Let's at Ieast finish the champagne. Okay. Had Tristan known then how the stars watched Earth, he'd have shuddered at the very thought of an audience to his humiliation- But, fortunately for him, nearly every star in the sky was at that moment Iooking in earnest at the land on the other side of the wall, where the King of all Stormhold lay on his deathbed, which was a coincidence because it was the King's final act that would change the course of Tristan's destiny forever- Where is Secundus? He's on his way, Father. Then we shall wait. Sorry I'm Iate, Father. I came as swiftly as I was able. Septimus. Primus. Tertius. So, to the matter of succession. Of my seven sons, there are four of you today still standing. This is quite a break with tradition. I had 12 brothers. And you killed them all for your throne before your father, the King, even felt poorly. We know, Father. You're strong and courageous. And cunning. Most importantly, cunning. -Secundus. -Yes, Father? Look through the window. Tell me what you see. I see the kingdom, Father. The whole of Stormhold. -And? -My kingdom? Maybe. Look up. -Secundus. -Sextus. Quartus. Quintus. You're alive. You're... Stuck Iike this till the new king is crowned. I was that close. Well, at Ieast you haven't Iost your Iooks. Oh, please. You're not annoyed about that whole murder thing, are you? -I mean, that was 10 years ago. -Yeah. Great deal of good it did you, didn't it, killing me, Secundus? Because now, of course, now you are King of all Stormhold. Oh, sorry. Wait. No, you're not. You're dead. Una? Una? No, Father, it's me, your son. Tertius. Where is your sister, Una? Sorry, Father. Nobody has seen Una for years now. -Septimus? -What? Tradition dictates the throne must pass to a male heir. Exactly, Father. So why would I kill my sister when these cretins are still alive? Indeed. Therefore, we shall resolve the situation in a non-traditional manner. Only he of royal blood can restore the ruby. And the one of you that does so shall be the new King of Stormhold. Oh, Tristan! A shooting star! Beautiful. More beautiful than a fancy ring from Ipswich? Victoria, for your hand in marriage, I'd cross the wall and I'd bring you back that fallen star. You can't cross the wall. Nobody crosses the wall. Now you're just being silly. I'm not being silly. I'd do it. For you, I'd do anything. My very own star. It seems we have ourselves an agreement. You have exactly one week or I'm marrying Humphrey. Mormo! Empusa! Wake up. Now! -What is it? -A star has fallen. Where are the Babylon candles? You used the Iast one, Lamia, 200 years ago. Do you not recall? Perhaps we can obtain another. Perhaps we can obtain another. Has your mind become as decrepit as your face, Empusa? You speak as if such things are freely available. I know, sister, I merely thought... You'd have us hunting for a Babylon candle while some other witch finds our star. Fool. There's no time to waste. If we must retrieve it on foot, then we shall. Mormo, we need information. If these divinations are correct, the fallen star Iies 1 00 miles away. Four centuries we've waited for this. What hardship a few more days? Which of us shall go, then, to seek it and bring it back? -I've his kidney. -I've his Iiver. And I've his heart. You'II be needing what's Ieft of the Iast star. -There's not much Ieft. -Soon, there'II be plenty for us all. -Dunstan Thorn. Not again. -It's Tristan, actually. Oh. You do Iook a bit Iike your father. And I suppose you intend to cross the wall as well, do you? Well, you can forget it. Go home. Cross the wall as well as who? No one. Nobody. Nobody crosses the wall. You know that! Everybody knows that! Yeah... No, no, I know. I understand. Nobody. Well, I better just head for the old homestead, then. Yeah. -Right, then. Night, Tristan. -Good night. Give my best to your father. Off you go. I thought I heard you come in. Hey, what happened? Are you hurt? No, I'm fine. -That Humphrey again? -No. Actually, it was the guard. The guard at the wall. Tristan, he's 97 years old. Well, that's given him plenty of time to practice, then, hasn't it? Why, may I ask, were you trying to cross the wall? I might ask you the same thing. I have a mother. I mean, I have a mother. She could still be alive. Oh, I hope so. I certainly Iike to think so. The chain you cut. Just Iike you said. And... And the glass flower. The flower she sold to you. She told me it would bring me Iuck. Thank you. This was also in the basket. I've never opened it. It's addressed to you. Yep. "My dearest Tristan, please know that I only ever wanted the best for you." Had my mistress allowed it, I would have kept you in a heartbeat- My dearest wish is that we will meet someday- The fastest way to travel is by candlelight- To use it, think of me and only me- I will think of you every day, for always- "Your mother." Well, do you... Do you have a Iight? Mother? Oh! Oh, Mother, I'm so... I'm so sorry. Are you all right? No, I'm not. And I'm not your mother, so get off me! You're... You're not my mother? Do I Iook Iike I'm your mother? No. Sorry. Well, are you all right? Do you want some help? You can help by Ieaving me alone! AII right. Oh, my God. "Light the candle and think of me." I was. I was thinking of my... But then Victoria and the star just popped into... Oh, excuse me, madam. Sorry. This may seem strange, but have you seen a fallen star anywhere? -You're funny. -No, really, we're in a crater. This must be where it fell. Yeah, this is where it fell. It is. Or if you want to be really specific, up there is where this weird, bloody necklace came out of nowhere and knocked it out of the heavens when it was minding its own business. And over there is where it Ianded. And right here, this is where it got hit by a magical flying moron! You're the star! You're the star? Really? Oh, wow. I'm sorry. I had no idea you'd be a... May I just say in advance that I am sorry? -Sorry for what? -For this. Now, if I am not mistaken, this means you have to come with me. See, you're going to be a birthday gift for Victoria, my true Iove. But of course! Nothing says romance Iike the gift of a kidnapped, injured woman! I'm not going anywhere with you. Hurry. You should be on your way now, Primus. You must find the royal necklace with the ruby before your brothers. I should Iike to see you take the throne. The first benevolent king. I don't doubt Stormhold would be a better place under your rule. Really? Well, that is fascinating. -Don't you think, Tertius? -Yes, indeed. Prince Septimus! Tertius. Well... Well. Well, well, I... Since you're all here, won't you join me in a toast? What a very good idea. To the new King of Stormhold, whichever of you fine fellows it might be. To the new King of Stormhold. You! You really thought that you were king? -You killed the Bishop? -No, Primus. I think you'II find that you killed the Bishop by drinking out of the wrong cup. Oh, Iook, when you finish wrestling with your conscience, may I suggest you return to your chamber? Leave the quest for the stone to me. How have we Iived this way all these years? In my absence, I expect you to make it fit for the queens we are. When I return with our prize, all of us shall be young again. Never fear, my sisters. I will not fail. Don't you ever sleep? Not at night. May have escaped your notice, genius, but that's when stars have rather better things to do. They're coming out, shining, that sort of thing. Yeah, well, it may have escaped yours, but you're not in the sky anymore. Coming out is off the agenda. Shining has been suspended until further notice. Oh, and sleeping during the day is O-U-T. Unless you have some magical ability to sleep while you're walking. Have you not got it into your thick head yet? I'm not walking anywhere! Fine. Sit in a crater. I've had enough of you anyway. I was gonna put you back in the sky once I'd brought you to my Victoria, but clearly, you'd rather sit on your own in the middle of nowhere forever. And just how were you planning to get me back to the sky? I find the fastest way to travel is by candlelight. -You've got a Babylon candle. -Yeah, I have a bubbling candle. -A Babylon candle. -That's what I said. You said "Bubbling." Anyway, I was going to give what's Ieft of it to you. Well, that barely has one use Ieft. So be grateful I'm not using it right now to get us both back to the wall. Unless you have a better way of getting yourself home. Fine! Help me up. AII right. AII right. I'm helping. And you are gonna have to walk quicker than that. Otherwise, I'II never get you back to Victoria in a week. Don't push your Iuck. Don't take Iess than a florin for him, Bernard! You understand? -Yes, Mother. -No dilly-dallying! And don't even think of stopping at the tavern, Bernard, or you'II be sorry! A florin for your goat, boy. Oh. He's a bit small to pull your cart. You're quite right. That's much better. Bernard! Bernard! Get on! Who goes there? What do you want with me, a poor old flower... Oh, do shut up. I know what you are and I swear by the ordinances of the sisterhood to which we both belong that I mean you no harm this day. I wish to share your meal. Well, one can never be too careful. Sit down. I'II get you a seat. -Anything else? -Nope. What's it to be? Heads or tails? Heads. So, stranger, where are you headed off to on this fine day? I seek a fallen star. She fell not far from here. And when I find her, I shall take my great knife and cut out her heart while she still Iives. And the glory of our youth shall be restored. Fallen star? That's the best news I've had in ages. I could do with Iosing a few years meself. So whereabouts did you... Limbus grass! You dare to steal truth from my Iips by feeding me Iimbus grass? Do you have any idea what a big mistake you've made, Ditchwater Sal? How do you know my... -Who are you? -Look again. I shall not seek the star, Your Dark Majesty. I swear. Seek all you wish. You shall not see the star, touch it, smell or hear it. You will not perceive her even if she stands before you. Pray you never meet me again, Ditchwater Sal. Oh, right. So Iet me get this straight. You think you know we're going the right way because... And I quote, "I just do." I do, though. I don't know why. Maybe it's my Iove for Victoria guiding me home. -PIease. -Yvonne, whether you Iike it or not... Yvaine! My name is Yvaine, so... How many times do I have to... Would you... Would you please slow down? Yes, yes. Look, we're... We're going north, all right? The wall's north. And if you Iook up in the sky, even during the day, you can see the... The evening star. That's so weird. That's funny. Hilarious. My sides are splitting. No, I'm being... Wait that... That was you! Really? What... What are... -What are you doing? -What does it Iook Iike I'm doing? -Sitting down. I'm tired. -PIease don't do this again. We agreed we'd stop off at the next village to eat and rest. Come on, Tristan. It's midday. I never stay up this Iate! Just, please, Iet me sleep! Okay, you... Well, then I'II... You sleep. I'II go and get something to eat. What are you doing? What does it Iook Iike I'm doing? I'm making sure you don't run away. Your Highness, the soothsayer, as you requested. South, you said. South we went. Still no stone. Do you now propose we start swimming? Sire, I've merely relayed to you what the runes have told me. I can do no more. Well, consult them again. Wait. Before we seek the stone, I have another question. Am I the seventh son? Yes. Another question. Is my favorite color blue? Yes. Has excessive begging or pleading ever persuaded me to spare the Iife of a traitor? What does that mean? -That means no. -Good. Throw them again. This time, throw them high. Do you work for my brother? So, do we continue west? Tristan? Who's there? Tristan, is that you? It's not funny. Tristan? Come on. Be careful how much magic you use, sister. It's beginning to show. One goat and a small enchantment. Hardly extravagant. Well, even using the ring will take its toll. Better you call on us only in dire need. And use your runes to Iocate the star yourself. I used them and she should be here. But now they're just telling me gibberish. It is because you must stay where you are, my sister. She is coming to you. Oh, be warned, Lamia. Delicacy is needed. Misery has drained her. She's barely shining. Set a trap that ensures her heart is glowing before you cut it out. Yvaine! Yvaine! Oh, you idiot. You shall become human. You are Billy, the innkeeper. I am your wife, and you're our daughter. Now, make everything ready. Our special guest will be here soon. I mean, who's to say he'd have even kept his promise about the candle? I just refuse to believe he's the only person in Stormhold who could've helped me. Going on and on and on. Just "Victoria this" and "Victoria that." Tristan? Please protect our sister, Tristan- Yvaine is in grave danger- The unicorn came to help her- But now they're heading into a trap- No star is safe in Stormhold- The last to fall, 400 years ago, was captured by the same witches who seek Yvaine now- They tricked her, cared for her, and when her heart was once more aglow, they cut it from her chest and ate it- There's no time to waste- A coach is coming- By any means possible, you must get on it- Run- Whoa! If Septimus insists on sending a boy to do a man's job... No, no, no, wait, please! I don't know a Septimus. I just need a Iift. Look at me, Iook at me. I'm unarmed. PIease. PIease, Iet me ride with you. I'm afraid that's impossible. I'm on a quest of enormous importance. Well, then all the more reason to take me with you. There may come a time when you need a second pair of hands. Sir? PIease. Maybe providence sent me to you just as it sent you to me. -Get on. -Oh, yes. Thank you. Goodness me, my dear. Come in out of this wretched rain! We have food and drink, a warm bed and plenty of hot water for a bath. How do you Iike your bath? Warm, hot or boil-a-Iobster? I honestly don't know. Then Iet me choose for you, and I'II have my husband take your horse to the stable. Billy? Now, Iet's get you out of your wet things, shall we? Feeling better? Much. Thank you. The warm water's actually done me a world of good. You see? The powers of a nice, hot bath. And your Ieg? Any improvement? That is extraordinary. It's the very Ieast I could do. I'm just glad you're feeling better. You seem happier in yourself, too. I do feel happier. Less troubled. Wonderful. Nothing Iike a nice soak to warm the cockles of your heart. Now, I'm only a simple innkeeper's wife, but I've been told I have a healer's hands. I'd be glad to give you a massage. What's a massage? Never had... Well, bless my soul. Nothing Iike a massage to send you off for the finest and deepest night's sleep. I do have trouble sleeping at night. Lie on your back, dear. Why not close your eyes? You'II drift off better that way. Hello! Service! Maybe we should carry on and try the next inn, especially if this stone is as close as your runes say. I'II give it one more try. Relax here, my Iove. I'II be back just as soon as I've taken care of this customer. At Iast. We require accommodation. PIease help my friend take the horses to the stables. Hello! Oh. I'm accustomed to better service, but you're awake now and that's what counts. Prepare your best room. -She got the stone. -Stone, stone. I'II thank you not to bother my guest, sir. I am the Iady of this inn. GIass of wine? No, no, no, no, no. No. Until my brother is dead, I have vowed to drink only my own wine. Though my friend in the stables might be glad of a drop. Your best room, perhaps? Of course. I'm sorry. I presumed that... Traveling alone, are you? I've just stabled my four black stallions and my carriage. Well, I say mine. It belonged to my Iate father. Thank you. That's so kind, thank you very much. My name's Tristan. What's yours? Bernard. There was not a horse or beast he could not master. So much so that in his youth, he took to riding a camel, which was comical. When he passed, the carriage came to me. She's got the stone! -She's got it! -She's got it! And it's the Iargest in all of Stormhold, so they say. How nice for you. If you'II excuse me. Wait. That stone you're wearing. It can't be. -Oh, finally. -Yeah, good, well done, yes, sir. -Well done. -Sweet. Come here. Let me see it. You have no idea what you're meddling with. I am Primus, the first born of Stormhold and I demand that you bring it to me! Bring me the stone! Now! Prince Primus! Don't touch anything they give you! They tried to... -Are you all right? -Billy! Get him! The burning golden heart of a star at peace is so much better than your frightened Iittle heart. Even so, better than no heart at all. Yvaine? Hold me tight and think of home. No! -What the hell did you do? -What did I do? What did you do? "Think of home!" That was a great plan! You thought of your home and I thought of mine and now we're halfway between the two! Oh, you stupid cow! What did you think of your home for? You just said "home"! If you wanted me to think of your home, you should have said! Some crazy Iady was going to cut your heart out and you wanted more specific instructions? Perhaps you'd Iike it in writing! Or a diagram, maybe! Look, Captain Shakespeare! Caught ourselves a Iittle bonus! A couple of Lightning Marshals! They don't Iook Iike Lightning Marshals to me. Why else would anyone be up here in the middle of a storm? "Why else would anyone be up here in the middle of a storm?" Well, Iet's think. Maybe for the same godforsaken reason we are! Now, who are you? Let's see if a night on our Iovely brig will Ioosen their Iips! -Get them in the brig! -You heard the man! Let's go! Get them into the brig and the rest of you dirty dogs, back to work! We've got Iightning to catch! Come on! -They're going to kill us, aren't they? -I don't know. You know, it's funny. I used to watch... I used to watch people having adventures. I envied them. You ever heard the expression, "Be careful what you wish for"? What? So ending up with my heart cut out, that'II serve me right, will it? No. No, I didn't... I didn't mean it Iike that. Look, I admire you dreaming. Shop boy Iike me, I could never have imagined an adventure this big in order to have wished for it. I just thought I'd find some Iump of celestial rock and take it home, and that would be it. And you got me. If there's one thing I've Iearned in all my years watching Earth, it's that people aren't what they may seem. There are shop boys and there are boys who just happen to work in shops for the time being. And trust me, Tristan, you're no shop boy. You saved my Iife. Thank you. Well, well, well. The Iast brother dead. Which means that I'm king. I'm king! Not yet, brother. Damn. I still need the stone. -Your brother doesn't have it? -Well, why don't you find out? Where is my stone? I don't... The man, see, your brother... I heard him speak of a stone. Yeah. The girl had it. The girl had it. -What girl? -I don't know. A girl. She got away. Because this was a trap set up for her, but your brother, he come just straight into it. A trap? Set by who? A woman you should pray you'II never meet. She's... She's gone. She took your brother's carriage. This woman wanted my stone? No. She wanted the girl's heart. She said the girl was a star and she wanted to cut out her heart and... Eat it? Oh, my God. Do you have any idea what this means? Everlasting Iife. King forever. It's not here, sire. This idiot's coming with us. -Ask again. -We have asked again and the answer is still the same. She is airborne! Well, she can't remain so forever. Inform me as soon as she touches ground! Immediately! Do you understand? Watch your tongue, sister! It is you and not we who've Iost her. Lost her and broken the knife! Even if you apprehend her, how will you complete the deed? Perhaps you should return now and one of us set out in your place. Don't be absurd. I'II bring her home and deal with her there. Be sure everything is ready for our arrival. Tell me about Victoria then. Well, she... There's nothing more to tell you. Because the Iittle I know about Iove is that it's unconditional. It's not something you can buy. Hang on. This wasn't about me buying her Iove. This was a way for me to prove how I felt. And what's she doing to prove how she feels about you? Well... Look, Yvaine, you'II understand when you meet her. AII right? Provided we don't get murdered by pirates first. Murdered by pirates. Heart torn out and eaten. Meet Victoria. I can't quite decide which sounds more fun. We've Iocated the sky vessel. It's headed north for the port town on Mount Drummond and you are no Ionger the only one seeking the star. There's someone following your tracks! A witch? A warlock? A prince and he's catching you up! Get a move on! So, this is the part where you tell me who you are and why you're up here. Or I'II snap her pretty Iittle fingers one by one Iike dry twigs! My name is Tristan Thorn. -This is my wife, Yvaine. -Your wife? Far too young and radiant to belong to just one man! It's share and share alike aboard my vessel, sonny boy! If you dare even touch her... You may think you're showing a Iittle spirit in front of your Iady friend, but if you talk back to me again, I'II feed your tongue to the dogs, you impertinent Iittle pup! -Sir? -Better! But still interrupting. Let's see. A hanging's always good for morale! Maybe we'II watch you dance a gallows jig! Or perhaps I'II just tip you over the side and have done with it! It's a very Iong way down. PIenty of time to reminisce about your pitifully short Iives. PIease, Iook, we're just trying to make our way home, back to a place called Wall, where I come from. What did you say? I said we were trying to get home to Wall. That's one Iie too many, my son. -Wall? -Shut up. What's he saying? Thought you could just wander onto my patch, did you? -He is. Yeah, he's gonna... -And Iive to tell the tale? AII right, go, on the deck, on the deck, on the deck! Now, go, go, go! Big mistake, Mr. Thorn! And the Iast one you'II ever make! -No! No! You brute! -Come... Come on! -You murderer! You pig! -Come on! Get up! Get up! I'm taking the girl to my cabin, and mark my words, anyone who disturbs me for the next few hours -will get the same treatment! -What? You'II... No, you idiot! I'II sling you over the side as well! Oh, yeah. Captain's busy. So should you be. Get in there, wench! So, that went well, I thought. Now, tell me news of my beloved England. I want to hear absolutely everything. Hang on. I can't believe your crew fell for that. And where in God's name did you get that mannequin from? Oh, it works every time. An ounce of bargaining, a pinch of trickery, a soupcon of intimidation, et voila! The perfect recipe for a towering reputation without ever having to spill one drop of blood. Ever try to get blood stains out of a silk shirt? Nightmare. Right. I still don't understand how they won't recognize me. Tristan, dear boy, when I'm done, your own mother won't recognize you. Now, we've no time to waste. We have only two hours before we make port. First and foremost... It'II be so good to see you out of those dreary clothes. So very small-town errand-boy. Howlingly parochial. Here. Tres you. I wore it as a younger man. I hate to throw anything away. You know the day you do, it'II come back in fashion, be oh, so de la mode- Now, you, darling. I have some Iovely dresses. Take your pick. Oh, no, really, I'm fine. Honey, you're wearing a bathrobe. Now, England, England. I want to hear everything. -You're not from England. -Oh, no, sadly, no. But from my earliest youth, I Iapped up the stories. People always told me they were nothing more than folklore, but my heart told me they were true. As a boy, I'd scurry away from my father at the market while he did his deals just to peek over the wall, dream of, perhaps, crossing it one day, seeing England for myself. Really? So you... You were here Iooking over there. Oh, yes. -Hair. -Hair? Mind you, I did my best to fit in. Tried to make my father, Captain Ghostmaker, proud. Forged a decent reputation as a ruthless marauder and cold-blooded killer. But my father died. I always promised him I'd take over the family business, keep the old girl flying. You have no idea the Iightness it brings to my heart being able to confide in you charming young people. The pressure of maintaining the whole Captain Shakespeare persona for the sake of the crew, I don't know. Sometimes... You see, I'm very much a man of my own creation. Even chose the name specially. Took me ages. See, I'm thinking Iegendary British wordsmith. My enemies and crew are thinking, "Shake! Spear!" It's Iittle things Iike that make me happy. I don't understand that. Surely it would make you happier just to be yourself. Why fight to be accepted by people you don't actually want to be Iike? Yeah. Why would anyone do that to himself? Exactly. Port ahoy! Ready the Iightning barrels! Hurry up. Yeah. Doesn't seem very fresh. I'II be honest. Shall I give you a Iittle taste, young Ferdinand? No, no. Oh, there you go. Brilliant. Like they're cheap. I think it's still crackling, very much alive, still tres fresh. -So, name your best price. -For 10,000 bolts? Ten thousand bolts of finest quality grade A. Yeah, but it's difficult to shift, isn't it? Difficult to store. If I get the Revenue Men in here sniffing round, what's the... Best price, 150 guineas. Gentlemen, put the merchandise back onboard and prepare to sail. Gentlemen, put the merchandise back onboard and prepare to sail. -Whoa, whoa, whoa. -Ferdinand, always a pleasure. Hold on. Hold on. One minute. Hold on, cuddles. -Oh, he's... -One-sixty. One-sixty. Seeing as I'm feeling particularly generous today, I'II settle for 200. Two hundred? Okay. You're having a Iaugh. Have you had your head in that? Has he been sailing up where the air's too thin? -You're being very rude. -Not anymore. -Two hundred. -One-eighty. -Two hundred. -That's not negotiation. I'm changing my number. One-eight-five. -Did I hear 200? -From you, you did. Yeah. -You said 200. -If I did, you're a ventriloquist. Okay, one-nine-five. Final offer. One-nine-five it is. So, with sales tax, that's, Iet's see, 200. Brilliant. Put it in the back. Unbelievable. Here. Yes? Can I help you? Nosy. Have you heard any of these rumors going round about a fallen star? Everyone's talking about it. You get your hands on one of them, we can shut up shop. Retire. -Fallen star? -Yeah. -Nothing on your travels? -No. Not even a Iittle sniff of a whisper? Everyone's going on about it down at the market. Which market? The market near the wall? Yeah. Well, Ferdy, you're wasting your time Iistening to gossip from the kind of pond scum trading down there. -Well, if it... -Oh, my word! Speak of the devil. Oh, yeah? What were you saying, then? Oh, what a wonderful woman you are, Sal. How the world wouldn't be the same place without you. You Iook great. You've had your feet done, haven't you? But, you two, you have business to attend to. Sal. Ferdy. Good day. Come on. I've got something new for you. Captain Shakespeare. Stand down! Meet my nephew, the fearsome buccaneer, Tristan Thorn. He'II be joining us for our journey home. I have the perfect gift to keep you amused on the way. Oh... Right, you Iazy dogs! Let's get young Tristan on his way home! Touche. I'm impressed. Yvaine, I know what you are. No, no. Have no fear. No one on this vessel will harm you, but there are plenty who would. Your emotions give you away, Yvaine. You must Iearn to control them. You've been glowing more brightly every day, and I think you know why. Of course I know why I'm glowing. I'm a star. -And what do stars do best? -Well, it's certainly not the waltz. -Now try. -Okay. -See? -Very good. Due west, you say? And you're certain he had a girl with him? Yeah. You're sure? Absolutely sure? Sure you're not Iying? I'd cross my heart if I had one. -Brilliant. -You'd better be telling the truth, you two-faced dog. I can get you one of them, actually. Very good guard dogs. They can watch the back and the front door at the same time. I can get you anything you want. What are the chances of getting a Babylon candle? That one's slim. AIthough, I did know a girl once, if you know what I mean... I'm a Iadies' man. ...who had a sister... I think it was a woman. Oh, she was terrible. Face Iike a bag of frogs. Ugly frogs. Enough. Hold on tight! The Captain's at the helm! So there's the road you'II need for Wall. Good Iuck on your journey home, Yvaine, wherever that may be. And good Iuck to you, Tristan, with your Victoria. Oh, how can we ever thank you enough for your kindness? Don't mention it. No, seriously, don't mention it. Reputations, you know. A Iifetime to build, seconds to destroy. Oh, and Tristan, just remember... Just think about it. Well, give my regards to England. It's been a pleasure to meet you both. Mind you don't wear that wench out, Captain Tristan! What did he say to you? What did he say when? Just then. When he whispered to you. No... No, he... He was just saying we should use the Iightning to get you a Babylon candle. Barter for it, you know. For the Iast time, where is the girl? The girl with the stone! Where did she go? -Are you mocking me? -No... 'Cause if you are, believe me, you have seconds to Iive! What a freak. CIean this thoroughly. Bollocks. If you have quite finished squandering your magic on your rather counterproductive beauty routine, you might Iike to know that the star has returned. She's back on Iand. I know, damn it. I couldn't reach the Iake in time. No matter. We have found her. She is on the road to the village of Wall. If you take the shortcut across the marshes, you should arrive in time to intercept her. Yvaine. -Are you trying to break my Ieg again? -I'm sorry. I'm sorry. I just... I can't risk people seeing you. I don't trust anyone. But at this rate, if we keep stopping... Yvaine. We're making good time. Just Ieave it a minute. Aren't you tempted? Tempted? By what? Immortality. Let's say it wasn't my heart. Not me. Just a star you didn't know. You seriously think I could kill anyone? I mean, even if I could... Everlasting Iife? I imagine it would be kind of Ionely. Well, maybe if you had someone to share it with. Someone you Iove. Maybe then it might be different. Come on, I think we're safe. Now remember, Captain Shakespeare has a fearsome reputation. -What the hell is this? -What are you doing here? My name is Prince Septimus. And you're going to tell me where I can find the girl. AII right, twinkletoes. I'm gonna count to three. One, two... You know, you sort of glitter sometimes. I just noticed it. Is it normal? Let's see if you can work it out for yourself. What do stars do? Attract trouble? That's... AII right, I'm sorry. Wait, I'm sorry. AII right, Iet me... Let me... Do I get another guess? Is it... Do they know exactly how to annoy a boy called Tristan Thorn? -How Iong will that take? -Maybe two days. But we don't have two days. Victoria's birthday is tomorrow. Yes, it is. Well remembered. -Nice cup of Earl Grey. -Get out, everybody. Get out. Did he hurt you, Captain? Did you tell him where your nephew and the girl went? So what's the problem? It's my reputation. No. No, no. Don't be silly. Nonsense. It's all right, Captain. We always knew you were a whoopsie. -You'II always be our captain, Captain. -Aye, aye, Captain. Captain. Yeah. Let's go, Iet's go. Prince Septimus, your men, they're dead. Oh, really? Go on! I met that woman. She's friends with the Captain. He said she trades at the market near Wall. -We could hitch a Iift. -Really? She's a friend of the Captain's? -You sure? -Yes, yes. Wait! Sorry! My name is Tristan Thorn. This... That's my flower. Eighteen years I've been Iooking for that. Give it to me now! How dare you? That was a gift from his mother! Oh. Perhaps I was mistaken. It's all right. It's obviously very valuable to you, so you can have it in exchange for what I need. -A Babylon candle? -And safe passage to the wall. A Babylon candle? Oh, no, no, no. I don't deal in black magic. Really? Well, can you give us a Iift then? To the wall? Well, why didn't you say so in the first place? For that flower, I can offer you passage. -Food and Iodging on the way? -Safe passage. I swear that you will arrive at the wall in the exact same condition that you're in now. Do you have any idea what manner of thing it was that you had? Some kind of Iucky charm? A very Iucky charm indeed. Protection. In fact, the exact same thing that would've prevented me from doing this. -Oh, my God! What did you do? -Much better. You shall not see the star, touch it, smell or hear it- Though I'II keep me word. You shall not be harmed. There. Food and Iodging just as I promised. Would I be correct in thinking that you can neither see nor hear me? Then I'd Iike to tell you that you smell of pee. You Iook Iike the wrong end of a dog. And I swear, if I don't get my Tristan back as he was, I'II be your personal poltergeist! Tristan? If you can understand me, Iook at me now. You know when I said I knew Iittle about Iove? Well, that wasn't true. I know a Iot about Iove. I've seen it. I've seen centuries and centuries of it. And it was the only thing that made watching your world bearable. AII those wars. Pain and Iies. Hate. Made me want to turn away and never Iook down again. But to see the way that mankind Ioves. I mean, you could search the furthest reaches of the universe and never find anything more beautiful. So, yes, I know that Iove is unconditional. But I also know it can be unpredictable, unexpected, uncontrollable, unbearable and, well, strangely easy to mistake for Ioathing. And what I'm trying to say, Tristan, is I think I Iove you. My heart, it feels Iike my chest can barely contain it. Like it doesn't belong to me anymore. It belongs to you. And if you wanted it, I'd wish for nothing in exchange. No gifts, no goods, no demonstrations of devotion. Nothing but knowing you Iove me, too. Just your heart in exchange for mine. The wall is one mile that way. There. Though the walk might take you a Iittle Ionger than normal. Transformation tends to Ieave the brain a bit scrambled for a while. You... Oh! I warned you. Save your strength. I've been so worried about you. Victoria. I think I preferred "Mother." Come on. There's an inn over there. Victoria's birthday's not till tomorrow. I think you need a bath and a good night's sleep before you present me to her. Come on. Come. -Come on, Tristan. It's not that far. -Okay. -Excuse me? -Oh! -I think you're in my bath. -Well, close your eyes! I'm not... Honestly, I'm not Iooking. Here, I'II turn away. AII right, you can open them now. Did you really mean what you said in the caravan? What I... But... But you were a mouse! You were a mouse! You wanted cheese! You didn't... I asked you to give me a sign. And risk you being too embarrassed to keep saying such Iovely things? You want to know what the Captain really whispered to me that day? He told me that my true Iove was right in front of my eyes. And he was right. Hey, guys! Guys, come on! Come on, you got to come up and see this! No, thank you. -Pervert! -Suit yourself. -Ironic, isn't it? -Yeah. What is? Septimus will be here by the morning, find the girl, get the stone and be king forever. So unjust. Still, at Ieast we will be free. You're very close. She's in the market town. One mile from the gap in the wall. You speak as if this is good news. Do I need to remind you that Wall is not part of our universe? If she crosses the threshold into the human realm, our star becomes nothing more than a pitted Iump of metallic rock. Then I suggest you hurry up! What? Oh, what do you want? Sorry. Can I have a piece of paper and a pen? Ask me again at a more reasonable hour. No, I can't. I have to go. Look, if my friend wakes up before I get back, -please, can you give her a message? -Go on. You know, that's the first time I've ever slept at night. I can't believe it. Tristan? Have you seen my friend? He Ieft absurdly early. He Ieft? He told me to tell you he's gone to see Victoria because he's sorry, but he's found his true Iove and he wants to spend the rest of his Iife with her. What? -Are you sure? -I'm positive. Hey! Hey, wait! Wait! Happy birthday. Tristan. What happened to you? I found the star. I can't believe you did it. Where's my star? Can I see it? -Is it beautiful? -Yes. Well, it's awfully small. Well, that's just a Iittle piece. A token for your birthday. Well... Well, then forget about the star. It's not the star that I want. You know what I want. Yeah. I do. You want to grow up and get over yourself. -Humphrey. -Thorn. You must have a death wish. Humphrey. Humphrey, it's all right. She's all yours. You really are a perfect couple. The best of Iuck to you both. Well, why would I want this? It's just a measly handful of stardust! Yvaine? She can't cross the wall. Go on! Stop! Stop! If you go through there, you'II die! What? If you set foot on human soil, you'II turn to rock. Wretched slattern! Where have you taken me? PIanning to enter Wall, were you? If death is what you wish, my dear, I'd be more than happy to assist you. Are you talking to me? You. Small world. Anyhow, no, I wasn't. I was talking to the star. What star? My slave girl's no star. Any fool can see that. If she was, I'd have had the heart out of her chest a Iong time ago, trust me. Trust you? Not a mistake I'd be Iikely to make again. What's it to be, Ditchwater Sal? Heads or tails? -Oh, God. Time to go. -She's not going anywhere. I think you'II find she is. It's all right. You can come, too. You can ride in the carriage or be dragged behind it. Your choice. What happened? Be my guest. I quit. Eighty years I've stopped you people going out. What I should have been worrying about was those people from the other side coming in. AII right, just tell me what happened! What happened? Oh, where to start? No! Come on! Go on! The star! And who else? A slave for us. It will be nice to have someone to help mop up when we've finished with our Iittle guest. Oh, good work, sister. And just in time, I see! You Iook awful! Who are you? What business do you have here? Septimus? I knew your brother, Primus. Unless you wish to meet him in the afterlife, I suggest you answer my question. What are you doing here? I might ask you the same thing. There are four of them. Do as I say and we may stand a chance. Wait. How do I know you can be trusted? You don't. Why? Do you have a choice? -No. -Well, then, Iet's go. Get off me! Get off! -Una? -Septimus. -Una! -Sister! Tristan! No! Tristan! I'm your... I'm your... I'm your mother. I'm your mother. -Rather well. -Good riddance to you. Yes. Oh! Let's put out those flames. Shall we? So, what happens now? We have to Iearn to Iive with each other. Forever? Let's get on with it. Be the man that I know you are. -Get outside. -Okay. Go. -Tristan! -Get him. Get off! Get out! So, what's it to be, Prince Charming? Frog or tadpole? Septimus? Tristan! Youth. Beauty. It all seems meaningless now. My sisters are dead! Everything I cared about gone. Go. Go! No! I owe you thanks, boy. What use was her heart to me when it was broken? And you got rid of my sisters, and now I can have it all for myself. -Hold me tight and close your eyes. -What? Why? What do stars do? Shine. -Bravo! -Yeah! Very good. Why didn't you do that earlier? I couldn't have done that without you. No star can shine with a broken heart. I thought I'd Iost you. But you came back. Of course I did. I Iove you. Come on. Tristan. The last surviving male heir of the Stormhold bloodline. It's you, Tristan. But if he's the new King of Stormhold, then... I crown thee King Tristan of Stormhold. Yeah! My gift to you. To you both. Thank you. They ruled for 80 years- But no man can live forever, except he who possesses the heart of a star- And Yvaine had given hers to Tristan completely- When their children and grandchildren were grown, it was time to light the Babylon candle- And they still live happily ever after-
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wait it's a book? it sounded like a song lol
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Posted by MATTRESS,
yankee doodle keep it up, yankee doodle dandy, mind the music and the step and with the girls be hannnndyyy
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